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Catherine M. Soussloff (editor) - Jewish identity in modern art history

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In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship.Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art.Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.

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title Jewish Identity in Modern Art History S Mark Taper Foundation - photo 1

title:Jewish Identity in Modern Art History S. Mark Taper Foundation Imprint in Jewish Studies
author:Soussloff, Catherine M.
publisher:University of California Press
isbn10 | asin:0520213041
print isbn13:9780520213043
ebook isbn13:9780585230085
language:English
subjectArts, Jewish, Arts, Modern--20th century, Jews--Identity, Jews in art.
publication date:1999
lcc:NX684.A5J49 1999eb
ddc:704.03/924
subject:Arts, Jewish, Arts, Modern--20th century, Jews--Identity, Jews in art.
Page i
Jewish Identity in Modern Art History
Page ii
THE S. MARK TAPER FOUNDATION
IMPRINT IN JEWISH STUDIES
<><><><><><><><><><><><>
BY THIS ENDOWMENT
THE S. MARK TAPER FOUNDATION SUPPORTS
THE APPRECIATION AND UNDERSTANDING
OF THE RICHNESS AND DIVERSITY OF
JEWISH LIFE AND CULTURE
Page iii
Jewish Identity in Modern Art History
Edited by
Catherine M. Soussloff
University of California Press
Berkeley Los Angeles London
Page iv
Disclaimer:
Some images in the original hard copy book are not available for inclusion in the netLibrary eBook.
The publisher gratefully acknowledges the generous contribution toward the publication of this book provided by the S Mark Taper Foundation.
Paul Celan's poems "Deathfugue" and "Tbingen, January," in Lisa Saltzman's essay, "To Figure, or Not to Figure: The Iconoclastic Proscription and Its Theoretical Legacy," are reprinted, with the publisher's permission, from John Felstiner, Paul Celan: Poet, Survivor, Jew (New Haven, Conn.: Yale University Press, 1995).
Donald Kuspit's essay, "Meyer Schapiro's Jewish Unconscious," first appeared in Prospects 21 (1996): 491-508. It is reprinted with the permission of Cambridge University Press.
Library of Congress Cataloging-in-Publication Data
Jewish identity in modern art history/edited by
Catherine M. Soussloff.
p. cm.
Includes bibliographical references and index.
ISBN 0-520-21303-3 (alk. paper).
ISBN 0-520--21304-1 (pbk: alk. paper)
1. Arts, Jewish. 2. Arts, Modern-20th century.
3. JewsIdentity. 4. Jews in art. I. Soussloff,
Catherine M.
NX684.AsJ49 1999
704.03'924dc21 98-31211
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
London, England
1999 by
The Regents of the University of California
Page v
To my sisters, Margie and Betsy,
and to my brothers, Andy and Greg,
with love
Page vii
CONTENTS
Acknowledgments
IX
Introducing Jewish Identity to Art History
Catherine M. Soussloff
1

Part I: Theories, Laws, and Disciplines
From Bezal'el to Max Liebermann: Jewish Art in Nineteenth-Century Art-Historical Texts
Margaret Olin
19
Anti-Semitism and Aniconism: The Germanophone Requiem for Jewish Visual Art
Katman P. Bland
41
To Figure, or Not to Figure: The Iconoclastic Proscription and Its Theoretical Legacy
Lisa Saltzman
67

Part II: Artists and Collectors
Jewish Identity in Art and History: Maurycy Gottlieb as Early Jewish Artist
Larry Silver
87
Collecting and Collective Memory: German Expressionist Art and Modern Jewish Identity
Robin Reisenfeld
114
Ethnic Notions and Feminist Strategies of the 1970s: Some Work by Judy Chicago and Eleanor Antin
Lisa Bloom
135

Page viii
Part III: Art Historians and Critics
Art History, German Jewish Identity, and the Emigration of Iconology
Karen Michels
167
Reframing the Self-Criticism: Clement Greenberg's "Modernist Painting" in Light of Jewish Identity
Louis Kaplan
180
Meyer Schapiro's Jewish Unconscious
Donald Kuspit
200
Aby Warburg: Forced Identity and "Cultural Science"
Charlotte Schoell-Glass
218

List of Illustrations

231
List of Contributors
234
Index
237

Page ix
ACKNOWLEDGMENTS
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