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COPYRIGHT

Published by Virago Press

978-0-7481-1947-9

All characters and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

Introduction copyright Lennie Goodings 2013

The moral right of the author has been asserted.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

VIRAGO

Little, Brown Book Group

100 Victoria Embankment

London, EC4Y 0DY

www.littlebrown.co.uk

www.hachette.co.uk

Once Upon a Time There Was a Traveller

Table of Contents

We know the adages about travel, the most famous surely being Ralph Waldo Emersons Life is a journey, not a destination and Leo Tolstoys theory about fiction, marvellously, economically expressed as: All great literature is one of two stories; a man goes on a journey or a stranger comes to town. So it seemed wed be on to a good thing if we combined stories and travel as the theme for Viragos second book with Asham, and Carole Buchan from the Asham Literary Endowment Trust to whom this book and authors owe much thanks agreed. Happily, joining me as judges were two women who represent some of the finest of travel writing and of literature: Sara Wheeler and Helen Dunmore.

We were given a longlist of forty stories and off we three went on one of the best kinds of journeying: armchair travelling. Unsurprisingly for a book about travel, many of the stories are on the move: on planes; on trains; on the road; and even on the school run. There are mischievous outings; missions to save a life (possibly); memories of childhood journeys and a story about discovering that staying home is sometimes best. We read and emailed, shortlisted and made notes.

When at last we met to make our list of twelve writers and to choose our winners, we did not have an easy time of it as there are many stories of a very fine quality. Says Helen Dunmore, Like travel itself, these stories are full of the unexpected. I love the polish and boldness of the writing, and congratulate the authors.

But we did eventually come to an agreement and chose a spare and brilliant story set in South Africa, The Journey to the Brothers Farm by Pippa Gough, as our First Prize winner. We judged the stories without any knowledge of even the authors names, but now that I can read Pippa Goughs biography I see that she spent most of her childhood in Africa. She writes evocatively of the land and the haze of the heat, the dust and the grass roofs warming in the early morning sun. As she leads us slowly, reluctantly, down the road to the brothers farm, we are torn between desperately wanting and never wanting to know whats at the end of the track There we find a place where brutality and justice are sometimes too close to separate. Brilliantly handled and powerfully, simply told.

Our Second Prize winner is by Dolores Pinto. Her story, Where Life Takes You, is about a young woman who has somehow ended up in Whitby, a small seaside town, where she doesnt belong, where she feels different, where she knows everyone is looking at her. She wants to travel back to London to walk unnoticed between tall buildings. How can this place be where she will stay? It is a beautiful, deceptively slight story about longing, loss, love, and finding out what home is.

The Elephant in the Suitcase by Deepa Anappara is a fantasy or it is reality? about a forest guard working for ten years in a place full of shrieking birds, wild dogs, sambars and a very pesky nocturnal elephant who makes him see it is high time to leave! Playful and truthful, it is wonderfully unexpected and winner of our Third Prize.

And we decided to award an Honourable Mention to Pay Day by Dawn Nicholson, a heart-breaking story about a teenager who sacrifices everything to send his young brother off on an adventure, to save his life. Powerful and touching.

Sara Wheeler expresses all our pleasure with the final selection: I so enjoyed reading these richly diverse stories. They took me to many new places, real and imaginary, and constantly confounded my expectations. Bravo les filles.

The tradition with Asham is to invite a few established writers to publish alongside the debut ones. Here is Susie Boyts glorious story set in an old peoples home with a pair whove come an awfully long way from the Dudley Hippodrome; Helen Dunmores startling and disturbing glimpse of youth as it passes through an airport on its way to fight in Afghanistan; and an extract from Angela Carters beguiling 1967 novel, The Magic Toyshop, about a young girls journey away from innocence. Ultimately, I suppose, that a journey from innocence is perhaps what all journeys are about. But no one does it the same way and this is a great book of talent with laughter, ruefulness, sadness, wisdom, absurdity, curiosity, melancholy all packed up and ready to go.

Lennie Goodings

Publisher, Virago

Patras station is tall and yellow with pale marble floors, more solid than the bus station and less crowded; it looks like a grown-up building that could save you. The woman in front of Samantha buys a First-Class ticket and it seems so cheap that she copies her.

The seats in First Class are wide and green with three across the carriage not four. Samantha has never travelled First Class before. She looks down at her bitten finger-nails and makes fists to hide them. The ticket says 14A but when she sits in it the seat slides and swivels so she moves. The guard comes in and fixes 14A with a kick of a lever, looking at her snottily. You can turn it to face forwards or backwards, thats why it slithered. The old woman with a stick and gold leather shoes across the aisle the one whod been in front in the queue is watching her. Samantha is too embarrassed to move back to her real seat. And anyway shes set herself up in the new one, barricaded by plastic bags. But now shes anxious at every station and ready to leap up and vacate. In her mind she practises the smile and my mistake gesture. She tries a little grin but her lip wobbles and it feels like a sneer. Shes regretting First Class now but if she moves down the train everyone will stare.

Out of the carriage window she sees orange trees like lollipops dotted with fruit. After five years she still cant believe theyre real. A line of small children dressed for winter (although it seems warm to Samantha) stand holding hands by the track. When the smallest boy on the end lifts his arm in a wave, she lets her head sink to the table then fumbles a small blue cardigan out from one of her bags.

Each station takes her further away which is good and bad. She screws up her eyes and concentrates on the good: Mam and Dad; her sisters; feeling normal; nights on the town with the lasses; home. She rubs out nights on the town and adds an NVQ in hairdressing (if shes not too old now).

The bad side is a hard grey lump sitting in her stomach. She sings All Things Bright And Beautiful over and over in her head to block it out then lifts the little cardigan to her face; breathing in. How long will his smell last? Will she suck it all out? A sudden panic makes her insides lurch and she hugs the carrier bag. Its the first time today shes really felt anything. Since she got up this morning and put on her church clothes shes been doing everything from a distance: catching the bus; getting to the station; changing her clothes in the toilet. She cant allow herself to think too much. She holds on to the idea that when she gets home, Mam and Dad will sort it all out. Theyll get Alexander later. But she keeps it in a corner of her mind, skirting round it because she knows its fragile and empty like the blown egg on the nature table that she held too hard and then lied about. She hasnt told them shes coming. And part of her is just embarrassed about running home (tail between her legs she hears in her Nanas voice) after all that showing off of her tan; starting sentences with, Well in Greece, we; and ordering in Greek in the restaurant in the Bigg Market. But thats too shameful to admit. And too small a tiny spot on the bigness of it all.

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