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Rabat - A Handbook of Modernism Studies

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Rabat A Handbook of Modernism Studies
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Wiley-Blackwell Critical Theory Handbooks Each volume in the Critical Theory - photo 1

Wiley-Blackwell Critical Theory Handbooks

Each volume in the Critical Theory Handbooks series features a collection of newly-commissioned essays exploring the use of contemporary critical theory in the study of a given period, and the ways in which the period serves as a site for interrogating and reframing the practices of modern scholars and theorists. The volumes are organized around a set of key terms that demonstrate the engagement by literary scholars with current critical trends, and aim to increase the visibility of theoretically-oriented and -informed work in literary studies, both within the discipline and to students and scholars in other areas.

Published:

A Handbook of Romanticism Studies

Edited by Joel Faflak and Julia M. Wright

A Handbook of Anglo-Saxon Studies

Edited by Jacqueline Stodnick and RenPicture 2e R. Trilling

A Handbook of Middle English Studies

Edited by Marion Turner

A Handbook of Modernism Studies

Edited by Jean-Michel RabatPicture 3

This edition first published 2013

2013 John Wiley & Sons Limited

Wiley-Blackwell is an imprint of John Wiley & Sons, formed by the merger of Wiley's global Scientific, Technical and Medical business with Blackwell Publishing.

Registered Office

John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices

350 Main Street, Malden, MA 02148-5020, USA

9600 Garsington Road, Oxford, OX4 2DQ, UK

The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of Jean-Michel RabatPicture 4 to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

A handbook of modernism studies / edited by Jean-Michel RabatPicture 5

pages cm

Includes bibliographical references and index.

ISBN 978-0-470-65873-4 (cloth)

1. Modernism (Literature) Handbooks, manuals, etc. 2. Literature, Modern History and criticism Handbooks, manuals, etc. I. RabatPicture 6, Jean-Michel, 1949 editor of compilation.

PN56.M54H35 2013

809.9112 dc23

2012046874

A catalogue record for this book is available from the British Library.

Cover image: Top: Joseph Kosuth, A Phenomenon of the Library, 2006. Courtesy of the artist and Joseph Kosuth Studio, London. Below: Ludmila Popova, Composition, 1920. Krasnodar Museum of Fine Arts. Photo akg-images / Erich Lessing.

Cover design by: Nicki Averill Design

Notes on Contributors

Jeremy Braddock is Associate Professor of English at Cornell University. He is the author of Collecting as Modernist Practice (2013) and co-editor of two collections, Paris, Capital of the Black Atlantic (2012) and Directed by Allen Smithee (2001). He is completing a book-length project titled The Archive of the Twentieth Century.

Bill Brown is the Karla Scherer Distinguished Service Professor in American Culture at the University of Chicago. His publications include A Sense of Things: The Object Matter of American Literature (2003), Things, a special issue of Critical Inquiry (2001), Reading the West: An Anthology of Dime Novels (1997), and The Material Unconscious: American Amusement, Stephen Crane, and the Economies of Play (1996). Currently, he is completing a book entitled Other Things.

Judith Brown is Associate Professor of English at Indiana University, Bloomington. She is the author of Glamour in Six Dimensions: Modernism and the Radiance of Form (2009), and is currently at work on a book called Passive States: Modernism and the Unproductive Life.

Eric Bulson, Associate Professor of English at Claremont Graduate University, is the author of The Cambridge Introduction to James Joyce (2006) and Novels, Maps, Modernity: The Spatial Imagination, 18502000 (2007). He is the recipient of the 2012 Charles A. Ryskamp Research Fellowships for his project on Little Magazine, World Form.

Christopher Bush is Associate Professor of French and Program Director of Comparative Literary Studies at Northwestern University. He is the author of Ideographic Modernism: China, Writing, Media (2012). His next book project, forthcoming, is entitled The Floating World: Japoniste Aesthetics and Global Modernity.

Robert L. Caserio, Professor of English at The Pennsylvania State University, University Park, is co-editor, with Clement Hawes, of The Cambridge History of the English Novel (2012) and editor of The Cambridge Companion to the Twentieth-Century English Novel (2009).

Sara Crangle, Senior Lecturer in English at the University of Sussex, is the author of Prosaic Desires: Modernist Knowledge, Boredom, Laughter, and Anticipation (2010) and the editor of Stories and Essays of Mina Loy (2011). She has co-edited On Bathos: Literature, Art, Music (2010) with Peter Nicholls.

Marian Eide, Associate Professor of English and Women's and Gender Studies at Texas A&M University, is the author of Ethical Joyce (2002). She is completing a book on the aesthetic of violence in twentieth-century culture. She has edited the issue of the South Central Review On Forgiveness (2010).

Maud Ellmann is the Randy L. & Melvin R. Berlin Professor in English at the University of Chicago. She is the author of The Poetics of Impersonality: T.S. Eliot and Ezra Pound (1987), The Hunger Artists: Starving, Writing, and Imprisonment (1993), Elizabeth Bowen: The Shadow Across the Page (2003), and The Nets of Modernism (2010). She has edited Psychoanalytic Literary Criticism (1994) and has published widely on Joyce, psychoanalysis, and Irish studies.

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