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Naomi Oosterman - Crime and Art: Sociological and Criminological Perspectives of Crimes in the Art World

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Naomi Oosterman Crime and Art: Sociological and Criminological Perspectives of Crimes in the Art World
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This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of art crimes, with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.

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Book cover of Crime and Art Volume 1 Studies in Art Heritage Law and the - photo 1
Book cover of Crime and Art
Volume 1
Studies in Art, Heritage, Law and the Market
Series Editors
Rachel Pownall
School of Business and Economics, Maastricht University, Maastricht, The Netherlands
Ana Quintela Ribeiro Neves Ramalho
Faculty of Law, Maastricht University, Maastricht, The Netherlands
Christoph Rausch
Faculty of Science and Engineering, Maastricht University, Maastricht, The Netherlands
Hildegard Schneider
Faculty of Law, Maastricht University, Maastricht, The Netherlands
Vivian van Saaze
Faculty of Arts and Social Sciences, Maastricht University, Maastricht, The Netherlands
Rene van de Vall
Faculty of Arts and Social Sciences, Maastricht University, Maastricht, The Netherlands
Lars van Vliet
Faculty of Law, Maastricht University, Maastricht, The Netherlands
Donna Yates
Faculty of Law, Maastricht University, Maastricht, The Netherlands
Advisory Editors
Bert Demarsin
KU Leuven, Leuven, Belgium
Hester C. Dibbits
Department of History, Erasmus University Rotterdam, Rotterdam, The Netherlands
Patty Gerstenblith
DePaul University, Chicago, IL, USA
Susan Legne
VU Amsterdam, Amsterdam, The Netherlands
Peggy Levitt
Department of Sociology, Wellesley College, Wellesley, MA, USA
Simon Mackenzie
Faculty of Humanities and Social Sciences, Victoria University of Wellington, Wellington, New Zealand
Olav J. M. Velthuis
Faculty of Social & Behavioural Sciences, University of Amsterdam, Amsterdam, The Netherlands
Andrea Wallace
Law School, University of Exeter, Exeter, UK
Matthias Weller
Department of Law, University of Bonn, Bonn, Germany

The book series Studies in Art, Heritage, Law and the Market provides an international and interdisciplinary forum for volumes that

  • investigate legal, economic, and policy developments related to arts, heritage, and intellectual property;

  • critically assess how and for whom art and heritage values come about;

  • promote novel forms of user engagement, participatory presentations, and digitalization of arts and heritage;

  • examine the processes that transform cultural objects and practices into arts and heritage; and

  • highlight new approaches in preservation and conservation science.

The series addresses a need for research and practice in the fields of art, culture, conservation, and heritage including a focus on legal and economic aspects. It deals with complex issues such as questions of authenticity and provenance; forgery and falsification; the illicit trade, restitution, and return of cultural objects; the changing roles of museums; the roles of experts and expertise; and the ethics of the art market.

More information about this series at http://www.springer.com/series/16197

Editors
Naomi Oosterman and Donna Yates
Crime and Art
Sociological and Criminological Perspectives of Crimes in the Art World
1st ed. 2021
Logo of the publisher Editors Naomi Oosterman Department of Arts - photo 2
Logo of the publisher
Editors
Naomi Oosterman
Department of Arts & Culture Studies, Erasmus University Rotterdam, Rotterdam, The Netherlands
Donna Yates
Criminal Law and Criminology, Maastricht University, Maastricht, The Netherlands
ISSN 2524-7425 e-ISSN 2524-7433
Studies in Art, Heritage, Law and the Market
ISBN 978-3-030-84855-2 e-ISBN 978-3-030-84856-9
https://doi.org/10.1007/978-3-030-84856-9
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Springer imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Contents
Naomi Oosterman and Donna Yates
Part I Methods
Michelle D. Fabiani and James V. Marrone
Katherine Davidson , Shawn Graham and Damien Huffer
Lauren Dundler
Emiline Smith
Francisco Romeo Marugn
Part II Theory
Neil Brodie
Donna Yates and Simon Mackenzie
Federica Villa
Rodrigo Christofoletti and Vitria dos Santos Acerbi
Fiona Greenland
Part III Data Applications
Erin Thompson and Mackenzie Priest
Anya Eber
Dina Brzia
Michelle D. Fabiani
Naomi Oosterman and Francesco Angelini
About the Contributors
Francesco Angelini

is a Post-doc Researcher at the Department of Statistical Sciences Paolo Fortunati, the University of Bologna (IT) and an Adjunct Professor at the University of Bologna and at the Ca Foscari University of Venice (IT). His research is focused on pricing and value formation in the cultural market and in the digital market.

Dina Brzia

is a Junior Researcher on the project Trafficking Transformations: Objects as Agents in Transnational Criminal Networks based in the Department of Criminal Law and Criminology, Maastricht University. In 2018, Dina graduated with MSc in Criminology and Criminal Justice from the University of Glasgow. Her research focused on the ways how the digital world and digital communications are used to legitimise art crime and antiquities trafficking.

Neil Brodie

is an Archaeologist who has published widely on issues concerning the market in cultural objects, with more than 50 papers and book chapters devoted to the subject. He is presently a Senior Research Fellow on the Endangered Archaeology in the Middle East and North Africa project at the University of Oxfords School of Archaeology.

Rodrigo Christofoletti

is a Cultural Heritage Professor with graduation and post-graduation in History from the Universidade Federal de Juiz de Fora (UFJF), Minas Gerais, Brazil. A leader of the research group Heritage and International Relations (CNPq) and Collaborator with the Transdisciplinary Research Centre Culture, Space and Memory (CITCEM-FLUP). He holds a Doctorate in History, Politics, and Cultural Heritage from the Getulio Vargas Foundation (FGV-CPDOC) and researches the interface between History and International Relations focusing on cultural heritage. He is an editor, along with Marcos Olender, of the book

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