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Nathaniel Robert Walker - Victorian Visions of Suburban Utopia: Abandoning Babylon

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Nathaniel Robert Walker Victorian Visions of Suburban Utopia: Abandoning Babylon
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The rise of suburbs and disinvestment from cities have been defining features of life in many countries over the course of the twentieth century. In Victorian Visions of Suburban Utopia, Nathaniel Walker asks: why did we abandon our dense, complex urban places and seek to find the best of the city and the country in the flowery suburbs? While looking back at the architecture and urban design of the 1800s offers some answers, Walker argues that a great missing piece of the story can be found in Victorian utopian literature. The replacement of cities with high-tech suburbs was repeatedly imagined and breathlessly described in the socialist dreams and science-fiction fantasies of dozens of British and American authors. Some of these visionaries such as Robert Owen, Edward Bulwer-Lytton, Edward Bellamy, William Morris, Ebenezer Howard, and H. G. Wells are enduringly famous, while others were street vendors or amateur chemists who have been all but forgotten. Together, they fashioned strange and beautiful imaginary worlds built of synthetic gemstones, lacy metal colonnades, and unbreakable glass, staffed by robotic servants and teeming with flying carriages. As varied as their futuristic visions could be, Walker reveals how most of them were unified by a single, desperate plea: for humanity to have a future worth living, we must abandon our smoky, poor, chaotic Babylonian cities for a life in shimmering gardens.

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Victorian Visions of Suburban Utopia

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Great Clarendon Street, Oxford, OX2 6DP, United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Nathaniel R. Walker 2020

The moral rights of the author have been asserted

First Edition published in 2020

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2020948252

ISBN 9780198861447

ebook ISBN 9780192605870

DOI: 10.1093/oso/9780198861447.001.0001

Printed and bound by

CPI Group (UK) Ltd, Croydon, CR0 4YY

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

Words of Thanks

This book has been more than a decade in the making, and my dear wife and best friend, Sally Caithness, has been there every step of the way, sharing innumerable insights and asking provocative questions at every turn. The journey was possible, and most pleasant, thanks to her and the love we share. Both this book and its author would be much weaker without her. Our children, Lilian and Eliot, have been very patient with me, and their beautiful companionship has provided endless amounts of laughter and joy. I hope that this book will, one day, encourage them to dream after their own Jerusalems. My Mother and Father have shown unfailing love and support, and there are countless ways in which it is true to say that this project never would have happened without them. My parents-in-law, Fred and Vanessa Caithness, have also been extremely kind and supportive, and I am very grateful to them.

The list of people who helped me build the scholarly framework and ask the questions that led to this book is long. I will forever be indebted to Douglas Bisson, Rose Gatens, and Daniel Schafer at Belmont University; David Gobel, Thomas Gensheimer, Celeste Guichard, and Robin Williams at SCAD; Maggie Bickford, Jo-Ann Conklin, Ann Dodge, Stephen Houston, Kay Dian Kriz, Andy Moul, Douglas Nickel, Herv Vanel, and especially Dietrich Neumann at Brown University; these librarians, teachers, and mentors nurtured me when I was in their care. I am also grateful to, among many others, William Bates, Julie Benton, Gary Boyd, Sibel Bozdoan, Monica Bravo, David Brownlee, David Brussat, Anna-Catherine Carroll, Lawrence Chua, Ista Clarke, Nathaniel Coleman, Elizabeth Darling, Cress Darwin, Victor Deupi, Paul Dobraszczyk, Andres Duany, Sonja Dmpelmann, Hamid El Jaouari, Ufuk Ersoy, Kjetil Fallan, Annette Giesecke, Joanna Gilmore, Andrew Gould, Vince Graham, Tigran Haas, John Haigh, Mazie Harris, Brian Horrigan, Stephen Houston, Amy Huang, Lars Irrgang, Naomi Jacobs, Justin Kegley, Il Kim, Kristopher King, Ronald Kloe, Amanda Lahikainen, Michael Lee, Brian Leounis, Ayla Lepine, David Lewis, Denis Linehan, Ruth Lo, Michael Lykoudis, Michael Mesko, Keith Morgan, Mikesch Muecke, Terri Mullholland, Louis Nelson, Ade Ofunniyin, Amparo Perez, Jose Perez, Antoine Picon, Edith Platten, Elizabeth Plater-Zyberk, Kenneth M. Roemer, Lyman Tower Sargent, Peter Sealy, Neal Shasore, Nicole Sierra, Lydia Soo, Christian Steinert, Jacqueline Taylor, Lisa Tom, Dell Upton, Anthony Vidler, James Ward, Fletcher Williams III, Fan Zhang, and Catherine Zipf.

At the College of Charleston, where I am fortunate to teach today, I must thank my leadership: Richard Grant Gilmore III, Michael Haga, Mary Beth Heston, Todd McNerney, and Valerie Morris for their supportas well as Vincent Fraley, Harlan Greene, Diane Miller, and Marilyn Wilson, for going above and beyond. I thank my Reading Group colleagues, who have offered so much great advice on this book over the past few years: Rebekah Compton, Marian Mazzone, Barry Stiefel, and Jessica Streit. I must reiterate my thanks to Jessica, for her scholarly brilliance in the exhibition we curated together, The City Luminous: Architectures of Hope in an Age of Fear, which fed into this book in several ways. I am grateful to my many amazing and inspiring students, especially Paige Miller, who provided indispensable help preparing the final book package for submission.

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