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BY THE SAME AUTHOR Fiction ACHILLES HIS ARMOUR THE SWORD OF PLEASURE THE - photo 1

BY THE SAME AUTHOR

Fiction
ACHILLES HIS ARMOUR
THE SWORD OF PLEASURE
THE LAUGHTER OF APHRODITE
HABEAS CORPUS
CAT IN GLOVES

Travel and Biography
THE EXPANDING EYE
KENNETH GRAHAME : A STUDY OF HIS LIFE, WORK, AND TIMES
SIR THOMAS BROWNE
JOHN SKELTON

Classical History and Literature
ESSAYS IN ANTIQUITY
JUVENAL I THE SIXTEEN SATIRES
ARMADA FROM ATHENS: THE FAILURE OF THE SICILIAN EXPEDITION, 415413 B C
THE YEAR OF SALAMIS : 480479 B C
ALEXANDER THE GREAT : A HISTORICAL BIOGRAPHY

THE SHADOW OF THE
PARTHENON
STUDIES IN ANCIENT HISTORY
AND LITERATURE

PETER GREEN

UNIVERSITY OF CALIFORNIA PRESS

BERKELEY AND LOS ANGELES

1972

University of California Press
Berkeley and Los Angeles, California

Copyright Peter Green 1972

ISBN 978-0-520-25507-4
e-ISBN 978-0-520-93471-9

Library of Congress Catalog Card Number 72-87205

Contents

for Alan and Julie Boegehold
with love, as always

Preface and Acknowledgments

This book forms a companion volume to Essays in Antiquity(1960); since the latter work is not only still in print, but depressinglyoftenfrom my point of viewthe one book I havewritten which people know and remember, there may be roomfor a further venture in the same field. As before, with one ortwo exceptions, none of the studies here presented has previouslyappeared in anything like its present form; and even the exceptionshave undergone very substantial revision. The Shadow ofthe Parthenon appears here for the first time; and the bulk ofits companion-pieces have been so drastically rewritten,recombined and expanded that they, too, can virtually count asnew creations. Material has gone into them from a number ofwidely disparate sources: I have in fact printed no more thanabout one-tenth of the material at my disposal, preferring toregard a book of this sort as a critical selection and reappraisalof my views over a twelve-year period rather than an untidyholdall for the dusty contents of my bottom drawer.

Lectures, seminar-notes, and reviews or articles which firstappeared in The Times Literary Supplement account for a goodproportion of the raw material fed into my files for reworkingand revision. The section on Sappho in The Individual Voicebegan life as a postscript to my novel The Laughter of Aphrodite,was subsequently revised and expanded for publication in theCornhill Magazine and Horizon (U S A) and acquired furtheradditions and modifications from several years lecturing onGreek history and literature. The First Sicilian Slave War wasoriginally published (with full documentation) in Past and Present20 (Nov. 1961), pp. 1029. Juvenal and his Age is reprinted,with various additions, deletions, and modifications, from theIntroduction to my translation of Juvenal for the PenguinClassics. My Appendix on The Date of Archilochus appearshere in print for the first time.

Reading over all this material suggests to me that my views onancient history, and classical literature, and the academic worldin general, may have become a little less rebarbative (but not, Ihope, boringly so) with the onset of middle age. When I wroteEssays in Antiquity I was a freelance maverick flaying theprofessors; now the whirligig of time brings in its revenges, andI write (though still not quite adjusted to the condition) as aprofessor myself. I take comfort, however, from the followingpassage in Anatole France s LIle des Pingouins, originally broughtto my notice by a correspondent (whether in a spirit of criticismor encouragement I have never quite decided). This, I feel, mayappositely stand as an epigraph, not so much to the presentbookwhere it might be taken as implying qualities to whichI myself am far from laying claimbut rather to the whole fieldof historical studies, modern no less than ancient:

