Mercedes Lackey - This Rough Magic (Heirs of Alexandria, #2)

This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.
Copyright 2003 by Mercedes Lackey, Eric Flint & Dave Freer
All rights reserved, including the right to reproduce this book or portions thereof in any form.
A Baen Books Original
Baen Publishing Enterprises
P.O. Box 1403
Riverdale, NY 10471
www.baen.com
ISBN: 0-7434-7149-0
Cover art by Larry Dixon
First printing, December 2003
Library of Congress Cataloging-in-Publication Data
TK
Distributed by Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
Production by Windhaven Press, Auburn, NH
Printed in the United States of America

Also in this series:

The Shadow of the Lion

BARDIC VOICES

The Lark & the Wren
The Robin & the Kestrel
The Eagle & the Nightingales
The Free Bards (omnibus)
Four & Twenty Blackbirds
Bardic Choices: A Cast of Corbies
(with Josepha Sherman)
The Fire Rose
Beyond World's End
(with Rosemary Edghill)
Spirits White as Lightning
(with Rosemary Edghill)
Mad Maudlin
(with Rosemary Edghill)
Bedlam's Bard
(omnibus with Ellen Guon)
Born to Run (with Larry Dixon)
Wheels of Fire (with Mark Shepherd)
Chrome Circle (with Larry Dixon)
The Chrome Borne
(omnibus with Larry Dixon)
The Otherworld
(omnibus with Mark Shepherd & Holly Lisle)
The Ship Who Searched
(with Anne McCaffrey)
Castle of Deception
(with Josepha Sherman)
Fortress of Frost & Fire (with Ru Emerson)
Prison of Souls (with Mark Shepherd)
Lammas Night
(edited by Josepha Sherman)
Werehunter
Fiddler Fair

Joe's World series:

The Philosophical Strangler
Forward the Mage (with Richard Roach)

The Belisarius series, with David Drake:

An Oblique Approach
In the Heart of Darkness
Destiny's Shield
Fortune's Stroke
The Tide of Victory

The General series, with David Drake:

The Tyrant
1632
1633 (with David Weber)
Mother of Demons

The Forlorn
Rats, Bats & Vats (with Eric Flint)
Pyramid Scheme (with Eric Flint)

Eneko Lopez was not the sort of man to let mere discomfort of the body come between him and his God. Or between him and the work he believed God intended him to do. The Basque ignored exhaustion and hunger. He existed on inner fires anyway, and the fires of his spirit burned hot and bright. Some of that showed in the eagle eyes looking intently at the chalice on the altar. The low-burned candles and the fact that several of the other priests had fainted from exhaustion, cold or hunger, bore mute testimony to the fact that the ceremony had gone on for many hours. Without looking away from the chalice upon which their energies were focused, Eneko could pick up the voices of his companions, still joined in prayer. There was Diego's baritone; Father Pierre's deeper bass; Francis's gravelly Frankish; the voices of a brotherhood united in faith against the darkness.

At last the wine in the chalice stirred. The surface became misty, and an image began to form. Craggy-edged, foam-fringed. A mountain...

The air in the chapel became scented with myrtle and lemon-blossom. Then came a sound, the wistful, ethereal notes of panpipes. There was something inhuman about that playing, although Eneko could not precisely put his finger on it. It was a melancholy tune, poignant, old; music of rocks and streams, music that seemed as old as the mountains themselves.

There was a thump. Yet another priest in the invocation circle had fallen, and the circle was broken again.

So was the vision. Eneko sighed, and began to lead the others in the dismissal of the wards.

"My knees are numb," said Father Francis, rubbing them. "The floors in Roman chapels are somehow harder than the ones in Aquitaine ever were."

"Or Venetian floors," said Pierre, shaking his head. "Only your knees numb? I think I am without blood or warmth from the chest down."

"We came close," Eneko said glumly. "I still have no idea where the vision is pointing to, though."

Father Pierre rubbed his cold hands. "You are certain this is where Chernobog is turning his attentions next?"

"Certain as can be, under the circumstances. Chernobogor some other demonic creature. Great magical forces leave such traces."

"But where is it?" asked Diego, rubbing his back wearily. "Somewhere in the Mediterranean, an island, that much is clear. Probably in the vicinity of Greece or the Balkans. But which? There are a multitude."

Eneko shrugged. "I don't know. But it is an old place, full of crude and elemental powers, a repository of great strength, and..."

"And what?"

"And it does not love us," Eneko said, with a kind of grim certainty.

"It did not feel evil," commented Francis. "I would have thought an ally of Chernobog must be corrupted and polluted by the blackness."

"Francis, the enemy of my enemy is not always my friend, even if we have common cause."

"We should ally, Eneko," said Francis firmly. "Or at least not waste our strength against each other. After all, we face a common enemy."

Eneko shrugged again. "Perhaps. But it is not always that simple or that wise. Well, let us talk to the Grand Metropolitan and tell him what little we know."

Count Kazimierz Mindaug, chief adviser and counselor to Grand Duke Jagiellon of Lithuania, scratched himself. Lice were one of the smaller hazards and discomforts of his position. To be honest, he scarcely noticed them. The Grand Duke tended to make other problems pale into insignificance.

"If a direct attack on Venice is out of the question now, given our recent defeat there," he said, calmly, "then why don't we just hamstring them? We can paralyze their trade. The Mediterranean can still be ours. We can still draw the enemy into a war on a second front."

The terrible scar on Jagiellon's forehead pulsed; it looked like an ugly, purple worm half-embedded in his skin. A throbbing worm. "The Holy Roman Emperor looks for our hand in everything now, since the disaster in Venice. Charles Fredrik would ally openly with the accursed Venetians. Their combined fleets would crush our own, even in the Black Sea."

Count Mindaug nodded his head. "True. But what if our hand was not shown? What if those who at least appear to oppose us, took action against Venice and her interests?"

The Grand Duke's inhuman eyes glowed for just a moment, as the idea caught his interest. Then he shook his head. "The Emperor will still see our hand in anything."