• Complain

Erik Ketzan - Thomas Pynchon and the Digital Humanities: Computational Approaches to Style

Here you can read online Erik Ketzan - Thomas Pynchon and the Digital Humanities: Computational Approaches to Style full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, year: 2021, publisher: Bloomsbury Academic, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Erik Ketzan Thomas Pynchon and the Digital Humanities: Computational Approaches to Style
  • Book:
    Thomas Pynchon and the Digital Humanities: Computational Approaches to Style
  • Author:
  • Publisher:
    Bloomsbury Academic
  • Genre:
  • Year:
    2021
  • City:
    New York
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Thomas Pynchon and the Digital Humanities: Computational Approaches to Style: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Thomas Pynchon and the Digital Humanities: Computational Approaches to Style" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Thomas Pynchons style has dazzled and bewildered readers and critics since the 1960s, and this book employs computational methods from the digital humanities to reveal heretofore unknown stylistic trends over the course of Pynchons career, as well as challenge critical assumptions regarding foregrounded and supposedly Pynchonesque stylistic features: ambiguity/vagueness, acronyms, ellipsis marks, profanity, and archaic stylistics in Mason & Dixon.As the first book-length stylistic or computational stylistic examination of Pynchons oeuvre, Thomas Pynchon and the Digital Humanities provides a groundwork of stylistic experiments and interpretations, with over 60 graphs and tables, presented in a manner in which both technical and non-technical audiences may follow.

Erik Ketzan: author's other books


Who wrote Thomas Pynchon and the Digital Humanities: Computational Approaches to Style? Find out the surname, the name of the author of the book and a list of all author's works by series.

Thomas Pynchon and the Digital Humanities: Computational Approaches to Style — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Thomas Pynchon and the Digital Humanities: Computational Approaches to Style" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Thomas Pynchon and the Digital Humanities Thomas Pynchon and the Digital - photo 1

Thomas Pynchon and the Digital Humanities

Thomas Pynchon and the Digital Humanities

Computational Approaches to Style

Erik Ketzan

BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square London WC1B - photo 2

BLOOMSBURY ACADEMIC

Bloomsbury Publishing Plc

50 Bedford Square, London, WC1B 3DP, UK

1385 Broadway, New York, NY 10018, USA

29 Earlsfort Terrace, Dublin 2, Ireland

BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc

First published in Great Britain 2022

Copyright Erik Ketzan, 2022

Erik Ketzan has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work.

For legal purposes the constitute an extension of this copyright page.

Cover design: Eleanor Rose and Namkwan Cho

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers.

Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes.

A catalogue record for this book is available from the British Library.

A catalog record for this book is available from the Library of Congress.

ISBN: HB: 978-1-3502-1183-4

ePDF: 978-1-3502-1184-1

eBook: 978-1-3502-1185-8

Series: New Horizons in Contemporary Writing

To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters.

New Horizons in Contemporary Writing

In the wake of unprecedented technological and social change, contemporary literature has evolved a dazzling array of new forms that traditional modes and terms of literary criticism have struggled to keep up with. New Horizons in Contemporary Writing presents cutting-edge research scholarship that provides new insights into this unique period of creative and critical transformation.

Series Editors:

Martin Eve and Bryan Cheyette

Editorial Board: Sin Adiseshiah (University of Lincoln, UK), Sara Blair (University of Michigan, USA), Peter Boxall (University of Sussex, UK), Robert Eaglestone (Royal Holloway, University of London, UK), Rita Felski (University of Virginia, USA), Rachael Gilmour (Queen Mary, University of London, UK), Caroline Levine (University of WisconsinMadison, USA), Roger Luckhurst (Birkbeck, University of London, UK), Adam Kelly (York University, UK), Antony Rowland (Manchester Metropolitan University, UK), John Schad (Lancaster University, UK), Pamela Thurschwell (University of Sussex, UK), Ted Underwood (University of Illinois at Urbana-Champaign, USA).

