• Complain

John Anthony Gilvey - Before the Parade Passes By: Gower Champion and the Glorious American Musical

Here you can read online John Anthony Gilvey - Before the Parade Passes By: Gower Champion and the Glorious American Musical full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2005, publisher: St. Martins Publishing Group, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

John Anthony Gilvey Before the Parade Passes By: Gower Champion and the Glorious American Musical
  • Book:
    Before the Parade Passes By: Gower Champion and the Glorious American Musical
  • Author:
  • Publisher:
    St. Martins Publishing Group
  • Genre:
  • Year:
    2005
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Before the Parade Passes By: Gower Champion and the Glorious American Musical: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Before the Parade Passes By: Gower Champion and the Glorious American Musical" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

During the Golden Age of the Broadway musical, few director-choreographers could infuse a new musical with dance and movement in quite the way Gower Champion could. From his earliest Broadway success with Bye Bye Birdie to his triumphant and bittersweet valedictory, 42nd Street, musicals directed by Champion filled the proscenium with life. At their best, they touched the heart and stirred the soul with a skillful blend of elegance and American showmanship.
He began his career as one-half of Americas Youngest Dance Team with Jeanne Tyler and later teamed with his wife, dance partner, and longtime collaborator, Marge Champion. This romantic ballroom duo danced across America in the smartest clubs and onto the television screen, performing story dances that captivated the country. They ultimately took their talent to Hollywood, where they starred in the 1951 remake of Show Boat, Lovely to Look At, and other films. But Broadway always called to Champion, and in 1959 he was tapped to direct Bye Bye Birdie. The rest is history.
In shows like Birdie, Carnival, Hello, Dolly!, I Do! I Do!, Sugar, and 42nd Street, luminaries such as Chita Rivera, Dick Van Dyke, Carol Channing, Mary Martin, Robert Preston, Tony Roberts, Robert Morse, Tammy Grimes, and Jerry Orbach brought Champions creative vision to life. Working with composers and writers like Jerry Herman, Michael Stewart, Charles Strouse, Lee Adams, and Bob Merrill, he streamlined the musical making it flow effortlessly with song and dance from start to finish.
John Gilvey has spoken with many of the people who worked with Champion, and in Before the Parade Passes By he tells the life story of this most American of Broadway musical director-choreographers from his early days dancing with Marge to his final days spent meticulously honing the visual magic of 42nd Street. Before the Parade Passes By is the life story of one man who personified the glory of the Broadway musical right up until the moment of his untimely death. When the curtain fell to thunderous applause on the opening night of 42nd Street, August 25, 1980, legendary impresario David Merrick came forward, silenced the audience, and announced that Champion had died that morning. As eminent theatre critic Ethan Mordden has firmly put it, the Golden Age was over.
Though the Golden Age of the Broadway musical is over, John Gilvey brings it to life again by telling the story of Gower Champion, one of its most passionate and creative legends.

John Anthony Gilvey: author's other books


Who wrote Before the Parade Passes By: Gower Champion and the Glorious American Musical? Find out the surname, the name of the author of the book and a list of all author's works by series.

Before the Parade Passes By: Gower Champion and the Glorious American Musical — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Before the Parade Passes By: Gower Champion and the Glorious American Musical" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Table of Contents I began this journey with Gower Champion thirteen years - photo 1
Table of Contents

I began this journey with Gower Champion thirteen years ago as a doctoral student at New York University under the extraordinary mentorship of the late Lowell S. Swortzell, cofounder of the Program in Educational Theatre with his wife, Nancy. Lowells insightful guidance of my dissertation on four of Gowers musicals Carnival, Hello, Dolly!, I Do! I Do!, and The Happy Time was a blessing and something for which I will always be grateful. For that reason, this book is dedicated to him.
Stepping in where Lowell left off were two new guides, likewise gifted, who patiently led me through the world of publishing: editor Michael Flamini of St. Martins Press, whose brilliant idea for the title for this book at once clarified Gowers life and provided focus, and agent Eric Myers, right beside me at every turn from proposal to publication. Mapping the course was also helped by the work of the late David Payne-Carter, the first Champion scholar and a fellow NYU alumnus.
Gowers friends and colleagues took me inside the world he shared with them (behind the closed doors producers dared not enter), detailing his genius, the secrets of his craft, and the stories that have enriched this work. They have been wonderful tutors, and my gratitude and admiration go to them for the lessons they have taught me about life in the theatre. A special thanks to Karla Champion, Jon Engstrom, Jess Gregg, David Hamilton, Jerry Herman, Jeanne Tyler Hoyt, Will Mead, Patricia and Bert Michaels, Don Pippin, Debbie Reynolds, Wanda Richert, Sara and Alan Weeks, and most of all, Marge Champion, who generously answered questions and opened their personal archives and hearts to me.
No less essential to this work was the wonderful assistance I received from Carol Turley and the staff of the Department of Special Collections at the Research Library of the University of CaliforniaLos Angeles, where Gowers scripts and notes are archived, and Bob Taylor, curator of the Billy Rose Theatre Collection of theNew York Public Library for the Performing Arts, and his staff, especially Jeremy Megraw and Louise Martzinek. My gratitude to Marge Champion, Andy Hovick and Eric Skipsey of MPTV, Jeanne Tyler Hoyt, Will Mead, Gabriel Pinski of Fred Fehl Photography, J. C. Sheets, Martha Swope, and Alex Teslik of Eileen Darby Images for the wonderful illustrations of Gowers work used here.
Many friends read or listened to the work as it developed, lent valuable support, or provided getaways where I could work in quiet: Cathleen Albertus, Chris Druse, Margie Duncan, Reverend Thomas Fenlon, Gene Gilvey, Joseph Glancey, Rita Hamilton, Dorothy Kelly, Dee McDevitt, Sister Loretta McGrann, Nick Miraflores, Don Pierce, Roger Repohl, Marc Ricciardi, James Santos, Lee Stuart, Alan Thomas, and my students and family, most especially Fran and Dad.
Along the way, there also has been great support from the communities in which I live and work. St. Josephs College, New York, and its president, Sister Elizabeth Hill, who provided grants to fund research; the parish community of St. Augustines Church, Bronx, New York; and my confrres and teachers, the Oblates of St. Francis de Sales, who long ago had the foresight to stick me in the chorus of Bye Bye Birdie as a high school sophomore. But before that, my first instructors in the arts, my parents, sparked my interest: the mother who took her six-year-old son to see The King and I, the father who later schooled him in what show albums to purchase for the family record collection. Their contributions I cherish best.
Late Summer 1980



