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Frederic Remington - Pony Tracks (Western Frontier Library)

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title Pony Tracks Western Frontier Library 19 author Remington - photo 1

title:Pony Tracks Western Frontier Library, 19
author:Remington, Frederic.
publisher:University of Oklahoma Press
isbn10 | asin:0806112484
print isbn13:9780806112480
ebook isbn13:9780585293226
language:English
subjectFrontier and pioneer life--West (U.S.) , Indians of North America--Wars--1866-1895, Chihuahua (Mexico : State)--Description and travel.
publication date:1975
lcc:F595.R38 1975eb
ddc:917.8
subject:Frontier and pioneer life--West (U.S.) , Indians of North America--Wars--1866-1895, Chihuahua (Mexico : State)--Description and travel.
Page v
Pony Tracks
Written and Illustrated by
Frederic Remington
With an Introduction by
J. Frank Dobie
UNIVERSITY OF OKLAHOMA PRESS
NORMAN AND LONDON
Page vi
Library of Congress Catalog Card Number: 61-15142
ISBN: 0-8061-1248-4
Pony Tracks is Volume 19 in The Western Frontier Library.
New edition copyright 1961 by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A.
10 11 12 13 14 15 16 17 18 19
Page vii
This book is dedicated to the fellows
who rode the ponies that made the tracks
By the Author
Page ix
A Summary Introduction to Frederic Remington
By J. Frank Dobie
Frederic Remington worked for only about twenty-five years. During the half century that has raced by since he died just past his forty-eighth birthdaystill in the Horse Agehis fame as depictor of the Old West has not perceptibly diminished. Yet no adequate life of him has been published. The one considerable piece of writing on his life and work worthy of respect by people entitled to an opinion is the chapter "Remington in Kansas" (pages 194211, plus a wealth of notes, pages 35563) in Artists and Illustrators of the Old West, 18501900, by the late Robert Taft, of the University of Kansas, published by Charles Scribner's Sons, New York, 1953. The present essay owes far more to this noble work of vast knowledge, all ordered and evaluated, and of quiet power than to all other sources.
Frederic Remington, Artist of the Old West, by Harold McCracken, 1947, contains a useful bibliography of Remington's writings, books illustrated by him, appearances in periodicals, and his bronzesall taken over from Merle Johnson, Walter Latendorf, and Helen Card; but the bio-
Page x
graphical account is unreliable as to fact, bombastic, slovenly in composition, and devoid of a just sense of values based on perspective, learning, and "fundamental brainwork."
Remington's own writingsall illustratedare the best sources for facts and understanding about him, but many of them in magazines antedating his deathincluding the autobiographical sketch in Collier's Weekly (New York, March 18, 1905), are available in only a few libraries.
The most knowledgeable person alive on Remington is probably Miss Helen L. Card, proprietor of the Latendorf Bookshop (containing more art than books), 714 Madison Avenue, New York. She does not publish enough, but her two pamphlets, privately printed at Woonsocket, Rhode Island, 1946, on A Collector's Remington (I. "Notes on Him; Books Illustrated by Him; and Books Which Gossip About Him." II. "The Story of His Bronzes, with a Complete Descriptive List") contain as much concentrated protein as wheat germ.
Frederic Sackrider Remington was born of parents strong of body and character in Canton, New York, October 4, 1861. His father owned and edited the local newspaper but left it to fight for the Union. Frederic, an only child, early learned to swim, fish, and play Indian in the woods. He hung around the Canton fire station in order to associate with the horses. He drew them and other forms of life on margins of school books and in albums. From high school he was sent to a military academy, against which he rebelled, at the same time filling a sketchbook with pictures of cavalrymen battling horseback Indians. At home on vacation, he improvised a studio in an uncle's barn.
Page xi
His models were horsesnot only carriage horses but several Western ponies belonging to town people.
In the fall of 1878 he went to Yale University, playing football and studying in the Yale Art School. The one other member of his art class was Poultney Bigelow, who became editor of Outing magazine and, in 1886, discovered in some pictures offered him "the real thing, the unspoiled, native genius dealing with Mexican ponies, cowboys, cactus, lariats, and sombreros." The artist turned out to be Remington of Yale.
In 1880, Remington's father died and Frederic inherited a few thousand dollars. He refused to return to Yale but seems not to have known what he wanted until he made a trip to Montana in August of 1881. In 1882, Harper's Weekly (February 25) published a picture entitled "Cowboys of Arizona: Roused by a Scout." According to the credit line it was "drawn by W. A. Rogers from a sketch by Frederic Remington."
Young Frederic had been corresponding with a Yale friend named Robert Camp (B.A., 1882) of Milwaukee who had gone to Butler County, Kansas, where he was trying his hand at sheep raising. By the end of 1882 he owned a section of land and 900 sheep. In March, 1883, Remington joined him and bought a quarter section (160 acres) not far from Camp's for $3,400. It had a three-room frame house, a well, a corral, and two barns on it. Shortly thereafter he bought an adjoining quarter section for $1,250. He bought horses before he bought sheep. The one he rode was a dun mare from Texas that would not have been ridden by any self-respecting range man in Texassolely be-
Page xii
cause she was a mare: such was the etiquette of the times. But she suited Remington and he named her Terra Cotta. He hired a hand named Bill, who by his talk was an authority on horses. They built a sheep shed. Remington then bought several hundred sheep, which Bill left him to herd until he hired a neighboring boy and thus bought his own freedom. He was still chief cook and bottle washer on his own ranch.
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