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Julian Barnes - Nothing to Be Frightened Of

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Nothing to Be Frightened Of: summary, description and annotation

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From Publishers Weekly Starred Review. In this virtuosic memoir, Barnes (*Arthur & George*) makes little mention of his personal or professional life, allowing his audience very limited ingress into his philosophical musings on mortality. But like Alice tumbling through the rabbit hole, readers will find themselves granted access to an unexpectedly large world, populated with Barness daily companions and his chosen ancestors (most of them dead, and quite a few of them French, like Jules Renard, Flaubert, Zola). This is not my autobiography, Barnes emphasizes in this hilariously unsentimental portrait of his family and childhood. Part of what Im doingwhich may seem unnecessaryis trying to work out how dead they are. And in this exploration of what remains, the author sifts through unreliable memory to summon up how his ancestorsreal and assumedcontemplated death and grappled with the perils and pleasures of pit-gazing. If Barness self-professed amateur philosophical rambling feels occasionally self-indulgent, his vivid description delights. *(Sept.)* Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine Most critics strongly recommended Julian Barness reflections on mortality. However, perhaps reluctant to embrace his disbelief, they seemed more impressed by his descriptive skill in depicting his familyin particular, his emotionally remote brothereven though a few critics cited the author himself as emotionally closed in his personal writing. Reviewers also praised the scope of Barness literary erudition more than any actual insight into the subject of death. A few reviewers felt that this dance around the subject makes *Nothing to Be Frightened Of* weaker than Barness other books. But most embraced the books novelistic ambiguity, enjoying the story even if the author himself does not know how it will end. Copyright 2008 Bookmarks Publishing LLC

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Nothing to Be Frightened Of Contents to P Nothing to Be Frightened Of - photo 1

Nothing to Be Frightened Of Contents to P Nothing to Be Frightened Of - photo 2

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Chapter 1

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I dont believe in God, but I miss Him. Thats what I say when the question is put. I asked my brother, who has taught philosophy at Oxford, Geneva, and the Sorbonne, what he thought of such a statement, without revealing that it was my own. He replied with a single word: Soppy.

The person to begin with is my maternal grandmother, Nellie Louisa Scoltock, ne Machin. She was a teacher in Shropshire until she married my grandfather, Bert Scoltock. Not Bertram, not Albert, just Bert: so christened, so called, so cremated. He was a headmaster with a certain mechanical dash to him: a motorcycle-and-sidecar man, then owner of a Lanchester, then, in retirement, driver of a rather pompously sporty Triumph Roadster, with a three-person bench seat in front, and two bucket seats when the top was down. By the time I knew them, my grandparents had come south to be near their only child. Grandma went to the Womens Institute; she pickled and bottled; she plucked and roasted the chickens and geese that Grandpa raised. She was petite, outwardly unopinionated, and had the thickened knuckles of old age; she needed soap to get her wedding ring off. Their wardrobe was full of home-knitted cardigans, Grandpas tending to feature more masculine cable stitch. They had regular appointments with the chiropodist, and were of that generation advised by dentists to have all their teeth out in one go. This was a normal rite of passage then: from being rickety-gnashered to fully porcelained in one leap, to all that buccal sliding and clacking, to social embarrassment and the foaming glass on the bedside table.

The change from teeth to dentures struck my brother and me as both grave and ribald. But my grandmothers life had contained another enormous change, never alluded to in her presence. Nellie Louisa Machin, daughter of a labourer in a chemical works, had been brought up a Methodist; while the Scoltocks were Church of England. At some point in her young adulthood, my grandmother had suddenly lost her faith and, in the smooth narration of family lore, found a replacement: socialism. I have no idea how strong her religious faith had been, or what her familys politics were; all I know is that she once stood for the local council as a socialist and was defeated. By the time I knew her, in the 1950s, she had progressed to being a communist. She must have been one of the few old-age pensioners in suburban Buckinghamshire who took the Daily Worker andso my brother and I insisted to one anotherfiddled the housekeeping to send donations to the newspapers Fighting Fund.

