Seth Duerr - Staging Shakespeares Violence: My Cue to Fight: Domestic Fury
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- Book:Staging Shakespeares Violence: My Cue to Fight: Domestic Fury
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- Publisher:Pen and Sword History
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- Year:2021
- City:Barnsley
- Rating:3 / 5
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Staging Shakespeares Violence: My Cue to Fight: Domestic Fury: summary, description and annotation
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A writer utilises violence, like song or dance, in moments where the story requires more than just words. But addressing how the violence will be staged tends either to be neglected or utterly gratuitous, both of which serve to separate the audience from the story and kill the whole venture. The answer rests in approaching violence the same way we do scene work. These plays are not flowery poems meant to be mumbled in a classroom, or histrionically declaimed in frilly costumes. There is nothing light and fluffy about rape and murders rages, or carving someone as a dish fit for the gods, or fighting till from ones bones ones flesh be hacked. Making matters more complicated is the ambiguity and sometimes even complete lack of stage directions. Modern texts typically possess clear directions whenever violence is to occur in the action, but playscripts were quite different four centuries ago. Such denotations were both rare and inconsistent in Elizabethan and Jacobean printings. The potential violence we will examine is not appropriate for all productions or scene partners. Were here to question and inspire rather than provide catch-all solutions. Actors, directors, fight directors, and intimacy consultants must work together to find the most effective way for their production to communicate the playwrights story to an audience.
Volume One: Domestic Fury tracks the works set in the United Kingdom, mostly of civil unrest and warfare amongst the Plantagenets and Tudors, as well as the nearby kingdoms of France, Denmark, and Austria.
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