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Wiley - Filipino Martial Culture: a Sourcebook

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Wiley Filipino Martial Culture: a Sourcebook
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Filipino Martial Culture: a Sourcebook: summary, description and annotation

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Table of Contents; Foreword; Authors Preface; PART ONE: General lntroduction; 1. Background lnvestigation; Introduction; Review of Literature; Research Methods; Spelling and Name Designations; PART TWO: Historical Perspective; 2. The Prehistoric Era; An lsland and lts People; Early lnhabitants; The Legend of Ten Datus; The Introduction of Islam; 3. The Colonial Period; On the Shores of Mactan; A Spanish Colony; The Cry for Freedom; 4. The Twentieth Century; American Intervention; Philippine lnsurrection; World War 11 and After; Reemergence of a Warriors Art.;Mark V. Wiley has written for multiple martial arts and health publications, including Karate-Kung Fu Illustrated and The Journal of Asian Martial Arts. One of the worlds foremost martial arts researchers, he is the co-author of Qigong for Health and Well-Being and author of Martial Arts Talk , and Secrets of Cabales Serrada Escrima ).

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About the Author

Mark V. Wiley, an internationally renown martial arts master and scholar, has been involved in the martial arts for twenty years. He is currently ranked as a master instructor in the Cabales serrada escrima and Bias dynamic arnis systems of Filipino martial arts. In addition, Mr. Wiley holds various instructor ranks in arnis Escorpizo, modern arnis, taekwondo, kenpo karate, Shiho Karano-ryu jujutsu, wing chun kung-fu, boxe Francaise savate, and jeet kune do concepts. He has also received formal instruction in the internal disciplines of taijiquan, qing long san dian xue mi gong fa qigong, Indian hatha yoga, and Theravada Buddhism (vipassina meditation).

Mr. Wiley wrote the best-selling book,Filipino Martial Arts: Cabales Serrada Escrima, has written martial arts entries for the Encyclopedia of World Sports, the Encyclopedia of Body Mind Disciplines,andA Martial Arts Encyclopedia,and is the author of over fifty articles which have appeared in leading martial arts magazines and journals including theJournal of Asian Martial Arts, Black Belt, Karate/Kung-Fu Illustrated, Martial Arts Training, Wu Shu Kung-Fu, Qigong Kung-Fu, Karate International, Inside Kung-Fu, Tambuli,andPhoenix.

Mr. Wiley has traveled internationally throughout Europe, Southeast Asia, and the Far East conducting Field research and giving seminars on the history, philosophy, and techniques of various martial disciplines. He currently serves as martial arts editor for the Charles E. Tuttle Publishing Company, associate editor for the Journal of Asian Martial Arts, and is the co-founder of talahib-marga, a cross-cultural, martial-meditative discipline.

Appendix 1

Generic Terms for the Filipino Art of Weaponry
armas de mano
arnes de mano
arnis
arnis de mano
dalan ti armas
didya
escrima
esgrima
eskrima
estocada
estoque
fraile
garote
kabaroan
kadaanan
kali
kaliradman
kalirongan
pagaradman
pagkalikali
pananandata
pangolisi
saksakan
sinawali

Appendix 2

Styles of Filipino Fighting Techniques
abaniko
abierta
bahad
banda y banda
boca de lobo
bolante
cadena real
contra compas
cruzada
de cadena
de fondo
de marina
de salon
doblete
estrella bartical
for et e
fondo fuerte
lagas
lastiko
layaw
lengua de fuego
media fraile
mizcla contras
ocho-ocho
pluma
redoble
redonda
riterada
rompida
serrada
sinamak
sumbrada
sunkite
tero pisada
tiradin
todosan
uhido
warwok

Appendix 3

Name Classifications of Filipino Martial Arts

1. Systems named after the area in which they were developed (i.e., Bicolano arnis; arnis Pangasinan)

2. Systems named after their founder (i.e., Bias dynamic arnis: kalis Ilustrisimo)

3. Systems named after their most distinguishing technical characteristic (i.e., lapunti arnis de abaniko; doblete rapillon)

4. Systems named after their favored fighting range (i.e., Cabales serrada eskrima; lameco eskrima)

5. Systems named after their composite styles (i.e., Vee arnis jitsu; Tobosa kali-escrima)

6. Systems named after Filipino national heroes (i.e., Rizal arnis)

7. Systems named after historic places (i.e., Balintawak arnis)

8. Systems named after the weapons of former enemies (i.e., estocada; espada y daga)

9. Systems named after or inspired by religious elements (i.e., San Miguel Eskrima; Tres Personas Arnis)

Appendix 4

Systems of Filipino Martial Arts
abaniko de sunkite
arnis Escorpizo
arnis Defense Silat
arnis Fernandez
arnis Lanada
Balintawak arnis
Balintawak arnis
cuentada
Balintawak super
cuentada
balsakan
Batangueno serrada
Bayson style
Bicolano arnis
Binas dynamic arnis
bultong
buno
Cabales serrada
escrima
cadena de mano
cinco tero arnis
dama
de campo uno-dos-
tres orihinal
decuerdas escrima
de pluma arnis
derobio eskrima
D'Katipunan Arnis
doblete rapillon
dumog
escrido
gabbo
garong
Giron arnis/escrima
hagibis
hinaplos arnis
Indangan eskrima
kalis Ilustrisimo
kuntaw lima-lima
kupulubod
La Costa kali
lameco eskrima
lampugan
lapunti arnis de
abaniko
Largusa/Villabrille
kali
Lastra arnis layung
lightning scientific
arnis
Mena arnis
modem arnis modem
mano-mano
modemo largos
Moro-Moro Orabes
Heneral
pananandata
Marinas
panantukan
pangamut
pantok
pekiti tirsia kali
purgos
Rigonan-Estalilla
kabaroan
Rizal arnis
sagasa
Sayoc kali
siete pares arnis
sikaran
silaga
sinayoup kali
Sulite style
sunkite arnis
talahib
tapado
Tendencia arnis-hilot
Tobosa kali/escrima
tulisan
Vee arnis
Vee arnis jitsu
yaw-yan

In 1972 the late Donn F Draeger wrote an exhaustive work titled Weapons and - photo 1

In 1972, the late Donn F. Draeger wrote an exhaustive work titled Weapons and Fighting Arts of the Indonesian Archipelago. It soon became a classic and remains today among the most comprehensive volumes on the fighting arts of any given country. In 1974, Robert W. Smith wrote his anecdotal book, Chinese Boxing: Masters and Methods. Interesting and insightful, Smith's collection shed light on the lives and martial styles of a number of renown Chinese martial arts masters. These two books inspired and motivated me to write a text on the martial arts of the Philippines that would include both the historical and descriptive analysis of Draeger's work and the anecdotal life-histories of Smith's. In addition, I wanted this project to reflect my background in anthropology and sociology, but not be confined to cumbersome theoretical discourse. The chapters in Part Two and the book's conclusion, however, reflect the writing style and analytical methods of the social sciences proper. It is my hope, then, that this will generate an interest in other scholars to consider the subject of martial arts as a topic worthy of further investigation.

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