Reynolds - Retromania: pop cultures addiction to its own past
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Retromania: pop cultures addiction to its own past: summary, description and annotation
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Pop will repeat itself: museums, reunions, rock docs, re-enactments -- Total recall: music and memory in the time of YouTube -- Lost in the shuffle: record collecting and the twilight of music as an object -- Good citations: the rise of the rock curator -- Turning Japanese: the empire of retro and the hipster international -- Strange changes: fashion, retro and vintage -- Turn back time: revival cults and time-warp tribes -- No future: punks reactionary roots and retro aftermath -- Rock on (and on) (and on): the never-ending fifties revival -- Ghosts of futures past: sampling, hauntology and mash-ups -- Out of space: nostalgia for giant steps and final frontiers -- The retroscape (slight return) -- The shock of the old: past, present and future in the first decade of the twenty-first century.;We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups ... But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
Reynolds: author's other books
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Table of Contents
Thanks to my wife Joy Press, this books first reader and most merciless editor. Gratitude also to Joy and our children Kieran and Tasmin for their patience during what has been yet another protracted pregnancy.
Thanks to my editors Lee Brackstone and Mitzi Angel for their support throughout the process and their invaluable suggestions, which contributed greatly to the finished result. Thanks also to Denise Oswald, who originally signed the book in America.
Thanks to my agents Tony Peake and Ira Silverberg for getting this project airborne.
Thanks to my assistant Judy Berman for her crucial contributions at the books research stage.
Thanks to everyone involved in the production and promotion process at Faber UK, especially Ian Bahrami, Anna Pallai, Lucie Ewin, Ruth Atkins. Thanks also to Michele Piumini for his input.
Thanks to everyone involved in the production and promotion process at Faber U.S. / FSG, especially Chantal Clarke and Steve Weil.
Many people have been helpful in terms of providing useful material or pointing me in interesting directions. I wouldespecially like to thank for their generosity Hilary Moore, W. David Marx, Ed Christman and Bob Bhamra. Thanks also to Bethan Cole, Joe Kroll, Kristen Haring, Sbastien Morlighem, Andrej Chud, Graham Eng-Wilmot, Glenn Drexhage, Sean Pemberton, Thomas Huthmayr, Nadav Appel.
Thanks to the interviewees for sharing their stories and insights: Harold Bronson, Britt Brown, Billy Childish, Mark Cooper, Peter Doggett, Jasen Emmons, Iain Forsyth and Jane Pollard, Gareth Goddard, Jeff Gold, Jim Henke, Jim Hobermann, Brian Hodgson, Barry Hogan, Julian House, Matthew Ingram, Jim Jupp, James Kirby, Johan Kugelberg, George Leonard, Ian Levine, Miriam Linna and Billy Miller, Daniel Lopatin, Mary McCarthy, W. David Marx, Dick Mills, Jo Mitchell, Baron Mordant, Nico Muhly, James Murphy, David Peace, Kevin Pearce, Ariel Pink, Ken Shipley, Patti Smith, Paul Smith, Valerie Steele, Jonny Trunk, Tim Warren, Keith Fullerton Whitman, Lynn Yaeger .
A book like this does not emerge out of a vacuum. Ideas have been catalysed and thinking sharpened through countless conversations over the years, which have taken place through print and blog back-and-forth, via email and in face-to-face discussion (and in some cases go back to long before I ever considered writing a book on this subject). Big up to Mark Fisher, Matthew Ingram, Carl Neville, Dan Fox, Paul Barnes, Michaelangelo Matos, Anwyn Crawford, Sam Davies, Nicholas Katranis, Paul Kennedy, Owen Hatherley, Mike Powell, Tim Finney, Julian House, Jim Jupp, Ian Hodgson, Seb Roberts, Robin Carmody, Geeta Dayal, Patrick McNally, Andy Battaglia, Adam Harper, Alex Williams, Peter Gunn, John Darnielle and doubtless others I am forgetting.
Blissed Out: The Raptures of Rock
The Sex Revolts: Gender, Rebellion and Rock n Roll (with Joy Press)
Energy Flash: A Journey Through Rave Music and Dance Culture
Rip It Up and Start Again: Postpunk 1978-1984
Bring the Noise: 20 Years of Writing About Hip Rock and Hip Hop Totally Wired: Post-punk Interviews and Overviews
RETROMANIA
Simon Reynolds is the author of numerous books, including Rip It Up and Start Again: Postpunk 1978 1984 and Totally Wired: Postpunk Interviews and Overviews . His writing has appeared in The New York Times , The Village Voice , Spin , and Slate , among other publications. Born in London, Reynolds now lives in Los Angeles.
