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The remarkable third volume in a trilogy that includes the award-winning Rider and Millennium Hotel.
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Wesleyan University Press University Press of New England, Hanover, NH 03755 1999 by Mark Rudman All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book
Thanks are due the editors who were willing to devote space in their journals to the following sections of this book. Also note that some of the poems were published under provisional titles
The Alembic: The "Real" Revolt Arion: Against Odds Against, The Desert of Empire, In Your Own Time The Denver Quarterly: The Assassins Kenyon Review: Joan and Jean New England Review: Revolt, "Study for Male Gaze" Ploughshares: Tomahawk The Progressive: Early Deliveries No One Receives Sewanee Review: Provoked in Venice, as Provoked in Venice I, ''Normalissimo;" Venice Less and Less, as Provoked in Venice IV Triquarterly: Venice: The Return in Winter, Evening on the Zattere, Love at Last Sight, Tell Me Why, Midsummer Night in Venice Verse: Stealth, as Provoked in Venice 7
Grateful acknowledgment is made to the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts for fellowships granting time to complete this book, and to The American Academy in Rome for providing space and human fellowship.
Page v
For Madelaine and Samuel
Page vii
Comparing the post-World War II Italy they know [hundreds and thousands of Englishmen and Americans who have made an Italian journey of their own] with the pre-French Revolution Italy which Goethe saw... I am amazed at their similarity. Is there any other country in Europe where the character of the people seems to have been so little affected by political and technological change? W. H. AUDEN on Goethe's Italian Journey
FAL:
... and that sprightly Scot of Scots, Douglas, that runs a horseback up a hill perpendicular
PRINCE:
He that rides at high speed and with his pistol kills a sparrow flying.
FAL:
You have hit it.
PRINCE:
So did he never the sparrow.
WILLIAM SHAKESPEARE Henry the Fourth, Part 1. Act II, Sc.IV
Page ix
CONTENTS
I Revolt
"Normalissimo"
3
Revolt
8
Against Odds Against
19
The "Real" Revolt
22
Brecht Looks at Xeriscaping With a Thought About Shelley
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