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Harris - Globalization and Contemporary Art

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In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world.
  • First major anthology of essays concerned with the impact of globalization on contemporary art
  • Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization
  • Unique analysis of the contemporary art market and its operation in a globalized economy
  • Globalization and Contemporary Art — read online for free the complete book (whole text) full work

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    To Albert and Myra Boime citizens of Los Angeles and the world This - photo 1

    To Albert and Myra Boime,
    citizens of Los Angeles and the world

    This edition first published 2011 2011 Wiley-Blackwell Wiley-Blackwell is an - photo 2

    This edition first published 2011
    2011 Wiley-Blackwell

    Wiley-Blackwell is an imprint of John Wiley & Sons, formed by the merger of Wileys global Scientific, Technical and Medical business with Blackwell Publishing.

    Registered Office
    John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ,
    United Kingdom

    Editorial Offices
    350 Main Street, Malden, MA 02148-5020, USA
    9600 Garsington Road, Oxford, OX4 2DQ, UK
    The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

    For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

    The right of Jonathan Harris to be identified as the editor of this work been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

    Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

    Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

    Library of Congress Cataloging-in-Publication Data

    Globalization and Contemporary Art / Jonathan Harris.

    p. cm.
    Includes bibliographical references and index.
    ISBN 978-1-4051-7951-5 (hardcover : alk. paper) ISBN 978-1-4051-7950-8 (pbk. : alk. paper)
    1. Art and globalizationHistory20th century. 2. Art and globalizationHistory21st
    century. 3. Art, Modern20th century. 4. Art, Modern21st century. I. Harris, Jonathan (Jonathan P.), 1960 editor of compilation.
    N72.G55G59 2011
    701.0309048dc22
    2010043499

    A catalogue record for this book is available from the British Library.

    This book is published in the following electronic formats: ePDFs 9781444396980; ePub 9781444396997

    List of Illustrations

    Adi Nes, Untitled, 1999

    Barry Frydlender, The Flood, 2004

    Sigalit Landau, Iranian Atom; RomaMania, from The Dining Hall, 2007

    Ohad Meromi, The Boy from South Tel Aviv, 2001

    (a) Al Mansfeld, sketch submitted to the architectural competition for a National Museum in Jerusalem, 1959 (b) The Israel Museum, Jerusalem, 2010, east elevation

    Computerized rendering of the Israel Museums new Entrance Gallery Pavilion

    Pavel Wolberg, Purim, Hebron, 2004

    Adi Nes, Untitled (from the Boys series), 2000

    Billboard with LED day-counter at the Quntari crossroad in Beirut

    Ghassan Salhab, Le Dernier Homme, 100 minutes, 2006. Still from film

    Welsh Not: Paul Davies confronted by Mario Merz at the National Eisteddfod of Wales, Wrexham, 1977

    Brith Gof performance, Rhydcymerau, 19845

    Fred Wilson, Mining the Museum: Cabinetmaking, 1992

    Fred Wilson, Mining the Museum, Metalwork, 17931880

    Fred Wilson, Modes of Transportation, 17701910

    Detail from Fred Wilson, Modes of Transportation, 17701910

    Fred Wilson, Installation view, Mining the Museum: An Installation by Fred Wilson

    Fred Wilson, Site Unseen. Dwelling of the Demons, Goteborg, 2004

    Juan-S Gonzlez, Me han jodido el nimo, street performance at Parque 23y G, Vedado, Havana, Cuba 1988

    Elio Rodrguez, Gone with the Macho, 1995, from the series The Pearls of your Mouth

    Paddy Jupurrurla Nelson, Paddy Japaltjarri Sims, Paddy Cookie Japaltjarri Stewart, Neville Japangardi Poulson, Francis Jupurrurla Kelly, and Francis Bronson Jakamarra Nelson, Yarla, and Richard Long, Mud Circle, both installations at Magicians of the Earth, Paris, 1989

    Johnny Warangkula Tjupurrula, Water Dreaming, 1972

    Clifford Possum Tjapaltjarri (assisted by Tim Leura), Warlugulong (1976)

    Dulce Pinzn, Spiderman, from The Real Story of Superheroes, 20059

    Francis Als, When Faith Moves Mountains (Cuando la fe mueve montaas), Lima 2002

    Tanaka Atsuko, Stage Clothes, Outdoor Gutai Art Exhibition, Ashiya, 1956

    Alfred H. Barr Jr., cover of the exhibition catalogue Cubism and Abstract Art, 1936

    The Imposter in the Waiting Room, 2004

    The Imposter in the Waiting Room, 2004

    Wilson Shieh, Koala Place, 1999

    William Blake, Europe, A Prophecy. Copy B, 1794

    William Blake, The Song of Los. Copy A, 1795

    William Blake, The Book of Urizen. Copy G, 1794

    Cover of Empire, by Michael Hardt and Antonio Negri

    Hong Hao, The New World Order, 1995

    Photograph of Qin Ga showing the tattoo of the Long March on his back

    Sherrie Levine, President Profile, 1978

    Ines Doujak, detail from Siegesgrten (Victory Garden), 2007

    Julie Dowling, Warridah Melburra Ngupi, 2004

    Julie Dowling, Aunties Playing Cards, 1999

    Page of The Future of Earthworks, from Japans Glory Upheld by Imitators, Geijutsu Shinch (August 1969)

    Shinohara Ushio, Coca-Cola Plan, 1964

    Las Torres del Parque, Bogot (Colombia). Architect Rogelio Salmona

    Library and Park Santo Domingo, Medelln (Colombia). Architect Giancarlo Mazzanti

    Library and Park Santo Domingo, Medelln (Colombia). Architect Giancarlo Mazzanti

    Library and Park Santo Domingo, Medelln (Colombia). Architect Giancarlo Mazzanti

    Ninuku Artists painting, Ngintaka Group Canvas, 2009

    Ina Scales and Yangi Yangi Fox looking at Ninuku Tjukurpa; Bilby Dreaming. Ninuku Arts Group Canvas 2008

    Ergin Cavusoglu, Tahtakale, 2004

    Jigsaw Furnishing, 2001. Artists: Muruvvet Turkyilmaz and Selim Birsel

    25th anniversary luncheon photograph of the Leo Castelli Gallery. February 1, 1982

    The Art Eco-System Model of Morris Hargreaves McIntyre, 2004, Taste Buds: How to Cultivate the Art Market

    There is every indication that in the future buying will be dominated by state-backed cultural funds

    Contemporary (born post-1945) art July 2007July 2008. Tertiary sales per country

    The Art Market Confidence index

    Global art market share in 2006

    Performance table Chinese ceramics, Old masters, American and contemporary art

    Turnover of Asian modern and contemporary art in 2007

    Contemporary art sales from the top ten auction houses 20078

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