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Salami Gitti - A Companion to Modern African Art

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Introduction -- Africa has always been modern -- Art in cosmopolitan Africa -- Modernities and cross-cultural encounters in arts of the early twentieth century -- Colonialism, modernism, and art in independent nations -- Perspectives on arts of the African Diaspora -- Syntheses in art of the late twentieth century -- Primitivism as erasure -- Local expression and global modernity;Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa. Includes original and previously unpublished fieldwork-based material. Features new and complex theoretical arguments about the nature of modernity.

Salami Gitti: author's other books


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WILEY BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes - photo 1

WILEY BLACKWELL COMPANIONS TO ART HISTORY

These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English-speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state-of-the-art synthesis of art history.

1 A Companion to Contemporary Art since 1945 edited by Amelia Jones
2 A Companion to Medieval Art edited by Conrad Rudolph
3 A Companion to Asian Art and Architecture edited by Rebecca M. Brown and Deborah S. Hutton
4 A Companion to Renaissance and Baroque Art edited by Babette Bohn and James M. Saslow
5 A Companion to British Art: 1600 to the Present edited by Dana Arnold and David Peters Corbett
6 A Companion to Modern African Art edited by Gitti Salami and Monica Blackmun Vison

This edition first published 2013 2013 John Wiley Sons Inc Registered - photo 2

This edition first published 2013
2013 John Wiley & Sons, Inc

Registered Office
John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices
350 Main Street, Malden, MA 02148-5020, USA
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell .

The right of Gitti Salami and Monica Blackmun Vison to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data is available on request

Hardback ISBN: 9781444338379

A catalogue record for this book is available from the British Library.

Cover image: Obiora Udechukwu, To Keep Nigeria One, 1997, watercolor and pencil. Reproduced by
kind permission of the artist.
Cover design by Richard Boxall Design Associates

To Sylvester Okwunodu Ogbechie

List of Figures

Map of the African continent.

West Africa, detail from the map of the African continent.

Attributed to Annang Ibibio artist. Mami Wata shrine figure, 1950s1960s. Wood, pigment, metal, sacrificial materials, 87.6 cm.

Attributed to Sapi artist. Saltcellar, Sierra Leone, late fifteenth century. Ivory, 16 cm.

Joseph Kossivi Ahiator (b. 1956, Aflao, Ghana). Indian King of Mami Wata, 2005. Pigment on cloth, 225 267 cm.

Attributed to Sapi artist. Lidded saltcellar, fifteenthsixteenth century.

Attributed to Loango (Vili) artist. Detail from a carved elephants tusk, nineteenth century.

Jonathan Adagogo Green. Chief of Benin (a king from the Warri area in the Niger Delta, Nigeria), circa 1895. Postcard, printed circa 1907.

Lutterodt Bros. & Cousin. Untitled [portrait of two young men], circa 1900. Carte de visite.

El Hadj Ousmanou. Portrait of two young men, circa 1968. Gelatin silver print.

Unknown photographer. Interior view of a stone mansion in Zanzibar, circa 1880s.

Jinadu Elegbede. Interior courtyard at the Ijora Palace, Lagos, Nigeria, 1922. Undated photograph.

Joas Baptista da Costa. Shitta Bey Mosque, front faade, Lagos, Nigeria, 1892. Undated photograph.

Tshela tendu of Ibashe (signature). Untitled, 1931. Watercolor on off-white paper, 32 50.3 cm.

Tshelantende (signature). Untitled (Docteur, le rat d... , Infermi ). Watercolor on paper, mended with needle and thread, 72.5 102 cm.

Unknown photographer. Un grand fticheur (war captain of an Akye age-set), 19101940. Postcard published by Lescuyer for [La Socit des] Missions Africaines, Lyon.

Attributed to a Bidjogo artist. Orebok (iran), object from a shrine. Bissagos Islands, late nineteenth to mid-twentieth century.

War captain (chef guerrier or sabohin) of an Akye age-set during an initiation ceremony, 1981. Memni, Cte dIvoire.

Houria Niati. Painting from the installation No to Torture, After Delacroix Women of Algiers, 1834, 1982. Mixed media on canvas, 188 270 cm.

Baya. Untitled, 19471950. Paint on paper, 74 99 cm.

Mohammed Khadda. Calm Noon, 1983. Oil on canvas, 66 53 cm.

Alex Amofa. A Game of Mind (Draughts Players), 2000. Oil on calico.

Kofi Antubam. The Divine Supreme Chief Dancing to the Rhythm of the State-Drums, 1961. Colored pen-and-ink drawing.

Kofi Antubam. Mural B, 19561957. Distemper on cement wall (destroyed 2008), Ambassador Hotel, Accra. Detail.

Students of the Cyrene Mission School. Murals in the schools chapel, 1940s.

Joram Mariga. Chapungu Bird, 1994. Springstone.

Gregory Maloba. Kampalas Independence Monument, 1962. Concrete.

Katta Diallo. La jeune marie (The Young Bride), 1977. Acrylic on canvas, 65 50 cm.

Diatta Seck. Mbootay (Women Carrying Children), 1971. Collage and mixed media, 122 244 cm.

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