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Saadi Shirazi (Author) - Delphi Collected Works of Saadi

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Saadi Shirazi (Author) Delphi Collected Works of Saadi

Delphi Collected Works of Saadi: summary, description and annotation

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Saadi is one of the greatest figures of classical Persian literature. His best-known work of poetry is the Bustan (The Orchard), composed entirely in epic metre and consisting of stories illustrating the standard virtues recommended to Muslims, as well as offering reflections on the behaviour of dervishes and their ecstatic practices. Saadi also wrote the Gulistan, a prose collection featuring stories and personal anecdotes. The text is interspersed with a variety of short poems, containing aphorisms, advice and humorous reflections. Saadis works are characterised by their unusual blend of kindness and cynicism, always wishing to avoid the hard dilemma, making him, for many, the most widely admired poet of Persian literature. The Delphi Poets Series offers readers the works of literatures finest poets, with superior formatting. This volume presents Saadis collected works, with related illustrations and the usual Delphi bonus material. (Version 1)* Beautifully illustrated with images relating to Saadis life and works* Concise introduction to Saadis life and poetry* All of the major verse and prose texts of Saadi* Images of how the poetry books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the poems* Easily locate the sections you want to read* Includes the rare poetry collection Pand Namah, first time in digital print* Features a bonus biography discover Saadis intriguing life and poetry* Scholarly ordering of texts into chronological order and literary genres

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Saadi Shirazi 1210-c 1291 Contents Delphi Classics - photo 1

Saadi Shirazi 1210-c 1291 Contents Delphi Classics 2019 - photo 2

Saadi Shirazi

(1210-c. 1291)

Contents Delphi Classics 2019 Version 1 - photo 3

Contents

Delphi Classics 2019 Version 1 - photo 4

Delphi Classics 2019

Version 1

Delphi Collected Works of Saadi - photo 5

Delphi Collected Works of Saadi - photo 6

Delphi Collected Works of Saadi - photo 7

Delphi Collected Works of Saadi - photo 8

Delphi Collected Works of Saadi - photo 9

Browse the entire series - photo 10

Browse the entire series - photo 11

Browse the entire series Saadi Shirazi - photo 12

Browse the entire series Saadi Shirazi By Delphi Classics 2 - photo 13

Browse the entire series

Saadi Shirazi By Delphi Classics 2019 COPYRIGHT Saadi - Delphi Poets - photo 14

Saadi Shirazi By Delphi Classics 2019 COPYRIGHT Saadi - Delphi Poets - photo 15

Saadi Shirazi

By Delphi Classics 2019 COPYRIGHT Saadi - Delphi Poets Series First - photo 16

By Delphi Classics, 2019

COPYRIGHT

Saadi - Delphi Poets Series

First published in the United Kingdom in 2019 by Delphi Classics.

Delphi Classics, 2019.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

ISBN: 978 1 78877 971 5

Delphi Classics

is an imprint of

Delphi Publishing Ltd

Hastings, East Sussex

United Kingdom

Contact: sales@delphiclassics.com

Delphi Collected Works of Saadi - image 17

www.delphiclassics.com

Interested in classic Eastern literature?

Delphi Classics is proud to present comprehensive editions of these important - photo 18

Delphi Classics is proud to present comprehensive editions of these important Eastern themed authors.

Explore Eastern Classics

The Life and Poetry of Saadi Shirazi

Shiraz the fifth most populous city of Iran and the capital of the Fars - photo 19

Shiraz, the fifth most populous city of Iran and the capital of the Fars Province. Saadis birthplace is one of the oldest cities of ancient Persia.

Delphi Collected Works of Saadi - image 20

Imamzadeh Ali ebn e Hamze, Shiraz

Delphi Collected Works of Saadi - image 21

Jean Struys drawing of Shiraz in c. 1681

Brief Introduction: Saadi by Epiphanius Wilson

Delphi Collected Works of Saadi - image 22

T HE PERSIAN POET Sadi, generally known in literary history as Muslih-al-Din, belongs to the great group of writers known as the Shirazis, or singers of Shiraz. His Gulistan, or Rose Garden, is the mature work of his life-time, and he lived to the age of one hundred and eight. The Rose Garden was an actual thing, and was part of the little hermitage, to which he retired, after the vicissitudes and travels of his earlier life, to spend his days in religious contemplation, and the embodiment of his experience in reminiscences, which took the form of anecdotes, sage and pious reflections, bon-mots , and exquisite lyrics. When a friend visited him in his cell and had filled a basket with nosegays from the garden of the poet with roses, hyacinths, spikenards, and sweet-basils, Sadi told him of the book he was writing, and added: What can a nosegay of flowers avail thee? Pluck but one leaf from my Rose Garden; the rose from yonder bush lasts but a few days, but this Rose must bloom to all eternity.

Sadi has been proved quite correct in this estimate of his own work. The book is indeed a sweet garden of unfading freshness. If we compare Sadi with Hafiz, we find that both of them based their theory of life upon the same Sufic pantheism. Both of them were profoundly religious men. Like the strong and life-giving soil out of whose bosom sprang the rose-tree, wherein the nightingales sang, was the fixed religious confidence, which formed the support of each poets mind, amid all the vagaries of fancy, and the luxuriant growth of fruit and flower which their genius gave to the world. Hafiz is the Persian Anacreon. As he raises his voice of thrilling and unvarying sweetness, his steps reel, he waves the thyrsus, and his flushed cheek shows the inspiration of the vine. To him the Supreme Being has much in common with the Indian or Thracian Dionysus, the god of perennial youth, joyous revel, and exhilaration. Hafiz can never be the guide, though he may be the cheerer of mortals, adding more to the gayety than to the wisdom of life. But both in the western and in the eastern world Sadi must always be looked upon as the guide and enlightener of those who taste life, and love poetry. It has been said by a wise man that poetry is the great instructor of mature minds. Many a man turning away in weariness from the controversies, the insincerities, and the pretentiousness of the intellectualists around him, has exclaimed, Give me my Horace. But Horace with all his bonhommie , his common sense, and his acuteness, is but the representative of a narrow Roman coterie of the Augustan age. How thin, flimsy, and unspiritual does he appear in comparison with the marvellous depth, the spiritual insight, the tenderness and power of expression which characterized Sadi.

Sadi had begun his life as a student of the Koran and became early imbued with the quietism of Islam. The cheerfulness and exuberant joy which characterize the poems he wrote before he reached his fortieth year, had bubbled up under the repressions of severe discipline and austerity. But the religion of Mohammed was soon exchanged by him, under the guidance of a famous teacher, for the wider and more transcendental system of Sufism. Within the area of this magnificent scheme, the boldest ever formulated under the name of religion, he found the liberty which his soul desired. Early discipline had made him a morally sound man, and it is the goodness of Sadi that lends such a warm and endearing charm to his works. The last finish was given to his intellectual training by the travels which he took after the Tartar invasion desolated Persia, in the thirteenth century. India, Arabia, Syria, were in turn visited. He found Damascus a congenial halting-place, and lived there for some time, with an increasing reputation as a sage and poet. He preached at Baalbec on the fugitiveness of human life, on faith, love, and rest in God. He wandered, like Jerome, in the wilderness about Jerusalem, and worked as a slave in Africa in the trenches of Tripoli: he travelled the length and breadth of Asia Minor. When he arrived back at Shiraz, he had passed the limit of three-score years and ten, and there he remained in his hermitage and his garden, to arrange the result of all his studies, his experiences, and his sufferings, in that consummate work which he has named the Rose Garden, after the little cultivated plot in which he spent his declining days and drew his last breath.

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