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Lena Mattheis - Translocality in Contemporary City Novels

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Lena Mattheis Translocality in Contemporary City Novels
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Translocality in Contemporary City Novels responds to the fact that twenty-first-century Anglophone novels are increasingly characterised by translocalitythe layering and blending of two or more distant settings. Considering translocal and transcultural writing as a global phenomenon, this book draws on multidisciplinary research, from globalisation theory to the study of narratives to urban studies, to explore a corpus of thirty-two novelsby authors such as Chimamanda Ngozi Adichie, Dionne Brand, Kiran Desai, and Xiaolu Guoset in a total of ninety-seven cities. Lena Mattheis examines six of the most common strategies used in contemporary urban fiction to make translocal experiences of the world narratable and turn them into relatable stories: simultaneity, palimpsests, mapping, scaling, non-places, and haunting. Combining and developing further theories, approaches, and techniques from a variety of research fieldsincluding narratology, human geography, transculturality, diaspora spaces, and postcolonial perspectivesMattheis develops a set of cross-disciplinary techniques in literary urban studies.

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Book cover of Translocality in Contemporary City Novels Literary Urban - photo 1
Book cover of Translocality in Contemporary City Novels
Literary Urban Studies
Series Editors
Lieven Ameel
Turku Institute for Advanced Studies, University of Turku, Turku, Finland
Jason Finch
English Language and Literature, bo Akademi University, Turku, Finland
Eric Prieto
Department of French and Italian, University of California, Santa Barbara, CA, USA
Markku Salmela
English Language, Literature & Translation, Tampere University, Tampere, Finland

The Literary Urban Studies Series has a thematic focus on literary mediations and representations of urban conditions. Its specific interest is in developing interdisciplinary methodological approaches to the study of literary cities. Echoing the Russian formalist interest in literaturnost or literariness, Literary Urban Studies will emphasize the citiness of its study objectthe elements that are specific to the city and the urban conditionand an awareness of what this brings to the source material and what it implies in terms of methodological avenues of inquiry. The series focus allows for the inclusion of perspectives from related fields such as urban history, urban planning, and cultural geography. The series sets no restrictions on period, genre, medium, language, or region of the source material. Interdisciplinary in approach and global in range, the series actively commissions and solicits works that can speak to an international and cross-disciplinary audience.

Editorial boardEditorial board:

Ulrike Zitzlsperger, University of Exeter, UK; Peta Mitchell, University of Queensland, Australia; Marc Brosseau, University of Ottawa, Canada; Andrew Thacker, De Montfort University, UK; Patrice Nganang, Stony Brook University, USA; Bart Keunen, University of Ghent, Belgium.

More information about this series at http://www.palgrave.com/gp/series/15888

Lena Mattheis
Translocality in Contemporary City Novels
1st ed. 2021
Logo of the publisher Lena Mattheis University of Duisburg-Essen Essen - photo 2
Logo of the publisher
Lena Mattheis
University of Duisburg-Essen, Essen, Germany
ISSN 2523-7888 e-ISSN 2523-7896
Literary Urban Studies
ISBN 978-3-030-66686-6 e-ISBN 978-3-030-66687-3
https://doi.org/10.1007/978-3-030-66687-3
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG.

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Preface

As I am preparing this book for publication, the world looks quite different from when I started writing it in 2016. A few months after I had begun to shape a vague notion about the interesting spatialities of contemporary global writing into a thesis, the outcomes of the Brexit referendum and of the US presidential elections unsettled the Anglophone world. The shockwaves were tangible, also in the more slow-paced literary scene, and can be felt in some of the most recently published translocal novels.

Now, in the summer of 2020, the world has changed yet again. A global pandemic has reinstated rigid borders and put restrictions on movement to a degree that most of us have never experienced. At the height of the pandemicin response to police brutality, systemic racism and institutional violencethe Black Lives Matter movement has initiated global protest at unprecedented scales.

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