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Ritwick Bhattacharjee - Horror Fiction in the Global South: Cultures, Narratives and Representations

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Ritwick Bhattacharjee Horror Fiction in the Global South: Cultures, Narratives and Representations
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Horror Fiction in the Global South: Cultures, Narratives, and Representations believes that the experiences of horror are not just individual but also/simultaneously cultural. Within this understanding, literary productions become rather potent sites for the relation of such experiences both on the individual and the cultural front. Its not coincidental, then, that either William Blattys The Exorcist or Gabriel Garcia Marquezs One Hundred Years of Solitude become archetypes of the re-presentations of the way horror affects individuals placed inside different cultures. Such an affectation, though, is but a beginning of the ways in which the supernatural interacts with the human and gives rise to horror. Considering that almost all aspects of what we now designate as the Global North, and its concomitant, the Global South political, historical, social, economic, cultural, and so on function as different paradigms, the experiences of horror and their telling in stories become functionally different as well. Added to this are the variations that one nation or culture of the east has from another. The present anthology of essays, in such a scheme of things, seeks to examine and demonstrate these cultural differences embedded in the impact that figures of horror and specters of the night have on the narrative imagination of storytellers from the Global South. If horror has an everyday presence in the phenomenal reality that Southern cultures subscribe to, it demands alternative phenomenology. The anthology allows scholars and connoisseurs of Horror to explore theoretical possibilities that may help address precisely such a need.

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Table of Contents
  1. Embodying Horror: Corporeal and Affective Dread in Junji Itos Tomie
    Shweta Khilnani
  2. Monsters of the Caribbean: Haunting Histories and Haunted Bodies in The Rainmakers Mistake and Soucouyant
    Jarrel De Matas
  3. Feminine Sexuality and Sexual Trauma in Bengali Horror Fiction: The Emergence of the Goddess
    Puja Sen Majumdar
  4. Spirits and Possessions
    Rajarshi Bhattacharjee
  5. Oriental Vampires vs. British Imperialists: Looking into the Figure of the Vampire in Bram Stokers Dracula and Richard Burtons Vikram and the Vampire
    Meenakshi Sharma
  6. Genres from the Orient: Instability in Shweta Tanejas Cult of Chaos
    Samarth Singhal
  7. The Corporeality of Horror: Spectres of War Victims in the Post-2003 Gothic Narratives from Iraq
    Sushrita Acharjee
  8. The Spectral Witness in Contemporary Indian Horror Cinema
    Anhiti Patnaik
  9. Conjuring an Atmosphere: A Study of Tumbbad as Folk Horror
    Sakshi Dogra
  10. Mythopoeia and Horror in the Global South: Reading Upamanyu Chatterjees Fairy Tales at Fifty
    Srinjoyee Dutta
  11. The Horror of Heteronormativity: The Supernatural in Vijaydan Dethas A Double Life
    Aina Singh
  12. Historic Time and Mythical Monsters: Negotiation of Mortality in M.T. Vasudevan Nairs Little Earthquakes
    Meenu B
  13. Funny Ghosts, Friendly Ghosts: A Study of How Indian English Pre-Teen Horror Fiction Turns Fear on Its Head
    Anurima Chanda
  14. Horror at the Margins: Phobic Essence and the Uncanny Home in Contemporary Asian Gothic Literatures
    Soumyarup Bhattacharjee
  15. Terror and Wartime Cosmologies in Liu Cixin
    Krushna Dande

HORROR FICTION IN THE GLOBAL SOUTH CULTURES NARRATIVES AND REPRESENTATIONS - photo 1

HORROR FICTION IN THE GLOBAL
SOUTH: CULTURES, NARRATIVES AND
REPRESENTATIONS

HORROR FICTION IN THE GLOBAL
SOUTH: CULTURES, NARRATIVES AND
REPRESENTATIONS

Edited by
Ritwick Bhattacharjee and Saikat Ghosh

BLOOMSBURY INDIA Bloomsbury Publishing India Pvt Ltd Second Floor LSC - photo 2

BLOOMSBURY INDIA

Bloomsbury Publishing India Pvt. Ltd

Second Floor, LSC Building No. 4, DDA Complex, Pocket C 6 & 7,

Vasant Kunj, New Delhi, 110070

BLOOMSBURY, BLOOMSBURY INDIA and the Diana logo are trademarks of Bloomsbury Publishing Plc