Anderson, Chris, The Long Tail, Wired , October 2004, issue 12.10.
Anderson, Perry, The Origins of Postmodernity (London: Verso, 1998).
Arns, Inke, History Will Repeat Itself: Strategies of Re-enactment in Contemporary (Media) Art and Performance (curators text for the exhibition at KW Institute for Contemporary Art in Berlin, 18.11.2007 13.01.2008). Online at http://www.agora8.org/reader/Arns_History_Will_Repeat.html .
Attali, Jacques, Noise: The Political Economy of Music . Originally published in French in 1977, trans. Brian Massumi (Manchester: Manchester University Press, 1985).
Auslander, Philip, Looking at Records, in TDR: The Drama Review , Vol. 45, No. 1 (T 169), Spring 2001.
Ballard, J. G., Myths of the Near Future and The Dead Astronaut, in Memories of the Space Age (Sauk City, Wisconsin: Arkham House, 1988). And also in The Complete Stories of J. G. Ballard (New York: W. W. Norton & Co., 2009).
Quotes , selected by V. Vale and Mike Ryan (San Francisco: RE/Search Publications, 2004).
Bangs, Lester, Psychotic Reactions and Carburetor Dung (New York: Alfred A. Knopf, 1987).
Rages to Come: Creems Predictions of Rocks Future, in Rock Revolution: From Elvis to Elton The Story of Rock and Roll (New York: Popular Library, 1976).
Barnes, Ken, Democratic Radio, in Dave Marsh (Ed.), The First Rock & Roll Confidential Report (New York: Pantheon, 1985).
Barthes, Roland, The Fashion System , first published 1967, trans. Matthew Ward and Richard Howard (Berkeley and Los Angeles: University of California Press, 1990).
Camera Lucida: Reflections on Photography , trans. Richard Howard (New York: Hill and Wang, 1981).
Empire of Signs , trans. Richard Howard (New York: Hill and Wang, 1982).
Baudrillard, Jean, The System of Collecting, in The Cultures of Collecting (Critical Views) (London: Reaktion Books, March 1994).
The Ecstasy of Communication, in Hal Foster (Ed.), Postmodern Culture (London: Pluto Press, 1985).
Beadle, Jeremy J., Will Pop Eat Itself? Pop Music in the Soundbite Era (London: Faber and Faber, 1993).
Beezer, Wild Dayz: Photos by Beezer (Bristol: Tangent Books, 2009).
Belz, Carl, Rock and Fine Art (The Beatles White Album). Originally from Belz, Carl, The Story of Rock (1969). Reprinted in Mike Evans (Ed.), The Beatles: Literary Anthology (London: Plexus, 2004).
Benjamin, Walter, The Work of Art in the Age of Mechanical Reproduction, Unpacking My Library: A Talk About Book Collecting, Theses on the Philosophy of History, in Illuminations: Essays and Reflections , trans. Harry Zohn, edited and with an introduction by Hannah Arendt (New York: Harcourt Brace Jovanovich, Inc. 1968).
Berman, Deborah Baiano, Deadheads as a Moral Community, dissertation, 2002, Department of Sociology and Anthropology, Northeastern University.
Berman, Judith, Science Fiction without the Future, originally published in the New York Review of Science Fiction , May 2001. Reprinted in James Gunn, and Matthew Candelaria, Speculations on Speculation: Theories of Science Fiction (Lanham, Maryland: 2005).
Blackson, Robert, One More With Feeling: Reenactment in Contemporary Art and Culture, Art Journal , Spring 2007.
Blanning, Lisa, Madlib profile, The Wire , issue no. 306, August 2009.
Blom, Philipp, To Have and to Hold: An Intimate History of Collectors and Collecting (New York: The Overlook Press, 2003).
Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (New York: Oxford University Press, 1973).
A Map of Misreading (New York: Oxford University Press, 1975).
Booker, Christopher, The Neophiliacs: A Study of the Revolution in English Life in the Fifties and Sixties (London: Wm. Collins, 1969).
Bourriaud, Nicolas, Postproduction: Culture As Screenplay: How Art Reprograms the World (second edn) (New York: Lucas & Sternberg, 2005).
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