Volumes in the series:

Jeanette Wintersons Narratives of Desire , Shareena Z. Hamzah-Osbourne

Transatlantic Fictions of 9/11 and the War on Terror , Susana Arajo

Life Lines: Writing Transcultural Adoption , John McLeod

South African Literatures Russian Soul , Jeanne-Marie Jackson

The Politics of Jewishness in Contemporary World Literature , Isabelle Hesse

Writing After Postcolonialism: Francophone North African Literature in Transition , Jane Hiddleston

David Mitchells Post-Secular World , Rose Harris-Birtill

New Media and the Transformation of Postmodern American Literature , Casey Michael Henry

Postcolonialism After World Literature , Lorna Burns

Jonathan Lethem and the Galaxy of Writing , Joseph Brooker

The Contemporary Post-Apocalyptic Novel , Diletta De Cristofaro

David Foster Wallaces Toxic Sexualit y, Edward Jackson

Wanderwords: Language Migration in American Literature , Maria Lauret

Northern Irish Writing After the Troubles , Caroline Magennis

Forthcoming volumes:

Contemporary Fiction, Celebrity Culture, and the Market for Modernism , Carey Mickalites

Creaturely Forms in Contemporary Literature , Dominic OKey

Encyclopaedism and Totality in Contemporary Fiction , Kiron Ward

Contents

Figures

Tables

Thank you to the donor individual or organization, whose identity remains unknown to me, whose extremely generous support fully funded my PhD at Birkbeck, University of London via the Digital Humanities Scholarship. Thanks equally to Martin Paul Eve, PhD supervisor and editor, whose mentorship, friendship, and much-needed whip-cracking turned a three-page outline into the book you now hold in your hands. Thanks to my second dissertation supervisor, Mark Levene, for statistical wisdom. Thanks to Samuel Thomas and Christopher Ohge for criticism and encouragement in the viva. Thanks again to these two gentlemen, as well as one anonymous reviewer, for comments on the book manuscript. Thanks to colleagues at Birkbeck and the University of London at large, especially Joe Brooker for reviewing the Mason & Dixon chapter and Martin Steer for ad hoc Python tutoring. Herzlichen Dank to the mad geniuses at the Leibniz-Institut fr Deutsche Sprache and the CLARIN project for camaraderie and introducing me to the dark arts of corpus linguistics: Andreas Witt, Oliver Schonefeld, Peter Fischer, Norman Fiedler, Peter Fankhauser, Piotr Baski, Pawe Kamocki, and Julia Wildgans. Thanks also to Jens Stegmann, Christof Schch, and Andreas van Cranenburgh for patiently answering many naive questions on corpus creation and query. Thanks to many in the Pynchon online world, especially Allen Ruch, whose website, The Libyrinth (later The Modern Word), first introduced me to Pynchon many years ago, as well as Laurence Daw, Tim Ware, and the many contributors to Pynchon Wiki , known and unknown. Thanks to the fantastic team at Bloomsbury, including Laura Cope, Ben Doyle, and Rachel Walker, as well as Shyam Sunder and the incredible copyediting team at Newgen. Thanks to the British Library, Birkbeck Library, Senate House Library, and Google Books for access to resources. To my mother the aesthete, my father the rationalist, my brother the polyglot, my sister the bibliophile, and M., for everything. Finally, hymns of thanks ( V ., 254) to Thomas Pynchon for writing these Fictions, folded acceptably between the covers of Books ( M&D , 359).

The novels and a short story collection by Thomas Pynchon are referenced parenthetically and in figures as:

V.

V. New York: Harper Perennial Classics, [1963] 1999.

Lot 49

The Crying of Lot 49 . New York: Lippincott, 1966.

GR

Gravitys Rainbow . New York: Viking, 1973.

SL

Slow Learner . New York: Little, Brown, 1984.

Shorts

The short stories published in Slow Learner , as well as the uncollected story, The Secret Integration.

Vine

Vineland . New York: Little, Brown, 1990.

M&D

Mason & Dixon . New York: Henry Holt, 1997.

ATD

Against the Day . New York: Penguin, 2006.

IV

Inherent Vice . New York: Penguin, 2009.

BE

Bleeding Edge . New York: Penguin, 2013.

You guys, youre like the Puritans are about the Bible. So hung up with words, words.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Thomas Pynchon and the Digital Humanities: Computational Approaches to Style»

Look at similar books to Thomas Pynchon and the Digital Humanities: Computational Approaches to Style. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Thomas Pynchon and the Digital Humanities: Computational Approaches to Style»

Discussion, reviews of the book Thomas Pynchon and the Digital Humanities: Computational Approaches to Style and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.