ENTERTAINMENT!
Praise for the series:
It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in
the Rye or Middlemarch The series is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration The New York Times Book Review
Ideal for the rock geek who thinks liner notes
just arent enough Rolling Stone
One of the coolest publishing imprints on the planet Bookslut These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these.
We are huge nerds Vice
A brilliant series each one a work of real love NME (UK) Passionate, obsessive, and smart Nylon
Religious tracts for the rock n roll faithful Boldtype
[A] consistently excellent series Uncut (UK)
We arent naive enough to think that were your only
source for reading about music (but if we had our way
watch out). For those of you who really like to know everything there is to know about an album, youd do well to check out Continuums 33 1/3 series of books PitchforkFor reviews of individual titles in the series, please visit our blogat 333sound.com and our website at
http://www.bloomsbury.com/musicandsoundstudies
Follow us on Twitter: @333books
Like us on Facebook: https://www.facebook.com/33.3books For a complete list of books in this series, see the back of this book Forthcoming in the series:
Smile by Luis Sanchez
Biophilia by Nicola Dibben
Ode to Billie Joe by Tara Murtha
The Grey Album by Charles Fairchild
Fresh Fruit for Rotting Vegetables by Mike Foley Freedom of Choice by Evie Nagy
Live Through This by Anwyn Crawford
Donuts by Jordan Ferguson
My Beautiful Dark Twisted Fantasy by Kirk Walker Graves Dangerous by Susan Fast
Definitely Maybe by Alex Niven
Blank Generation by Pete Astor
Sigur Ros: ( ) by Ethan Hayden
and many more
Entertainment!
Kevin J. H. Dettmar
Track Listing
Side One
1. Ether3:52
2. Naturals Not in It3:09
3. Not Great Men3:08
4. Damaged Goods3:29
5. Return the Gift3:08
6. Guns Before Butter3:49
Side Two
1. I Found That Essence Rare3:09
2. Glass2:32
3. Contract2:42
4. At Home Hes a Tourist3:33
5. 5.453:48
6. Anthrax4:23
To my gang of four: Emily, Audrey, Esther & Colin Contents
Acknowledgments x
Introduction 1
Keyword #1: Keywords 23
Keyword #2: Ideology 29
Ether/Guns Before Butter
Keyword #3: Nature 51
Naturals Not in It/Contract
Keyword #4: Theory 69
Not Great Men/Glass
Keyword #5: Alienation 87
At Home Hes a Tourist/5.45
Keyword #6: Consumer 100
Return the Gift/I Found That Essence Rare
Keyword #7: Sex 117
Damaged Goods/Anthrax
Conclusion: An Apology; an Epiphany
ix
Acknowledgments
Im grateful for the cooperation of the original four
band membersAndy Gill, Jon King, Dave Allen, and
Hugo Burnhamwho each met with me to discuss
Entertainment! and answer my questions. I hope that this small book can in some measure repay the great pleasure their music has given me. Thanks are due, as well, to
two of my colleagues in the Department of English at
Pomona College, Jonathan Lethem and Joe Jeon, who
read an early version of the proposal for this book, and helped to make it much stronger. Finally, my thanks to
the good people at BloomsburyDavid Barker, who
picked me, and Ally Jane Grossan, who helped me across
the finish line.
x
Introduction
When Im pressed (as one sometimes is), Gang of Four
is the band I avow my favorite of all time. Certainly they played the best show Ive ever seen, at the 200-seat
or, rather, 200-standingU.C. Davis Coffee House on
November 9, 1980. (When I spoke with him, drummer
Hugo Burnham even claimed to remember that gig
just being polite, perhaps.) It was my second senior year ( thats a long story that polite people dont ask me about), and since Gang of Four was coming to campus, they
were being played pretty heavily on KDVS, the campus
radio station. I found what I heard thrillingintoxi
catingand went to the local record store to buy the
album, Entertainment!
All I remember now of that concert, at this distance
of more than three decades, is Andy Gills searing,
aggressive, spare guitar playing, alongside Jon Kings
flat, affectless singing and haunting melodicaand the
fact that the lead singer, guitarist, and bass player were careening around the small stage and caroming off one
another like molecules in an overheated vessel, in a
way that seemed unscripted, unpredictable, and fright
ening. Forget The Clash: it was pretty clear to me that
E N T E R T A I N M E N T !
this was The Only Band That Mattered. I still think
Entertainment! (1979) is one of the most consistently great rock albums ever recorded; at their best, Gill,
King, Dave Allen (bass), and Hugo Burnham were able
to wed throbbing, angry music that propelled your body
to sophisticated lyrical content that played and replayed in your mind. (And misplayed, but more on that later.) Side Two, Track Four, At Home Hes a Tourist: could
there be a better 3-minute introduction to the Marxist concept of alienation? But you dont feel like youre
listening to a lecture; if these were mini-Marxist soap operas, they were leavened with a late-punk post-funk
beat, and a narrative and linguistic sophistication and ambiguity that belied any charges of vulgar Marxism.
On Entertainment! , if only unevenly thereafter, Gang of Four embodied the George Clinton/P-Funk dictum,
free your mind and your ass will follow (as well as its waggish, chiasmic corollary: free your ass ). King and Gill, ideologists-in-chief, were there to free your mind: but your ass, my friend, belonged to the rhythm section of Burnham and Allen.
In his recent book on Talking Heads Fear of Music
for the 33 seriesanother 1979 album, as fate would
have itmy colleague and good friend Jonathan Lethem
returns regularly to the figure of the boy in his room,
15 years old, trying to make sense of that album andby means of that albumto articulate himself to himself and understand his world. Im a bit of a slow study but the following year, though it was my second senior year of
college, I was doing the same thing with Entertainment! : in my case, it was the boy in the studio apartment, and hed just turned 21. When Jonathan and I recently listened
K E V I N J . H . D E T T M A R
together to Entertainment! , he remarked how powerfully it recalled to him his freshman year at Bennington. For that 15-year-old boy had finished high school, left his room, and gone off to college, and Entertainment! was already there, waiting for him; whereas I got to college and had to wait four full years for the record to arrive, to find meand, musically, those years of waiting were
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