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Strengell - Dissecting Stephen King : from the Gothic to literary naturalism

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Strengell Dissecting Stephen King : from the Gothic to literary naturalism
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1 online resource (x, 308 pages);Heidi Strengell shows that by tapping into the wellsprings of the gothic to reveal contemporary phobias, Stephen King invokes the abnormal and repressed sexuality of the vampire, the hubris of Frankenstein, the split identity of the werewolf, the domestic melodrama of the ghost tale. Drawing on myths and fairy tales, he creates characters who, like the heroic Roland the Gunslinger and the villainous Randall Flagg, may either reinforce or subvert the readers childlike faith in society. And in a manner of the naturalist tradition, he reinforces a tension between the free will of the individual and the daunting hand of fate.--Jacket;Includes bibliographical references (pages 275-292) and index;King, his world, and its character -- Interpreter of the postmodern condition -- Kings brand of horror -- pt. 1. The gothic in Kings works -- Abnormal and repressed sexuality (the Vampire) -- Hubris and death (Frankensteins Monster) -- The gothic double (the Werewolf) -- The gothic melodrama (the Ghost) -- pt. 2. Myths and fairy tales in Kings works -- The hero as a generic hybrid (Roland the Gunslinger) -- The antihero as a generic hybrid (Randall Flagg) -- Adapted and revised myths and fairy tales -- Mythical and fairy-tale themes -- pt. 3. Literary naturalism in Kings works -- Free will and responsibility -- Genetic and sociological determinism -- Cosmological determinism and fate -- Metafictional determinism -- Conclusion -- Appendix : A note on previous criticism;Print version record;Electronic reproduction. [S.l.] : HathiTrust Digital Library;Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002;digitized 2010Heidi Strengell shows that by tapping into the wellsprings of the gothic to reveal contemporary phobias, Stephen King invokes the abnormal and repressed sexuality of the vampire, the hubris of Frankenstein, the split identity of the werewolf, the domestic melodrama of the ghost tale. Drawing on myths and fairy tales, he creates characters who, like the heroic Roland the Gunslinger and the villainous Randall Flagg, may either reinforce or subvert the readers childlike faith in society. And in a manner of the naturalist tradition, he reinforces a tension between the free will of the individual and the daunting hand of fate.--JacketIncludes bibliographical references (pages 275-292) and indexKing, his world, and its character -- Interpreter of the postmodern condition -- Kings brand of horror -- pt. 1. The gothic in Kings works -- Abnormal and repressed sexuality (the Vampire) -- Hubris and death (Frankensteins Monster) -- The gothic double (the Werewolf) -- The gothic melodrama (the Ghost) -- pt. 2. Myths and fairy tales in Kings works -- The hero as a generic hybrid (Roland the Gunslinger) -- The antihero as a generic hybrid (Randall Flagg) -- Adapted and revised myths and fairy tales -- Mythical and fairy-tale themes -- pt. 3. Literary naturalism in Kings works -- Free will and responsibility -- Genetic and sociological determinism -- Cosmological determinism and fate -- Metafictional determinism -- Conclusion -- Appendix : A note on previous criticismPrint version recordElectronic reproduction. [S.l.] : HathiTrust Digital LibraryMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002digitized 2010

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Dissecting Stephen King : from the Gothic to literary naturalism

Strengell, Heidi

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Heidi Strengell

DISSECTING STEPHEN KING

FROM THE GOTHIC TO LITERARY NATURALISM

Nunc Cognosco Ex Parte

S I T Y

Thomas J. Bata Library

PRESENTED IN MEMORY OF

EDWIN WILLIAM CURTIN &

IRENE ELIZABETH CURTIN

TRENT

^ UNIVER

Series Editors Ray B Browne and Pat Browne Dissecting Stephen King From the - photo 2

Series Editors

Ray B. Browne and Pat Browne

Dissecting Stephen King

From the Gothic to Literary Naturalism

Heidi Strengell

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jcUiJN I

^a*~' UN i V ERSI T V

lTIr a r y

PETERBOROUGH, ONTARIO

THE UNIVERSITY OF WISCONSIN PRESS POPULAR PRESS

The University of Wisconsin Press 1930 Monroe Street Madison, Wisconsin 53711

www.wisc.edu/wisconsinpress/

3 Henrietta Street London WC2E 8LU, England

Copyright 2005 Heidi Strengell All rights reserved

5 4 3 2

Printed in the United States of America

Library of Congress Cataloging-in-Publication Data Strengell, Heidi.