A quoi bon, mon pauvre monsieur, vous donner tant depeine, et pourquoi composer une histoire, quand vous navezqu copier les plus connues, comme cest lusage? Si vousavez une vue nouvelle, une ide originale, si vous prsentezles hommes et les choses sous un aspect inattendu, vous surprendrezle lecteur. Et le lecteur naime pas tre surpris.Il ne cherche jamais dans une histoire que les sottises quilsait dj. Si vous essayez de linstruire, vous ne ferez quelhumilier et le fcher. Ne tentez pas de lclairer, il crieraque vous insultez ses croyances. Les historiens se copientles uns les autres. Ils spargnent ainsi de la fatigue et vitentde paratre outrecuidants. Imitez-les et ne soyez pas original.Un historien original est lobjet de la dfiance, du mpris et dudgot universels.

I would like to think that the situation today is not quite soblack as Anatole France painted itthough uneasily consciousof my own kinship, in too many respects, with that hypotheticalconformist whom he portrays, mon semblable, mon frre. But ifI have managed, in the course of these pages, to displace, withlegitimate arguments, even one hallowed but erroneous idereue, I shall not feel my time has been spent altogether in vain.

My sincere thanks go to Messrs T. C. W. Stinton and W. G. Forrest ,whose searching criticisms, published in Past and Present22 (July 1962) pp. 8792, led me at several important pointsto modify my conclusions on the First Sicilian Slave War. MrForrest has since, all unwittingly, put me still further in his debtwith the publication of that brilliant, witty, stimulating andsplendidly heterodox book The Emergence of Greek Democracy,a dog-eared copy of which has accompanied me through all myGreek travels, and must, inevitably, have left its mark on someof the views propounded here: though to say that its authorshould not be held responsible for these is no mere emptydisclaimer. I am also grateful to my colleagues on the Faculty ofCollege Year in Athens, especially Professor H. D. F. Kitto andMr A. R. Burn , for many stimulating discussions, and muchperceptive criticism of ideas developed in the course of this book.Lastly I would like to name, honoris causa, several Cambridgescholars whose wise teaching and counsel put me immeasurablyin their debt as an undergraduate, and whose friendship hasmeant much to me since: Mr G. T. Griffith, Professor W. K. C.Guthrie, Professor G. S. Kirk , Mr S. J. Papastavrou, andMr F. H. Sandbach. Like all students of ancient history, I alsoowe a great debt to Professor M. I. Finley.

For permission to reprint material here included my gratefulthanks go to the following: Mr Arthur Crook, Editor of TheTimes Literary Supplement, and Times Newspapers Ltd., for partsof The Shadow of the Parthenon, Clio Reviewed, Athensand Jerusalem, Myths and Symbols, The Individual Voice,and Juvenal and his Age; the Editors of Horizon and TheCornhill Magazine for part of The Individual Voice; the Editorof Past and Present for The First Sicilian Slave War; the Editorsof Penguin Classics and Penguin Books Ltd., for the greaterpart of Juvenal and his Age; Mr Guy Davenport, and theUniversity of California Press, for the translation of Archilochusquoted on pp. 16465, which appears as no. 262 in his bookCarmina Archilochi: The Fragments of Archilochos. All othertranslations are my own: those of Sappho were originally madefor Horizon.

PETER GREEN

Department of Classics
The University of Texas at Austin
October 1971

The Shadow of the Parthenon

ONE GUSTY March afternoon, a few years ago, I found myselftrudging up the approaches to the Acropolis in the companyof a well-known British novelist whose habits were moreconvivial (to say the least of it) than one could ever have guessedfrom his published work. After an excellent and discursive lunchin the old quarter known as the Plaka, I asked him what hewould like to do next. See the bloody Parthenon , I suppose,he said. His voice was an interesting blend of helplessness andsuppressed resentment. So we plodded our way to the summitof that vast outcrop, eyes half-closed against the stinging,dust-laden wind, passed through the Propylaea , and began pickingour way across a wilderness of jumbled marble blocks towardsthe huge and too-familiar temple, outlined now against a skyof grey scudding clouds. The air was mournful, oppressive;occasional rain-drops plopped heavily groundwards. It was allvery different from the travel posters.

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