Mathew Abbott - Michael Fried and philosophy modernism, intention, and theatricality

This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Frieds art history and criticism. It demonstrates that Frieds work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Frieds texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancire, and Sren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.

Mathew Abbott is Lecturer in Philosophy at Federation University Australia. Drawing on modern European and post-Wittgensteinian thought, his research is concerned with intersections of aesthetics, politics, and ethics. He is the author of Abbas Kiarostami and Film-Philosophy and The Figure of This World: Agamben and the Question of Political Ontology.

1Michael Fried and Philosophy

Modernism, Intention, and Theatricality

Edited by Mathew Abbott

Edited by Mathew Abbott

First published 2018

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ISBN: 978-1-138-67980-1 (hbk)

ISBN: 978-1-315-56350-3 (ebk)

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