In the late 1950s, the Sino-Soviet Schism took place, and communists worldwide were obliged to choose between Moscow and Peking. For most of the European faithful, this was not a difficult decision; nor was it for the Daily Worker, which received funding as well as directives from Moscow. My grandmother, who had never been abroad in her life, who lived in genteel bungalowdom, decided for undisclosed reasons to throw in her lot with the Chinese. I welcomed this mysterious decision with blunt self-interest, since her Worker was now supplemented by China Reconstructs, a heretical magazine posted direct from the distant continent. Grandma would save me the stamps from the biscuity envelopes. These tended to celebrate industrial achievementbridges, hydroelectric dams, lorries rolling off production linesor else show various breeds of dove in peaceful flight.

My brother did not compete for such offerings, because some years previously there had been a Stamp-Collecting Schism in our home. He had decided to specialize in the British Empire. I, to assert my difference, announced that I would therefore specialize in a category which I named, with what seemed like logic to me, Rest of the World. It was defined solely in terms of what my brother didnt collect. I can no longer remember if this move was aggressive, defensive, or merely pragmatic. All I know is that it led to some occasionally baffling exchanges in the school stamp club among philatelists only recently out of short trousers. So, Barnesy, what do you collect? Rest of the World.

My grandfather was a Brylcreem man, and the antimacassar on his Parker Knoll armchaira high-backed number with wings for him to snooze againstwas not merely decorative. His hair had whitened sooner than Grandmas; he had a clipped, military moustache, a metal-stemmed pipe, and a tobacco pouch which distended his cardigan pocket. He also wore a chunky hearing aid, another aspect of the adult worldor rather, the world on the farther side of adulthoodwhich my brother and I liked to mock. Beg pardon? we would shout satirically at one another, cupping hands to ears. Both of us used to look forward to the prized moment when our grandmothers stomach would rumble loudly enough for Grandpa to be roused from his deafness into the enquiry, Telephone, Ma? An embarrassed grunt later, they would go back to their newspapers. Grandpa, in his male armchair, deaf aid occasionally whistling and pipe making a hubble-bubble noise as he sucked on it, would shake his head over the Daily Express, which described to him a world where truth and justice were constantly imperilled by the Communist Threat. In her softer, female armchairin the red cornerGrandma would tut-tut away over the Daily Worker, which described to her a world where truth and justice, in their updated versions, were constantly imperilled by Capitalism and Imperialism.

Grandpa, by this time, had reduced his religious observance to watching Songs of Praise on television. He did woodwork and gardened; he grew his own tobacco and dried it in the garage loft, where he also stored dahlia tubers and old copies of the Daily Express bound with hairy string. He favoured my brother, taught him how to sharpen a chisel, and left him his chest of carpentry tools. I cant remember him teaching (or leaving) me anything, though I was once allowed to watch while he killed a chicken in his garden shed. He took the bird under his arm, stroked it into calmness, then laid its neck on a green metal wringing machine screwed to the doorjamb. As he brought the handle down, he gripped the birds body ever more tightly against its final convulsions.

My brother was allowed not just to watch, but also to participate. Several times he got to pull the lever while Grandpa held the bird. But our memories of the slaughter in the shed diverge into incompatibility. For me, the machine merely wrung the chickens neck; for him, it was a junior guillotine. I have a clear picture of a small basket underneath the blade. I have a (less clear) picture of the head dropping, some (not much) blood, Grandpa putting the headless bird on the ground, its running around for a few moments...Is my memory sanitized, or his infected by films about the French Revolution? In either case, Grandpa introduced my brother to deathand its messinessbetter than he did me. Do you remember how Grandpa killed the geese before Christmas? (I do not.) He used to chase the destined goose round its pen, flailing at it with a crowbar. When he finally got it, he would, for good measure, lay it on the ground, put the crowbar across its neck, and tug on its head.

My brother remembers a ritualnever witnessed by mewhich he called the Reading of the Diaries. Grandma and Grandpa each kept separate diaries, and of an evening would sometimes entertain themselves by reading out loud to one another what they had recorded on that very week several years previously. The entries were apparently of considerable banality but frequent disagreement. Grandpa: Friday. Worked in garden. Planted potatoes. Grandma: Nonsense. Rained all day. Too wet to work in garden.

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