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Alexa Alfer - A.S. Byatt: Critical storytelling

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A.S. Byatt: Critical storytelling: summary, description and annotation

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This comprehensive study of A. S. Byatts work spans virtually her entire career and offers insightful readings of all of Byatts works of fiction up to and including her Man-Booker-shortlisted novel The Childrens Book (2009). The authors combine an accessible overview of Byatts uvre to date with close critical analysis of all her major works. Uniquely, the book also considers Byatts critical writings and journalism, situating her beyond the immediate context of her fiction. The authors argue that Byatt is not only important as a storyteller, but also as an eminent critic and public intellectual. Advancing the concept of critical storytelling as a hallmark of Byatts project as a writer, the authors retrace Byatts wide-ranging engagement with both literary and critical traditions. This results in positioning Byatt in the wider literary landscape. This book has broad appeal, including fellow researchers, undergraduate and postgraduate students, plus general enthusiasts of Byatts work.

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A. S. Byatt
Contemporary British Novelists Series editor Daniel Lea already published - photo 1
Contemporary British Novelists
Series editor:
Daniel Lea
already published
J. G. Ballard Andrzej Gasiorek
Pat Barker John Brannigan
Jim Crace Philip Tew
James Kelman Simon Kvesi
Iain Sinclair Brian Baker
Graham Swift Daniel Lea
Irvine Welsh Aaron Kelly
Jeanette Winterson Susana Onega
A. S. Byatt
Critical Storytelling
Alexa Alfer and Amy J. Edwards de Campos
Copyright Alexa Alfer and Amy J Edwards de Campos 2010 The right of Alexa - photo 2
Copyright Alexa Alfer and Amy J. Edwards de Campos 2010
The right of Alexa Alfer and Amy J. Edwards de Campos to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
Published by Manchester University Press
Oxford Road, Manchester M13 9NR, UK
and Room 400, 175 Fifth Avenue, New York, NY 10010, USA
www.manchesteruniversitypress.co.uk
Distributed in the United States exclusively by
Palgrave Macmillan, 175 Fifth Avenue, New York,
NY 10010, USA
Distributed in Canada exclusively by
UBC Press, University of British Columbia, 2029 West Mall,
Vancouver, BC, Canada V6T 1Z2
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data applied for
ISBN 978 0 7190 6652 8 hardback
First published 2010
The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Typeset
by Florence Production Ltd, Stoodleigh, Devon
Printed in Great Britain
by MPG Books Group, UK
Contents
2 Fathers, sisters and the anxiety of influence:
The Shadow of the Sun and The Game
3 Writing the contemporary:
The Virgin in the Garden and Still Life
4 Two cultures:
Babel Tower and A Whistling Woman
5 Tradition and transformation:
Possession and fairytales
6 The dark side of the tale:
The Childrens Book, The Biographers Tale and Angels and Insects
7 Critical storytelling:
peopling the paper house
Series editors preface
Contemporary British Novelists offers readers critical introductions to some of the most exciting and challenging writing of recent years. Through detailed analysis of their work, volumes in the series present lucid interpretations of authors who have sought to capture the sensibilities of the late twentieth and twenty-first centuries. Informed, but not dominated, by critical theory, Contemporary British Novelists explores the influence of diverse traditions, histories and cultures on prose fiction, and situates key figures within their relevant social, political, artistic and historical contexts.
The title of the series is deliberately provocative, recognising each of the three defining elements as contentious identifications of a cultural framework that must be continuously remade and renamed. The contemporary British novel defies easy categorisation and, rather than offering bland guarantees as to the current trajectories of literary production, volumes in this series contest the very terms that are employed to unify them. How does one conceptualise, isolate and define the mutability of the contemporary? What legitimacy can be claimed for a singular Britishness given the multivocality implicit in the redefinition of national identities? Can the novel form adequately represent reading communities increasingly dependent upon digitalised communication? These polemical considerations are the theoretical backbone of the series, and attest to the difficulties of formulating a coherent analytical approach to the discontinuities and incoherencies of the present.
Contemporary British Novelists does not seek to appropriate its subjects for prescriptive formal or generic categories; rather it aims to explore the ways in which aesthetics are reproduced, refined and repositioned through recent prose writing. If the overarching architecture of the contemporary always eludes description, then the grandest ambition of this series must be to plot at least some of its dimensions.
Daniel Lea
Acknowledgements
We would like to thank the following friends and colleagues for their ideas, encouragement and support during the long genesis of this book: Jane Campbell, Miguel Campos, Mike D. Crane, Juliane Funk, Dorothea Lbbermann, Grinne Walshe, our parents Dieter and Rosemarie Alfer and John and Brenda McAuliffe, and all the staff at Manchester University Press.
We are particularly grateful to Michael J. Noble for his friendship, generosity and goodwill. He has been instrumental in getting this project off the ground.
Finally, we are deeply indebted to A. S. Byatt for her enthusiasm, generosity and unfailing support.
Alexa Alfer and Amy J. Edwards de Campos
Copyright acknowledgements
The authors and publishers are grateful for permission to quote from the following copyrighted material in this book:
From Angels and Insects by A. S. Byatt, published by Chatto & Windus, copyright 1992 by A. S. Byatt. Reprinted by permission of The Random House Group Ltd and Random House, Inc.
From Babel Tower by A. S. Byatt, published by Chatto & Windus, copyright 1996 by A. S. Byatt. Reprinted by permission of The Random House Group Ltd and Random House, Inc.
From The Biographers Tale by A. S. Byatt, published by Chatto & Windus, copyright 2000 by A. S. Byatt. Reprinted by permission of The Random House Group Ltd and Alfred A. Knopf, a division of Random House, Inc.
From The Childrens Book by A. S. Byatt, published by Chatto & Windus, copyright 2009 by A. S. Byatt. Reprinted by permission of the author c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN, and Alfred A. Knopf, a division of Random House, Inc.
From The Djinn in the Nightingales Eye by A. S. Byatt, published by Chatto & Windus, copyright 1994 by A. S. Byatt. Reprinted by permission of The Random House Group Ltd and Random House, Inc.
From The Game by A. S. Byatt, published by Chatto & Windus, copyright 1967 by A. S. Byatt. Reprinted by permission of The Random House Group Ltd and the author c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN.
From Imagining Characters by A. S. Byatt, published by Chatto & Windus, copyright 1995 by A. S. Byatt and Igns Sodr. Reprinted by permission of The Random House Group Ltd and the author c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN.
From the Little Black Book of Stories by A. S. Byatt, published by Chatto & Windus, copyright 2003 by A. S. Byatt. Reprinted by permission of The Random House Group Ltd and Alfred A. Knopf, a division of Random House, Inc.
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