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Gill Heriz - A Woman’s Shed: She sheds for women to create, write, make, grow, think, and escape

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Gill Heriz A Woman’s Shed: She sheds for women to create, write, make, grow, think, and escape
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Because sheds arent just for men this selection of sheds from the UK, North America and Europe shows how women everywhere can claim and use their own personal space. Every woman deserves a shed of her own, somewhere to retreat to for some quiet time, to create or grow, to write or paint, or just to contemplate the view. Gill Heriz has interviewed over 80 different women, and Nicolette Hallett has photographed their sheds inside and out, to collect together this unique insight into why women have sheds, and what they do in them. There are sheds for puppet-makers, sculptors, and writers, as well as farmers, furniture-makers and woodcutters. There are sheds that can be lived in, sheds that are full to the rafters and sheds that are simply sheds, with the usual collection of gardening tools, lawnmowers and seed packets. Virginia Woolf once argued that, for women, writing fiction required a room of ones own. These women have taken that premise a step further to the end of the garden to find their own very personal space.

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a womans shed - photo 1

a womans shed

a womans shed spaces for women to create write make grow think and escape - photo 2

a womans shed

spaces for women to create, write, make, grow, think, and escape

Gill Heriz

with photography by
Nicolette Hallet

For Beatrix, Penny, and Bertie

This book is dedicated to all women who create sheds, but particularly to one woman for whom sheds are her lifeblood and who was the inspiration for the birth of this celebration. Lizzy Smith has, over the years, built sheds wherever she has lived as surely as the shoots of spring are impelled to rise, bringing forth the promise of extraordinary creations. There have been corrugated iron structures, humble tool sheds, saunas, and leviathan boat sheds. As we celebrate these private spaces, I recognize that the seeds of recording that celebration were sown with this eccentric shed-woman.

This edition published in 2021 by CICO Books An imprint of Ryland Peters - photo 3

This edition published in 2021 by CICO Books

An imprint of Ryland Peters & Small Ltd

2021 Jockeys Fields, London WC1R 4BW

341 E 116th Street, New York NY 10029

First published in 2014.

www.rylandpeters.com

10 9 8 7 6 5 4 3 2 1

Text Gill Heriz 2014

Design and photography CICO Books 2014

The authors moral rights have been asserted. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior permission of the publisher.

A CIP catalog record for this book is available from the Library of Congress and the British Library.

ISBN: 978 1 80065 028 2

E-ISBN: 978 1 80065 065 7

Printed in China

Art director: Sally Powell

Production manager: Gordana Simakovic

Publishing manager: Penny Craig

Publisher: Cindy Richards

Editor: Helen Ridge

Designer: Alison Fenton

Photographers: all photography by Nicolette Hallett, except (Lindsay Simon).

Contents

What is it about sheds that is so appealing Do they remind us of the hiding - photo 4

What is it about sheds that is so appealing?

Do they remind us of the hiding places, of our childhood, when we made dens out of anything and everything, wherever we could, turning bunk beds, packing cases, ruined walls, and hedges into our own secret places, and lost ourselves in the world of our imagination?

As we sit in our centrally heated houses, amid the trappings of consumerism, do we, as adults, crave that simpler life? Is there a collective primal memory of a more elemental existence that gives us direct contact with the few things we need in order to live? When we enter our sheds, we see a table, a chair, a bench, boxes of tools, seeds, a simple stove, a tea kettle. We can pretend, play, create, be ourselves, and find freedom from the paraphernalia of everyday contemporary life.

When we were young we tried to understand the mystery of our fathers disappearing into their sheds, their own private realms, but as girls then, and as women now, we, too, have built, converted, and kitted out spaces for our own needs away from everyday life. Women, too, have sheds.

When the idea for this book arose, I keyed in the words "Womens Sheds" on the internet, which led to the digital universe scratching its patriarchal head. The initial response was that "shed" meant losing weight. A second attempt brought the reply, "Do you mean Mens Sheds?" No, I did not! I tried again. There was more scrunching of the massive labyrinthine lexicon wrapped around the whole of our e-planet and reaching into the stars. "Do you mean Womens Shoes?"

The invisibility of womens sheds began to raise a challenge. Are womens private and working spaces meant to be invisible? Are they so private that we succeed in hiding them from the rest of the world? Do we enjoy the assumption that sheds are for men, and thin women like shoes a lot?

In the West, for the last two hundred years or so, women have been primarily identified as "homemakers," even when they have also been engaged in paid work outside the home.

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