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CROSS AMANDA - The Theban Mysteries

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Literature Professor and amateur sleuth Kate Fansler is taking a well-earned sabbatical with her new husband, Reed. However, her martini filled evenings are soon interrupted by a desperate appeal from her former and beloved Theban School to cover classes on Antigone.

Not wanting to deprive students from Antigones brilliance she rushes to New York, finding the Greek heroines subversive will mirrored in her students who are caught up in the rebellion of protests, sex, and drugs.

All is fun and chaos until a dead body is discovered in the old school building, can Kate get to the bottom of this sinister literary allusion?

Amanda Cross The Theban Mysteries will take you back to your school years and capture your attention till the very end.

A mystery of classic proportions to challenge Kate Fansler, an amateur detective in the finest tradition New York Times

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ebreak Amanda Cross THE THEBAN MYSTERIES ebreak Also by Amanda Cross - photo 1
ebreak Amanda Cross THE THEBAN MYSTERIES ebreak Also by Amanda Cross - photo 2

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Amanda Cross

THE THEBAN MYSTERIES

ebreak Also by Amanda Cross and available from Bello In the Last Analysis - photo 3

ebreak

Also by Amanda Cross

and available from Bello

In the Last Analysis

The James Joyce Murder

Poetic Justice

The Theban Mysteries

The Question of Max

No Word from Winifred

A Trap for Fools

The Players Come Again

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To IM and IIO

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No, though a man be wise, tis no shame for him to learn many things, and to bend in season.

antigone

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Contents

The telephone and the front doorbell rang simultaneously in the Amhearst apartment with a call to action which, Reed happily observed, reminded him of plays like You Cant Take It With You .

Those were good days in the theater, he said, rising from the couch where he and Kate were enjoying a cocktail.

Perhaps, Kate answered, putting down her glass, but I cant help feeling that the Greeks wrote great plays because they got the characters on and off the stage without the aid of bells.

You get the door, Reed said. Ill get the telephone. He walked down the passage to his study and lifted the receiver. Hello, he said, wishing he had thought to bring his martini with him.

This is Miss Tyringham of the Theban, a womans cultured voice greeted him on the phone. May I please speak to Mrs. Reed Amhearst?

This is Mr. Amhearst of Kaufman and Hart, Reed wanted ridiculously to answer. He could hear Kate at the door. Oh, my God! he heard her say in astonished tones which boded no good. Well, come in for a time anyway, and lets talk about it.

Can you hold on for a moment? Reed asked. Ill see if shes available.

Thank you. I do apologize for disturbing you at this hour, but it is a matter of some importance. Mrs. Amhearst was Kate Fansler, was she not, when she was at the Theban?

Was, is, and ever more will be, Reed happily thought. Yes, he answered. Hold on a moment.

He made his way back into the living room cautiously, as a cat might return to a place invaded by unknown, perhaps dangerous, beings.

He found Kate mixing herself another martiniin itself an ominous sign, since she always claimed that when Reed mixed them they were nectar, and when she mixed them they were intoxicating hair oilwhile collapsed on the couch, its head in its hands, was a long-haired youth, revealing himself by his beard as male and by the fact that he rose, after a moments hesitation, to his feet as having, in some dimly remembered era, been taught the manners of a lost world. On the run, Reed thought. Let us hope it is Kaufman and Hart, not Sophocles.

Reed, Kate said, may I introduce John Megareus Fansler, known as Jack to his friends.

Of whom he has many, Im sure, Reed said, holding out a hand.

That, Kate said, is Philip Barry.

A nephew? Reed asked. Related to that other nephew, Leo? I dont believe weve met.

You havent, Kate said. Jack did not appear at that massive family reception given by the Fanslers for us newlyweds. Clever him.

Jack smiled. Leo told me it was pretty hairy, he said, except for the food. Ted, who is only twelve, never notices anything but food. My brothers.

Will you have a drink? Reed asked, bending over the martini pitcher. Beer, perhaps? Sherry?

Jack shook his head. I dont drink, he said. I dont want anything.

I always forget that your generation doesnt drink, Reed said. Nor, he added, rising from mixing his martini, should my generation. Ive forgotten the formidable lady on the phone, asking for Kate Fansler that was. She has probably decided you no longer are, and has gone away.

But, when Kate picked up the receiver, Miss Tyringham was still there. Kate apologized.

It is I who should apologize for disturbing you at this hour, Miss Tyringham said. Im calling at the suggestion of Julia Stratemayer. Did Mr. Amhearst tell you this is Miss Tyringham, headmistress of the Theban?

At the name the Theban there rushed through Kates mind, instantaneously as is supposed to happen when one is drowning, a whole series of recollections: singing Holy, Holy, Holy at the opening assembly, the elevators in which one was not supposed to talk, profound discussions of sex in the John, the line in the cafeteria, persuading her parents not to send her away to boarding school. I dont believe, Miss Tyringham continued, that we have met.

No, Kate said. But I gather from Julia Stratemayer that you are all coping, in these difficult times.

We try, but it isnt easy. One never knows what will turn up, all the girls in pants, or in sandals, or barefoot, or wanting to close the school because of the war. We try to move with events, which come not singly but in battalions. Julia is doing a wonderful job on the revised curriculum.

So I hear, Kate said. She wondered where the conversation could possibly be leading. Miss Tyringham, though she had been twenty years in the school, had come after Kates graduation. She had the reputation of being a first-rate head, but Kate, apart from an idle glance at the alumnae bulletin, a willing response to alumnae fund-raising pleas, and delightful conversations about the Theban with her friend and classmate Julia Stratemayer, thought of her school as in another world.

Has Julia perhaps anticipated my call and told you all about it?

No. All about what?

We are in a jam, Miss Tyringham said. One of the curriculum changes already instituted is that which allows the seniors to spend their final semester in small seminars on subjects of their own choice. All their requirements have been fulfilled, and we are trying to prevent the final semester from being anticlimactic, particularly since that semesters work does not count for college admissions. Are you still there?

Still here, Kate said. I remember about the last semester, though of course in my day one pretended to be working while not.

Yes. No one pretends anything any more, which I suppose is a good thing, though I cant help sometimes feeling that the constant expression of emotion in itself becomes the cause of the emotion which is expressed. But that is neither here nor there. One of the senior seminars is a study, with all possible modern ramifications, of the Antigone of Sophocles.

Well, Kate said, that sounds properly scholarly and irrelevant.

Only at first blush. Antigone stands, you see, for expressions of love versus tyranny, for actions of a woman against a male-dominated world, for the battles of youth against age. I understand that George Eliot was particularly intrigued with the Antigone , which is perhaps what suggested you to Julia Stratemayer.

Im delighted to be brought to mind by the thought of George Eliot, Kate said, but Im afraid I dont altogether...

Of course you dont; Im being frightfully long-winded. Mrs. Johnson, who was to have done the seminar, has slipped a disc. She must be flat on her back and in traction for months. The new semester, of course, begins next week. Julia, knowing how desperately we needed someone frightfully exciting to take over the seminar, suggested...

But Miss Tyringham, Kate interrupted. Im on leave this year.

Exactly, my dear. We thoughtrather we hopedthat therefore you would have the time. The girls are really very keen, but they do require a teacher who is not only experienced in the running of seminars but also, as they would say, with it. Unfortunately most classicists, while terribly sound on the study of Greek, do not always appreciate the modern ramifications in quite the way we might hope. Mrs. Amhearst, we are in desperate need of help, and appeal to your charity and kindness. Of course we will pay, but I realize...

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