First published in India 2021

This edition published 2021

Copyright Ritwick Bhattacharjee, Saikat Ghosh, 2021

Ritwick Bhattacharjee and Saikat Ghosh have asserted their right under the Indian

Copyright Act to be identified as the Editors of this work

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the publishers

This book is solely the responsibility of the author and the publisher has had no role in the creation of the content and does not have responsibility for anything defamatory or libellous or objectionable

Bloomsbury Publishing Plc does not have any control over, or responsibility for,
any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes

ISBN: HB: 978-93-90077-26-7; eBook: 978-93-90077-28-1
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Printed and bound in India

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This collection of essays on horror in the Global South is a necessary and timely intervention. The essays take the best of existing research in the area and pivot it from a localised and rooted perspective. Based in philosophy, history, psychology and material understandings of postcolonial history and experience, all the essays offer diverse yet fundamentally coherent views and arguments explicating the specifically unique and different experiences of the Global Souths engagement with and experience of horror. In a sense, the book almost transcends the fact of theorising horror to explicating a theory of how the non-Western world experiences and negotiates the individual selfs relationship with the universe and cosmos in a larger metaphysical way.

Taking no vocabulary for granted, this collection interrogates and critiques all the terms it uses, from the Global South to the very basic understanding of the self and the cosmos. It is not only philosophical, however, for the arguments also unpack the very material and ideological conditions of experiencing, encountering and understanding the encounter with horrorfrom ghosts and demons to films, fiction and AI with references to very contemporary social and political currents. Overall, this anthology is a must-readnot only because it focuses brilliant academic attention on an under-researched area in non-Western academia but because it sheds light on many critical and crucial concepts.

Angelie Multani

Professor of Literature,

Department of Humanities & Social Sciences,

IIT Delhi

Tales of supernatural dread permeate cultural borders and inhabit the creative outskirts of every continent, lurking in the stories told at twilight and the films shown in dark theatres across the globe, but scholarly attention on the topic often disproportionately favours Western culture, which distorts the nature of horror on the global stage. Horror Fiction in the Global South challenges static notions of supernatural horror by adopting a global perspective on the genre, parcel ling out the subtle nuances of fear from various cultures in the Global South. This edited collection revitalises horror studies in surprising and groundbreaking ways, bridging cultural misnomers about the role of fear and the supernatural around the world. It is an outstanding collection of scholarship!

Sean Ferrier-Watson

Professor of English,

Collin College,

Frisco, Texas

The essays in this book analyse the theoretical framework of horror in the Global South. This is a perfect handbook for anyone who wants to critically dive into the uncharted reigns of horror literaturewriters and admirers alike. As mainstream horror is rooted in Western theories, Horror Fiction in the Global South tries to shine light on the representations of horror in Asia and the Indian subcontinent, while pertaining to the standards set by the Global North (as defined in the book). While doing so, it illuminates the reader with the various facets of horror literature, and at the end of the book, one shall get a sense of accomplishment and, perhaps, inspiration to venture into reading or writing horror fiction. Kudos to the writers for putting this together; it is a great service to Indian horror literature!

K. Hari Kumar

Screenwriter,

Author of Indias Most Haunted

It is a lamentable fact that horror has not received its deserved stature in India yet, and is routinely looked down upon as a poor cousin of other better-known genres of fiction. This collection of essays, Horror Fiction in the Global South, may well be a huge step in the direction of giving horror its due in both literature as well as film.

At the very outset, Horror Fiction in the Global South

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