Caryl Phillips, David Dabydeen and Fred DAguiar
C ONTEMPORARY W ORLD W RITERS
SERIES EDITOR JOHN THIEME
ALREADY PUBLISHED IN THE SERIES
Peter Carey BRUCE WOODCOCK
Amitav Ghosh ANSHUMAN MONDAL
Maxine Hong Kingston HELENA GRICE
Kazuo Ishiguro BARRY LEWIS
Hanif Kureishi BART MOORE-GILBERT
Doris Lessing SUSAN WATKINS
David Malouf DON RANDALL
Rohinton Mistry PETER MOREY
Timothy Mo ELAINE YEE LIN HO
Toni Morrison JILL MATUS
Alice Munro CORAL ANN HOWELLS
Les Murray STEVEN MATTHEWS
R. K. Narayan JOHN THIEME
Michael Ondaatje LEE SPINKS
Caryl Phillips BNDICTE LEDENT
Salman Rushdie ANDREW TEVERSON
Amy Tan BELLA ADAMS
Ngugi wa Thiongo PATRICK WILLIAMS
Derek Walcott JOHN THIEME
Caryl Phillips, David Dabydeen and Fred DAguiar
Representations of slavery
ABIGAIL WARD
Copyright Abigail Ward 2011
The right of Abigail Ward to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
Published by Manchester University Press
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British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data applied for
ISBN 978 0 7190 8275 7
First published 2011
The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Typeset in Aldus
by Koinonia, Manchester
Printed in Great Britain
by MPG Books Group, UK
For Adrian and Joy Ward
Contents
Acknowledgements
This book began life as a PhD thesis at the University of Leeds, where I had the good fortune to be supervised by John McLeod, who has proven to be a source of endless support and advice, and above all else, a very dear friend.
I am especially grateful to Gail Low, for first introducing me to the works of Caryl Phillips and Fred DAguiar, and to Nik Imoru, for her early enthusiasm about this project. Thanks are also due to Mick Gidley and Graham Huggan, and especial thanks to Shirley Chew, Sam Durrant, Dave Gunning, Caroline Herbert and David Richards, who all helpfully commented on earlier versions of this work.
I am grateful to the editors and publishers for permission to reprint work from the following essays: Words are All I Have Left of My Eyes: Blinded by the Past in J. M. W. Turners Slavers Throwing Overboard the Dead and Dying and David Dabydeens Turner, Journal of Commonwealth Literature, 42(1) (2007): 4758; David Dabydeens A Harlots Progress: Re-presenting the Slave Narrative Genre, Journal of Postcolonial Writing, 43(1) (2007): 3244; and An Outstretched Hand: Connection and Affiliation in Crossing the River, Moving Worlds: A Journal of Transcultural Writings, 7(1) (2007): 2032.
I would also like to thank John Thieme, whose editorial guidance and support have proved invaluable; the team at Manchester University Press, and David Dabydeen, Fred DAguiar and Caryl Phillips for their kind assistance with this project.
Finally, thanks to family and friends for their love and good humour, particularly Kate Clark, whom I cannot thank enough.
Series editors foreword
Contemporary World Writers is an innovative series of authoritative introductions to a range of culturally diverse contemporary writers from outside Britain and the United States or from minority backgrounds within Britain or the United States. In addition to providing comprehensive general introductions, books in the series also argue stimulating original theses, often but not always related to contemporary debates in post-colonial studies.
The series locates individual writers within their specific cultural contexts, while recognising that such contexts are themselves invariably a complex mixture of hybridised influences. It aims to counter tendencies to appropriate the writers discussed into the canon of English or American literature or to regard them as other.
Each volume includes a chronology of the writers life, an introductory section on formative contexts and intertexts, discussion of all the writers major works, a bibliography of primary and secondary works and an index. Issues of racial, national and cultural identity are explored, as are gender and sexuality. Books in the series also examine writers use of genre, particularly ways in which Western genres are adapted or subverted and traditional local forms are reworked in a contemporary context.
Contemporary World Writers aims to bring together the theoretical impulse which currently dominates post-colonial studies and closely argued readings of particular authors works, and by so doing to avoid the danger of appropriating the specifics of particular texts into the hegemony of totalising theories.
List of abbreviations
AS | The Atlantic Sound |
B | Bloodlines |
C | Cambridge |
CH | The Counting House |
CO | Coolie Odyssey |
CR | Crossing the River |
ES | Extravagant Strangers |
FG | Feeding the Ghosts |
HP | A Harlots Progress |
LM | The Longest Memory |
NWO | A New World Order |
SS | Slave Song |
T | Turner |
Chronology
Caryl Phillips
1958 | Caryl Phillips born in St Kitts. Travels to Britain. |
1979 |