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Heat Moon - Roads to Quoz: An American Mosey

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    Roads to Quoz: An American Mosey
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Roads to Quoz: An American Mosey: summary, description and annotation

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Down an ancient valley -- Into the Southeast -- Into the Southwest -- Into the Northeast -- Into the Northwest -- Down an old waterway -- Valedictories.;Heat-Moon writes travel books like no one else. Quirky, discursive, endlessly curious, he embarks on American journeys off the beaten path. Sticking to the small places via the small roads, he uncovers a nation deep in character, story, and charm. Quoz refers to anything strange, incongruous, or peculiar. Quoz can be history and heredity; stories, retold or invented; strange characters with poignant dreams. Its places with names like Sublimity City, Kentucky, and Dull Center, Wyoming; unresolved crimes, violent and rippling; schemers and inventors and those missing a tooth or two; and the mysterious Quapaw Ghost Light of Oklahoma. For the first time since his 1982 Blue Highways, Heat-Moon is back on the backroads with a lyrical, funny, and magisterially told chronicle of American passage, of maps of the heart and mind.--From publisher description.

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Copyright 2008 by William Least Heat-Moon All rights reserved Except as - photo 1

Copyright 2008 by William Least Heat-Moon

All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Little, Brown and Company

Hachette Book Group

237 Park Avenue, New York, NY 10017

Visit our Web site at www.HachetteBookGroup.com

First eBook Edition: October 2008

Little, Brown and Company is a division of Hachette Book Group, Inc.

The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

Photo restorations by Ailor Fine Art Photography. Illustrations are by the author.

ISBN: 978-0-316-04018-1

Also by William Least Heat-Moon

Blue Highways: A Journey into America

PrairyErth (a deep map)

River-Horse: A Voyage Across America

Columbus in the Americas

Para Quintana

By Way of Explanation

Upon my honour, cried Lynmere, piqued, the quoz of the present season are beyond what a man could have hoped to see!

Quoz! Whats quoz, nephew?

Why, its a thing theres no explaining to you sort of gentlemen.

Frances Burney,
Camilla,
1796

Down an Ancient Valley

Down an Ancient Valley Before It Shall All Be Disenchanted 1The Letter Q - photo 2

Down an Ancient Valley

Before It Shall All Be Disenchanted

1.The Letter Q Embodied

2.Mrs. Weatherfords Story

3.Rivers and Dominoes

4.The Wandering Foot

5.A Planetary Washboard

6.Inscribing the Land

7.The Forgotten Expedition

8.High-Backed Booths

9.Dunbars Spectacles

10.A Fifty-Foot Femme Fatale

11.Architect of Phantasmagoria

12.The Goat Woman of Smackover Creek

13.The Ghost Bird

14.When Eyeballs Develop Taste Buds

15.To Photograph Every Mile

16.The Buzz Under the Hornet Nest

17.Connections and Continuums

18.A Grave History

19.Extracting Sunbeams from Cucumbers

20.A Cannonball Clean Through the Parlor

Before It Shall All Be Disenchanted

Alexandria, Louisiana, April 21, 1835

Dear Sir

You remember the promise you exacted from me last summer in Philadelphia to visit the Maison Rouge Grant on the Ouachita. You see I adopt the good old French orthography of that river. I know not whether your motive was to give me pleasure or to inflict a salutary discipline. If the latter, should you take the trouble to read this, I shall have my revenge. In any view, I cannot doubt that it originated in a benevolent wish in some way to confer a benefit. I am now seated to give you a sketch of my mode of performing that promise. I spin this long yarn with the more confidence, being aware that you cannot but take an interest in reading surveys, however inadequate, of a region so extensive, so fertile, so identifed with your name as its possessor, into the alluvial swamps of which, in your bygone days, you too have plunged.

The Ouachita is a beautiful river, of interesting character and capabilities; and, although unknown to song, classical in forest narrative and tradition, as having been the locale of the pastoral experiments of the Marquess Maison Rouge and Baron de Bastrop, as well as many other adventurers, Spanish, French, and American, not to mention its relation to American history as the point where Aaron Burr masked his ultimate plans of ambition and conquest. I wish to seize some of its present fresh and forest features, before it shall all be disenchanted by being transformed into a counting-room flower-garden or cotton plantation. I will even hope that this sketch will awaken pleasant reminiscences of your own extensive journeys and stirring incidents in these remote central forests. You may, therefore, christen this prelude to my Ouachita trip a preface or an apology, at your choice.

Journal of the Rev. Timothy Flint,

From the Red River to the Ouachita,

or Washita, in Louisiana in 1835

The Letter Q Embodied

A S TRAVELERS AGE, we carry along ever more journeys, especially when we cross through a remembered terrain where we become wayfarers in time as well as space, where physical landscapes get infused with temporal ones. We roll along a road, into a town, past a caf, a hotel, and we may hear stories and rising memories. Then our past is got with feet, and it comes forth: There, I met her there. Or, Thats the place, thats where he told me about the accident. Since each day lived gets subtracted from our allotted total, recollections may be our highest recompense: to live one moment a score of times.

For me, having now become an elder of the road, these risings of memory from a specific topography can almost lead me to believe all previous miles have gone to create some single moment, and then I can see how meaning begins in and proceeds from memory. Backseated children able to find only boredom beyond car windows if theyre looking out are nevertheless laying a foundation for meaning to arise one day when theyll need significance far more than experience.

My occasional stories to Q, which some particular landscape happens to evoke, serve to pass a stretch of slow miles as the tales also fortify my memory. I think she doesnt mind my rambles now and then, perhaps because in a previous Administration (an earlier marriage) she once crossed the length of Kansas in silence unless you deem as conversation that quondam husbands We gotta stop for gas.

Q is my wife, Jo Ann, a moniker for which shes never felt much kinship. In fact, with nomenclature shes not been lucky, even in her church. When it came time for confirmation, her elder sister convinced six-year-old Jo Ann every female saints name was taken except one: Dorothy. That name, linked to the pluck of the Wizard of Oz heroine she admired, contributed to her deciding she possessed the power to fly if her belief was firm enough: she straddled a kitchen broom, her toy cat strapped to the bristles, and from the top of the basement stairs, leaped. She broke no bones, and if you consider falling in a slightly horizontal pattern to be flight, she flew. But she no longer trusted in half-reasoned faith.

But as Jo Ann grew up to become Jan (her tomboyishness would have made Joe not inaccurate), she learned to speak Spanish and visited Mexico, and found herself intrigued by a Yucatn place-name taken from a Mexican revolutionary hero, all the better that he was male: Quintana Roo. Quintana Roo the state, not the man is the territory of the quetzal, the plumed serpent sacred to the indigenous Maya, especially to the Quich, and perhaps the most stunning bird in the Western Hemisphere north of the equator; to her, its a creature of fascination.

Not long after our meeting, she told me about her delight in things beginning with the letter Q, a revelation at a restaurant-supper one night that struck a note within me someone who has always loved the seventeenth letter for its rarity: a mere seven pages in my desk dictionary, while neighbor P gets 120. I like to think sinuous Q (only O has a more purely geometric form) makes up for its paucity in entries by its peculiarities of meanings, by its pictographic capital-shape (a serpent curling out of its den, a tethered balloon floating away, a hatchling with one foot out of the egg), and by its unbreakable bond with its beloved

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