• Complain

Paul Larson - Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem

Here you can read online Paul Larson - Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Bethlehem, year: 2012, publisher: Lehigh University Press, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem
  • Author:
  • Publisher:
    Lehigh University Press
  • Genre:
  • Year:
    2012
  • City:
    Bethlehem
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This is an account of the actions taken by the residents of Bethlehem, Pennsylvania to create a local amateur society singing the music of J. S.Bach and to develop it into a choir of international importance. Singers, instrumentalists, industrialists, academicians, bankers, and churches acted in community to found and perpetuate a group devoted to sharing the music of Bach locally, nationally, and internationally. While The Bach Choir of Bethlehem performs frequently elsewhere, the annual Bethlehem Bach Festival became and remains a magnet for those who love Bach and want to experience his music excellently performed in historic and sacred surroundings. In order to reach and maintain its premier status, the choir, its conductor, its board, and staff had to be experts in music performance and shifts in audience tastes. They had to be responsive to research in performance practice, and skilled in strategic planning, promotion and fundraising. In recent years they had to become competent in sound recording technology and use of the internet. These attributes are described and analyzed with frequent use of documents and personal anecdotes. Successfully balancing the human actions and desires involved in such a complex enterprise has earned The Bach Choir of Bethlehem the title A National Treasure in music and the recognition that it is at the same time a national model for excellence as a cultural non-profit organization. This is a story of how and why - for over a century - inspiring performances of Bachs music came about and were brought to many thousands of listeners.

Paul Larson: author's other books


Who wrote Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem? Find out the surname, the name of the author of the book and a list of all author's works by series.

Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
About the Author

Paul S. Larson is professor emeritus at Moravian College in Bethlehem, Pennsylvania, where he taught music education, non-Western music, and music history. A longtime resident of Bethlehem and archivist of The Bach Choir of Bethlehem, he has known and worked with many of the people he writes about in this book. He was fortunate to have an academic office in the building where T. T. Wolle, The Bach Choirs first conductor, received his early musical education and where The Bach Choir rehearsed for many years. Active as an author and lecturer in local history, Larson is involved with area cultural and historical societies.

Acknowledgments

I am indebted to many people who shared their stories with me. They are Barbara Stout, Susan Sommers, Dorothy Ferguson, Mary Meilinger, Tom Church, Kathy Link, Greg Funfgeld, Jan Bonge, Bridget George, Jack Jordan, Howard Cox, Ellis Finger, Ed Young, Charles Holdeman, and Martha Luckenbach, now deceased. Linda Lipkis prepared the discography. As archivist and curator of The Bach Choir, I have attended meetings of the Board of Managers and have been influenced by the skill and understanding of the present president, Dr. David Beckwith. Watching the Board process has been an inspiration to me. Edith Laver and Jack Jordan critiqued numerous versions of the manuscript. Evelyn Miller offered me unexpected riches about J. Fred. Wolles time in California. John Roach did a total editing out of goodwill. I was most fortunate in his interest in The Bach Choir and in his desire to make my telling clear to readers regardless of their musical backgrounds. Christy Roysdon found whatever I needed in the Lehigh University libraries and on the World Wide Web and critiqued the manuscript, as did Annette Benert. Many, many thanks to them both. Also, my thanks Mr. George Myers for technical assistance. Many thanks to Mrs. Judith Mayer of Lehigh University Press for her patience, understanding, and expert exactness and guidance. John Spadaccias friendly assistance in photography is much appreciated. Finally, untold thanks to Scott Paul Gordon. Without his commitment to academic scholarship and to the Lehigh University Press and without his interest in this story, this book would not have been possible.

Appendix A
BACH FESTIVAL DISTINGUISHED SCHOLAR LECTURE SERIES

12 and 19 May 2000. Dr. Robin A. Leaver. No title given.

11 and 18 May 2001. Dr. Joshua Rifkin. No title given.

10 and 17 May 2002. Dr. Johannes Richter. No title given.

9 and 16 May 2003. Dr. Michael Marissen. No title given.

7 and 14 May 2004. Dr. Michael Marissen. No title given.

6 and 13 May 2005. Dr. Michael Marissen. No title given.

5 and 12 May 2006. Dr. Michael Marissen. No title given.

4 and 11 May 2007. Dr. Michael Marissen. New Perspectives on The Saint Matthew Passion .

2 and 9 May 2008. Dr. Christoph Wolff. Are Bach Oratorios Sacred Operas?

1 and 8 May 2009. Dr. Michael Marissen. Hope in Bachs Music.

7 and 14 May 2010. Dr. Michael Marissen. Bach and Mary.

Appendix B
BACH CHOIR DISCOGRAPHY

Cantata, BWV 78: Jesus, thou wearied spirit (Jesu, der du meine Seele) / Johann Sebastian Bach. [Soprano and alto soloists not listed]; Mack Harrel, bass; Lucius Metz, tenor; Bach Choir of Bethlehem and Orchestra; Ifor Jones, conductor. RCA Victor Red Seal [19--]. 4 sound discs : analog, 78 rpm; 12 in.

Chorale: World, farewell! from Cantata, BWV 27: Wer weiss, wie nahe mir mein Ende!; Motet: Sing ye to the Lord a new-made song (Singet dem Herr ein neues Lied): motet for two choruses; Concerto no. 1 in D minor / Johann Sebastian Bach. Bach Choir of Bethlehem (1st-2nd works); Agi Jambor, piano, Bach Festival Orchestra (3rd work); Ifor Jones, conductor. Recorded in Bethlehem [19--), by Peter Bartok. 1 sound disc : analog, 33 1/3 rpm; 12 in.