Dissecting Stephen King : from the Gothic to literary naturalism / Heidi Strengell. p. cm.

A Ray and Pat Browne book."

Includes bibliographical references and index.

ISBN 0-299-20970-9 (hardcover : alk. paper)

ISBN 0-299-20974-1 (pbk.: alk. paper)

1. King, Stephen, 1947- Criticism and interpretation.

2. Horror tales, AmericanHistory and criticism.

3. Gothic revival (Literature)United States.

4. Naturalism in literature. I. Title.

PS3561.I483Z885 2005

813'.54dc22 2004025717

For

HEIKKI, JUHO, and JUHANA

I believe that we are all ultimately alone and that any deep and lasting human contact is nothing more nor less than a necessary illusionbut at least the feelings which we think of as "positive" and "constructive" are a reaching out, an effort to make contact and establish some sort of communication. Feelings of love and kindness, the ability to care and empathize, are all we know of light. They are efforts to link and integrate; they are the emotions which bring us closer together, if not in fact then at least in a comforting illusion that makes the burden of mortality a little easier to bear.

Stephen King, Danse Macabre

Contents

Abbreviations ix

Introduction 3

King, His World, and Its Characters 7

Interpreter of the Postmodern Condition 17

King's Brand of Horror 22

1. The Gothic in King's Works 28

Abnormal and Repressed Sexuality (the Vampire) 33

Hubris and Death (Frankenstein's Monster) 33

The Gothic Double (the Werewolf) 68

The Gothic Melodrama (the Ghost) 86

2. Myths and Fairy Tales in King's Works 108

The Hero as a Generic Hybrid (Roland the Gunslinger) 117 The Antihero as a Generic Hybrid (Randall Flagg) 136

Adapted and Revised Myths and Fairy Tales 156

Mythical and Fairy-Tale Themes 168

vii

viii

Contents

3. Literary Naturalism in King's Works

Free Will and Responsibility

Genetic and Sociological Determinism

Cosmological Determinism and Fate

Metafictional Determinism

Conclusion

Appendix: A Note on Previous Criticism

Bibliography

2 75

Index

Abbreviations

In the course of this study. King's works are abbreviated as follows. The list does not include his individually published short stories or e-published works.

B8

From a Buick 8 (2002; novel)

BB

Bag of Bones (1998; novel)

BH

Black House (with Peter Straub, 2001; novel)

CA

Carrie (1974; novel)

CE

Cat's Eye (1985; original screenplay)

CH

Christine (1983; novel)

CS

Creepshow (1982; comic strips collection)

CU

Cujo (1981; novel)

CW

Cycle of the Werewolf (1983; novella)

DC

Dolores Claiborne (1993; novel)

DCA

Dreamcatcher (2001; novel)

DE

Desperation (1996; novel)

DH

The Dark Half (1989; novel)

DM

Danse Macabre (1981; nonfiction book)

DS

Different Seasons (1982; novellas)

DT

The Dark Tower II: The Drawing of the Three (1987; serial novel)

DTO

The Dark Tower VIE The Dark Tower (2004; serial ' novel)

DZ

The Dead Zone (1979; novel)

ED

The Eyes of the Dragon (1987; novel)

EE

Everything's Eventual (2002; short stories)

FPM

Four Past Midnight (1990; novellas)

Table caption X

Abbreviations

FS

Firestarter (1980; novel)

GG

Gerald's Game (1992; novel)

GM

The Green Mile (1996; novel)

GS

The Dark Tower I: The Gunslinger (1982; serial novel)

GWLTG

The Girl Who Loved Tom Gordon (1999; novel)

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