The Gilded Palace of Sin
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It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebrationThe New York Times Book Review
Ideal for the rock geek who thinks liner notes just arent enoughRolling Stone
One of the coolest publishing imprints on the planetBookslut
These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerdsVice
A brilliant serieseach one a work of real love NME (UK)
Passionate, obsessive, and smartNylon
Religious tracts for the rock n roll faithfulBoldtype
[A] consistently excellent seriesUncut (UK)
We arent naive enough to think that were your only source for reading about music (but if we had our way watch out). For those of you who really like to know everything there is to know about an album, youd do well to check out Continuums 33 1/3 series of books.Pitchfork
For reviews of individual titles in the series, please visit our website at www.continuumbooks.com and 33third.blogspot.com
Also available in this series:
1. Dusty in Memphis by Warren Zanes
2. Forever Changes by Andrew Hultkrans
3. Harvest by Sam Inglis
4. The Kinks Are the Village Green Preservation Society by Andy Miller
5. Meat Is Murder by Joe Pernice
6. The Piper at the Gates of Dawn by John Cavanagh
7. Abba Gold by Elisabeth Vincentelli
8. Electric Ladyland by John Perry
9. Unknown Pleasures by Chris Ott
10. Sign O the Times by Michaelangelo Matos
11. The Velvet Underground and Nico by Joe Harvard
12. Let It Be by Steve Matteo
13. Live at the Apollo by Douglas Wolk
14. Aqualung by Allan Moore
15. OK Computer by Dai Griffiths
16. Let It Be by Colin Meloy
17. Led Zeppelin IV by Erik Davis
18. Exile on Main St. by Bill Janovitz
19. Pet Sounds by Jim Fusilli
20. Ramones by Nicholas Rombes
21. Armed Forces by Franklin Bruno
22. Murmur by J. Niimi
23. Grace by Daphne Brooks
24. Endtroducing by Eliot Wilder
25. Kick Out the Jams by Don McLeese
26. Low by Hugo Wilcken
27. Born in the U.S.A. by Geoffrey Himes
28. Music from Big Pink by John Niven
29. In the Aeroplane Over the Sea by Kim Cooper
30. Pauls Boutique by Dan LeRoy
31. Doolittle by Ben Sisario
32. Theres a Riot Goin On by Miles Marshall Lewis
33. The Stone Roses by Alex Green
34. In Utero by Gillian G. Gaar
35. Highway 61 Revisited by Mark Polizzotti
36. Loveless by Mike McGonigal
37. The Who Sell Out by John Dougan
38. Bee Thousand by Marc Woodworth
39. Daydream Nation by Matthew Stearns
40. Court and Spark by Sean Nelson
41. Use Your Illusion Vols 1 and 2 by Eric Weisbard
42. Songs in the Key of Life by Zeth Lundy
43. The Notorious Byrd Brothers by Ric Menck
44. Trout Mask Replica by Kevin Courrier
45. Double Nickels on the Dime by Michael T. Fournier
46. Aja by Don Breithaupt
47. Peoples Instinctive Travels and the Paths of Rhythm by Shawn Taylor
48. Rid of Me by Kate Schatz
49. Achtung Baby by Stephen Catanzarite
50. If Youre Feeling Sinister by Scott Plagenhoef
51. Pink Moon by Amanda Petrusich
52. Lets Talk About Love by Carl Wilson
53. Swordfishtrombones by David Smay
54. 20 Jazz Funk Greats by Drew Daniel
55. Horses by Philip Shaw
56. Master of Reolity by John Damielle
57. Reign in Blood by D.X. Ferris
58. Shoot Out the Lights by Hayden Childs
59. Gentlemen by Bob Gendron
60. Rum, Sodomy & the Lash by Jeffery T. Roesgen
61. The Gilded Palace of Sin by Bob Proehl
62. Pink Flag by Wilson Neate
63. Radio City by Bruce Eaton
69. 69 Love Songs by L.D. Beghtol
The Gilded Palace of Sin
One sin very naturally leans on another.
Thomas Wilson
Bob Proehl
2008
The Continuum International Publishing Group Inc
80 Maiden Lane, New York, NY 10038
The Continuum International Publishing Group Ltd
The Tower Building, 11 York Road, London SE1 7NX
www.continuumbooks.com
33third.blogspot.com
Copyright 2008 by Bob Proehl
All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publishers or their agents.
Printed in Canada on 100% postconsumer waste recycled paper
Library of Congress Cataloging-in-Publication Data
Proehl, Bob.
The Gilded Palace of Sin / Bob Proehl.
p. cm. -- (33 1/3)
Includes bibliographical references.
eISBN-13: 978-1-4411-4349-5
1. Flying Burrito Bros.
Gilded Palace of Sin. 2. Flying Burrito Bros. I. Title. II. Series.
ML421.F63P76 2008
782.420922--dc22
2008045099
Table of Contents
Acknowledgments
With thanks to Casey, Gregg, Khaled, Luke, Melanie, and Shaianne for reading it, Steve for alleviating some of my guitar-related ignorance, Eryn for listening to me blather on about it, and Sarah for being awake three hours later than anyone on the East Coast.
The next one will be for my mom, but this one is for my dad.
Prologue
Envy: Sweetheart of the Rodeo
Roger McGuinn had gotten his band back.
It was McGuinn whod started the Byrds off, after all. Gene Clark was between jobs and between sounds when he stumbled upon McGuinn playing Beatles covers at the Troubador in LA, a bold move in a club devoted to folk. And David Crosby was essentially a Hollywood brat and petty criminal when he joined the duo singing in a stairwell at the Troub months later. The trio had mild success doing folk songs as the Jet Set, but McGuinn had given the band its name and, between his spiraling Rickenbacker 12-string and his lilting tenor rising out of the harmonies to take the lead on Mr. Tambourine Man, its signature sound. Bassist Chris Hillman and drummer Michael Clarke were brought on almost as hired help, turning the folk trio into a real band. But as the Byrds expanded the folk rock sound theyd topped the charts with in 1965, McGuinn found himself shouldered out Clarks departure for personal reasons left McGuinn and Crosby to grapple for control of the band until midway through the 1967 sessions for
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