In keeping with family wishes, Gowers body was flown to Los Angeles and cremated. Weeks later, at a spot near his favorite stretch of Malibu Beach, Karla arranged a private service for family and friends, Marge and Jeanne Tyler among them. Actor Max Showalter spoke of Gowers love of azaleas, the anticipation they both shared as blooming season neared, and how, only the day before, he had awakened to find every plant on his porchmany of them gifts from Gowerin brilliant bloom months out of season. Then James Mitchell gave a reading before Merrick, in formal black suit and black shoes, addressed the casual barefooted assembly as Gowers medium. Now that Gower was speaking directly through him to them, couriers from the Great Man way up there were no longer necessaryshowman as shaman.
Merricks mysticism was fleeting. Just a few months later, he had Gowers name removed from the marquee. Not until Gregg Champion threatened to sue to have his fathers name restored did the producer comply. Merricks exploitation continued as he moved the show from Gowers theatre of preferencethe Winter Gardento histhe St. James, where the actors playing Julian Marsh gradually resembled the director less and him more. Even so, Gowers spirit prevailed. It may have been David Merricks 42nd Street, but it sang and danced Gower Champion start to finish.
At the 35th Annual Tony Awards in June 1981, the show received nominations in eight categories, with Richert, Reams, Aldredge, Musser, Stewart, and Bramble among the nominees. It won Best Musical and Gower, posthumously nominated for Best Director and Choreographer, won the choreographers award.


The car climbed up and up, passing through Malibu and beyond to a serene and unspoiled seascape perfect for the final farewell that Karla, Gregg, and Blake were about to give Gower months past his death and the services. Blake chose the spota giant rock. Urn in hand, he climbed to the top, Gregg and Karla behind him. He paused a moment; then, opening the urn, he released his fathers ashes to the sea. Silently they watched as the waves slowly bore them beyond sight.
On August 25, 1980, Michael Stewart was en route to England aboard the Queen Elizabeth II when he received word of Gowers death. Immediately, he penned this tribute:

Gower Champion was my friend for 21 years. We did shows together. Theres no experience more shattering, and we came out of each one better friends than we were before. His talent and his taste took me from where I was to where I wanted to be. I owe everything to Gower. And Im not just saying it todayI always said it.
I say his name and so many things come to mind. Gower in rehearsal quiet and perfectly contained, then suddenly moving sharp as a knifecutting through space with that extraordinary elegance and grace. The bold initials GC approving costume sketches. Gower in his red jacket at the first openings.
The day I left New York, Gower asked to see me and I went to the hospital. The doctor had given a cautiously optimistic report and we were both relieved and elated. I told him that this show ( 42nd Street ) was exactly as he set it and that David (Merrick), the actors, and the authors were all determined to keep it that way. Gower was so pleased and told me what he was going to do when he got out of the hospitalgo back home to California and just walk on the beach. Just walk and walk with the sun on one side until he got as far as he wanted to go, then back again. That morning, we both thought hed be there in a few weeks time. Because life isnt always fair, he didnt get his wish. But as long as Im around, Ill see my old friendtall, slender and sharp as that knifewalking on his beach.
I am deeply sad to lose Gower as my director. I find it unbearable to lose him as my friend.

Yet for all his originality and distinguished contributions to the theatre, Champion remains undervalued by scholars and critics alike who blithely dismiss him as an anomaly, thereby fueling the bias that has denied him parity with Robbins, Fosse, and Bennett in the pantheon of director-choreographers. Scholar James Winston Challender excluded him from his 1986 study of The Function of the Choreographer in the Development of the Concept Musical on the premise that he was a product of Hollywood whose work reflected its nostalgia and shtick.
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Before the Parade Passes By: Gower Champion and the Glorious American Musical»

Look at similar books to Before the Parade Passes By: Gower Champion and the Glorious American Musical. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Before the Parade Passes By: Gower Champion and the Glorious American Musical»

Discussion, reviews of the book Before the Parade Passes By: Gower Champion and the Glorious American Musical and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.