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Francois-Xavier Gleyzon - Shakespeares Spiral: Tracing the Snail in King Lear and Renaissance Painting

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    Shakespeares Spiral: Tracing the Snail in King Lear and Renaissance Painting
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Shakespeares Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellinis painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the uvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, horms whelked and waved like the enridgd sea (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - Why a Snail []? (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this revealing detail in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear.

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Acknowledgments

I would like to express my sincere thanks and appreciation to Dr Scott Wilson (Lancaster University) for his insight and support during the preparation of this manuscript. I have also been able to benefit from the enthusiastic and generous engagement with my ideas of Professor Dominique de Courcelles (cole Normale Suprieure/Collge International de Philosophie, Paris), Professor Michael Flachmann (California State University, Bakersfield), Professor Tom Conley (Harvard University), Dr David Foster and Dr Naaman Kessous (Lancaster University), Professor Richard Wilson (Cardiff University) and the Friars Preachers of the Community of Saint-Jean-de-Malte in Aix-en-Provence, for which I am profoundly grateful.

I owe deep debts of gratitude to my loved ones: my parents, brothers and sisters who all contributed towards the completion of this book, and finally to Coralie my deepest bond for her everlasting support throughout this research and to whom the whole research is dedicated.

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