2018 by Gardner Dozois. All rights reserved.
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Introduction
On August 10th, 2008, toward the end of the Denver Worldcon, Denvention 2, Charles L. Brown, the founder and editor of Locus Magazine, took me and my wife, Susan Casper, out to dinner, along with Jonathan Strahan and Liza Trombli. Turned out, once we'd gotten through the obligatory gossip part of the meal, that Charles wanted to invite me to write a monthly column for Locus, reviewing short fiction.
I was dubious, and said so. I was no critic, and Locus already had fine critics like Gary Wolfe and Russell Letson writing for it, so what did they need me for? Charles explained that he didn't want a critic for this column, he wanted a reviewer, someone who would look over all the short fiction being published that month and make recommendations to the Locus readership as to which stories were worth reading and which were not, and perhaps explain a little about what qualities made one story better or worse than another. I admitted that I might be able to do thatit wasn't that dissimilar to what I did as the editor of an annual Best of the Year anthology, except on a different time-scale: sort through the year's output of short science fiction and decide which stories I wanted to choose to put before the public in my anthology...except for the part where I explained why I liked one story better than another, which sounded like it could be a lot more work.
I remained reluctant to accept the assignment, but Charles kept nagging away at me throughout dinner, and by the time dessert arrived, I had agreed, somewhat hesitantly, that I would try writing a couple of columns and we'd see how they worked out.
By the time we left the restaurant, I was still more than half-convinced that it wouldn't work outeither Charles would find that the columns weren't really what he was looking for after all, or I'd write a few of them and then burn out, considering all the other work I already had on my plate in the first place.
Nine years have gone by since that August night in Denver in 2008, and the number of columns I've produced (every month except for a few missed columns while I was in a prolonged hospital stay) is creeping up on 110 as I write these words in December of 2017, adding up to about 189,000 words worth of columns. People have been asking me when I was going to collect all those columns as a bookso here it is. Be warned: this is a collection of reviews, not, for the most part, in-depth critical analysis or astute generalizations about the SF/fantasy fields. If you want that, you'll have to seek out books by Gary Wolfe or Russell Leston or Ursula K. Le Guin or John Clute or any of a half-dozen other learned critics of the field.
Charles came up with the title Gardnerspace for the review column. I never liked it, and don't like it now, but Charles usually got what he wanted, and that's the title the column's run under all these years. I took the opportunity to change the title of this book, though, to something I liked better, although it's still composed of the same reviews that ran in Locus.
Gardner Dozois
2009
1
Like everyone else in this small, incestuous field, I have conflicts of interest, and its only fair to admit to them upfront. Ive done books, and am in the midst of doing others, in collaboration with Jack Dann, George R.R. Martin, and Jonathan Strahan, and have collaborated in the past with people such as Mike Resnick and Sheila Williams. Ive had close decades-long friendships with people like Joe Haldeman, Pat Cadigan, Michael Swanwick, Eileen Gunn, and Ellen Datlow. And in the course of a forty-year career, Ive worked with almost every writer and editor in the business at one time or another. So feel free to take anything I say with a grain of salt, and, if youd like, ascribe base motives to it. (I wont review my own original anthologies; thats stretching the readers willingness to give me the benefit of the doubt in my judgments too far.)
I have no intention of reviewing every issue of every magazine or e-zinethats what burns all short-fiction reviewers out sooner or later. I wont be looking at things in chronological order; Ill be skipping around and dealing with things as I come to them. Some issues of some publications wont get reviewed at all. I intend only to mention stories I find exceptional, usually in a positive sense, more rarely in a negative one, and wont bother to mention the rest of the stories in the issue that are unexceptional or average. Ill review primarily science fiction stories, some fantasy stories, fewer slipstream stories (unless theyre really standouts), because thats the way my own interests shake out.
Well see how long I last.
Since Im playing catch-up here, let me start by saying that the stories Ive been most impressed with this year include, but are not necessarily limited to, The Ray Gun: A Love Story, by James Alan Gardner(Asimovs);The Egg Man, by Mary Rosenblum(Asimovs);From Babels Falln Glory We Fled, by Michael Swanwick(Asimovs);Balancing Accounts,James L. Cambias(F&SF);Five Thrillers, by Robert Reed(F&SF);The 400-Million-Year Itch, by Steven Utley(F&SF);Shoggoths in Bloom, by Elizabeth Bear(Asimovs);Immortal Snake, by Rachel Pollack(F&SF);Crystal Nights, by Greg Bear(Interzone);The Man in the Mirror, by Geoffrey A. Landis(Analog);An Alien Heresy, by S.P. Somtow(Asimovs);The House Left Empty, by Robert Reed(Asimovs);An Almanac For the Alien Invaders,Merrie Haskell(Asimovs); and Lester Young and the Jupiters Moons Blues, by Gord Sellar(Asimovs). (I havent gotten to the electronic magazines yet, but they will come.)
The best story in the June F&SF was The Art of Alchemy, by Ted Kosmatkaa cyberpunk/noir piece, not breaking any really new ground, but very well-donealthough Rand B. Lees quirky fantasy Litany was also good. In the July F&SF, my favorite was Poison Victory, by Albert E. Cowdrey, a somber and powerful Alternate History story, one of several good ones this year. In the same issue, I also liked