Fugue in E-flat major, BWV 552; Passacaglia and Fugue in C minor, BWV 582; Pastorale in F major BWV 590; Toccata in F major, BWV 540/Johann Sebastian Bach. [A reproduction of Mendelssohns Bach Recital, Leipzig, 6 August 1840; jacket notes by Alfred Mann.] William Whitehead, organist. Recorded at First Presbyterian Church of Bethlehem [19--], by Helffrich Recording Labs. 1 sound disc : analog, 33 1/3 rpm, stereo.; 12 in.

Cantata, BWV 71: God is my king (Gott ist mein Knig)/Johann Sebastian Bach. Phyllis Curtin, soprano; Lillian Knowles, alto; David Lloyd, tenor; Mack Harrel, bass; Bach Choir of Bethlehem; Bach Festival Orchestra; Ifor Jones, conductor. Recorded at the Bach Choir Festival, Bethlehem, Pa., 25 May 1951, by the Audio Laboratory, Bethlehem, Pa. 1 sound disc : analog, 33 1/3 rpm, stereo.; 12 in.

Mass in B minor, BWV 232 / Johann Sebastian Bach. Lois Marshall, soprano; Eunice Alberts, contralto; John McCollum, tenor; Kenneth Smith, bass; Bach Choir of Bethlehem; Bach Festival Orchestra; Ifor Jones, conductor. Recorded at Lehigh University Chapel, Bethlehem, Pa., [1962], by Peter Bartok, assisted by William Hamilton. The Classics Record Library [1962]. 3 sound discs: analog, 33 1/3 rpm, stereo.; 12 in.

Christmas in Leipzig: Choral music for the Nativity by Bach. / Cantata, BWV 63: Christen tzet diesen Tag; Cantata, BWV 65: Sie werden aus Saba alle kommen; Chorus: Sanctus, from Mass in B Minor, BWV 232 / Johann Sebastian Bach. Sylvia McNair, soprano; Janice Taylor, contralto; David Gordon, tenor; Daniel Lichti, bass; Bach Choir of Bethlehem; Bach Festival Orchestra; Greg Funfgeld, conductor. Recorded at First Presbyterian Church of Bethlehem, 27 February 1988. Dorian Recordings, 1988. 1 sound disc : digital ; 4 in.

Wachet auf!: Cantatas, BWV 56 and 140; Motet, BWV Anh. 159. / Cantata, BWV 56: Ich will den Kreuzstab gerne tragen; Cantata, BWV 140: Wachet auf, ruft uns die Stimme; Motet BWV Anh. 159: Ich lasse dich nicht / Johann Sebastian Bach. Henriette Schellenberg, soprano; David Gordon, tenor; Daniel Lichti, bass; Bach Choir of Bethlehem; Bach Festival Orchestra; Greg Funfgeld, conductor. Recorded at First Presbyterian Church of Bethlehem, 27 and 28 January 1989. Dorian Recordings, 1989. 1 sound disc : digital ; 4 in.

Christmas in Bethlehem: Traditional carols sung by the Bach Choir of Bethlehem, vol. 1. / O come, all ye faithful; Break forth, o beauteous morning light, from Christmas oratorio, BWV 248; Joy to the world; Tomorrow shall be my dancing day; Away in a manger; God to Adam came in Eden; Angels from the realms of glory; O little town of Bethlehem; Behold! In gloomy stable stall, from Christmas oratorio, BWV 248; Lo! How a rose eer blooming; Wohl mir, das ich Jesum habe, from Cantata, BWV 147; Silent night! Holy night!; What sweeter music; Hark, the herald angels sing; Infant holy, infant lowly; Angels we have heard on high; Jesus Christ the apple tree; Once in royal Davids city. Karen Cocca, soprano; Thomas Goeman, organ; Bach Choir of Bethlehem; Fairmount Brass Quartet; Greg Funfgeld, conductor. Recorded at First Presbyterian Church of Bethlehem, October 1994, by Peter Helffrich. 1 sound disc : digital ; 4 in.

Christmas in Bethlehem: Traditional carols sung by the Bach Choir of Bethlehem, vol. 2. / God rest you merry, gentlemen; Two chorales from Christmas oratorio, BWV 248 (Wie soll ich dich empfangen; Ach mein herzliebes Jesulein); Once he came in blessing; Gloria sei dir gesungen, from Cantata, BWV 140; Il est ne le divin enfant; Ding dong! Merrily on high; Jesus, call thou me; The little road to Bethlehem; Nun seid ihr wohl gerochen, from Christmas Oratorio BWV 248; Brightest and best of the sons of the morning; Marys lullaby; Ave Maria; What child is this?; Dem wir das heilig itzt, from Cantata, BWV 129; Good Christians all, rejoice!; Infant holy, infant lowly; See amid the winters snow. Karen Cocca, soprano; Dennis Bushkofsky, baritone; Donald DeBoer, tenor; Greg Oaten, tenor; Thomas Goeman, organ; Bach Choir of Bethlehem; trumpets and timpani of Bach Festival Orchestra; Philadelphia Brass; Greg Funfgeld, conductor. Recorded at First Presbyterian Church of Bethlehem, February 1997. Dorian Recordings, 1997. 1 sound disc : digital ; 4 in.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem»

Look at similar books to Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem»

Discussion, reviews of the book Bach for a Hundred Years: A Social History of the Bach Choir of Bethlehem and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.