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James Patterson - Diana, William, and Harry: The Heartbreaking Story of a Princess and Mother

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James Patterson Diana, William, and Harry: The Heartbreaking Story of a Princess and Mother
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Copyright 2022 by James Patterson Cover design by Mario J Pulice Cover - photo 1

Copyright 2022 by James Patterson

Cover design by Mario J. Pulice
Cover photograph by Kim Knott/Camera Press/Redux
Cover copyright 2022 Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Little, Brown and Company
Hachette Book Group
1290 Avenue of the Americas, New York, NY 10104
www.littlebrown.com

First ebook edition: August 2022

Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591.

Part-opener photographs courtesy ofPart 1: Central Press/Getty Images; Part 2: Terry Fincher/Princess Diana Archive/Getty Images; Part 3: Tim Graham Photo Library via Getty Images; Part 4: Jayne Fincher/Getty Images; Part 5: Tim Graham Photo Library via Getty Images; Part 6: UK Press/Getty Images; Part 7: Mark Cuthbert/UK Press/Getty Images; Part 8: Chris Jackson/Getty Images; Part 9: Max Mumby/Indigo/Getty Images.

ISBN 9780759554221 (hardcover) / 9780316445818 (large print) / 9780759554245 (ebook)
LCCN 2021925551

E3-20220722-DA-NF-ORI

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August 31 1997 Paris S he grips her seat as the driver opens the throttle - photo 2

August 31, 1997
Paris

S he grips her seat as the driver opens the throttle. The black Mercedes S280 is built for speed.

As the two-ton sedan pulls away from the Ritz Paris hotel, photographers flashbulbs explode in the night like gunfire. More cameramen, on motorcycles and scooters, are in pursuit.

Earlier this month, pictures of her and her boyfriend kissing while on a yacht in the Mediterranean sold to the tabloids for millions. The couple has only been in Paris a few hours, but the photographers following her wont stop until they get another image worth a fortune.

Its after midnight, but shes still dressed for a summer dinner in white jeans and a dark Armani jacket, her red lipstick bright against skin tanned from a season in the sun.

She looks around at the three men in the car: her boyfriend, Egyptian film producer Dodi Fayed, is beside her in the back seat; their British bodyguard, Trevor Rees-Jones, is directly in front of her.

At the wheel is Henri Paul, the hotels deputy chief of security. Paul is an experienced tactical driver, trained at a Mercedes-Benz course in Germany.

When her boys, William and Harry, were younger, they played with toy cars and once waved from a BMW motorbike that a kind policeman let them pretend to drive.

Henri Paul is driving too fast.

Theres an established route from the hotel to Dodis apartment, over a Cartier store on rue Arsne Houssaye near the Arc de Triomphe, but Paul doesnt take it. He turns sharply onto Cours Albert 1er.

Only a few hours ago, she spoke with her sons, a few quick words between games with their cousins at Balmoral Castle. At twelve and fifteen, theyre still young enough to need her.

Henri Paul shields his eyes with a visor against the bright lights of the cameras. As the driver glances at the rearview mirror, she turns in her seat to look out the back window.

Theyre traveling away from City Center, west along the north bank of the Seine. Across the river, the sky around the Eiffel Tower shines midnight blue with pockets of red and purple reflected by the lights of the monument.

Men on motorbikes are trying to overtake them.

She looks at the speedometer: 160 kilometers per hour and climbing.

If the boys were here with her, the three of them would be traveling together with a lead car and a tail car, the kind of first-rate protection afforded to the queen and those in immediate line to succeed her.

But since she divorced, shes refused the royal protection squad.

Shes got a flight back to London tomorrow. Shell see William and Harry at home, at Kensington Palace. Im going to give Harry the PlayStation I bought for his birthday.

The Mercedes swerves to the right, toward the entrance of the tunnel under the Pont de lAlma. The burst of speed whirls her surroundings into a dizzying, kaleidoscopic blur.

The bodyguard shouts and points.

Out the front window, she sees a white car that has stopped short of the tunnel.

Henri Paul loses control. He hits the Mercedess brakes, sending it skidding wildly into the white cars left rear quarter panel, then spins out, crashing first into a concrete pillar and then into an embankment wall.

As her body lurches forward, theres a sensation of dropping headfirst from a great height.

Like when she rode Disney Worlds Splash Mountain, Harry in the front, screaming with delight at the speed of the descent.

Shes alive. Somehow, shes still aliveand fighting for breath. The pain inside her headshes never felt anything like it. A concussion? Has to be.

Like that awful time when Williams skull was accidentally fractured by a golf club.

William survived, and I will, too. Im going home, and Im going to hold them in my arms and smother them with kisses and tell them again and again just how much I love them.

April 20 1978 London L ady Diana Spencer takes a deep breath She clutches - photo 3

April 20, 1978
London

L ady Diana Spencer takes a deep breath.

She clutches her bouquet of roses and ducks her head, aware that all eyes are on her. She straightens her spine, then steps lightly, the way her ballet teachers have taught her.

Diana spots the beaming faces of wedding attendees, including the Duchess of Kent, the Duke and Duchess of Gloucesterand the Queen Mother, standing beside Dianas own maternal grandmother, Lady Ruth Fermoy.

Slowly, she begins her walk down the aisle, moving through the nave toward the chancel as she glides to her place at the altar.

Inside Guards Chapel, a few hundred yards from Buckingham Palace, attention shifts from her to the bride: her sister Jane, lovely in her form-fitting high-necked long-sleeved embroidered lace gown and veil.

The real eye-catcher of Janes bridal ensemble is an heirloom: the Spencer Tiara, which has been in the family for more than a century. A wedding present from a Spencer cousin to Lady Cynthia Hamilton, their paternal grandmother, the tiara is an ornate diamond headpiece embellished with a flower-shaped centerpiece. Diana dreams of wearing it on her future wedding day.

On this bright Thursday afternoon, though, sixteen-year-old Diana is in a floor-length ruffled pinafore-style pink gingham dress with cream-colored puffed sleeves. Even though shes chief bridesmaid, her gown is identical to those worn by the little flower girls. At least shes wearing pearls and has her shoulder-length fair hair fashionably clipped up on one side.

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