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Albert Jay Nock - Snoring as a Fine Art, and Twelve Other Essays

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Albert Jay Nock Snoring as a Fine Art, and Twelve Other Essays
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Snoring as a Fine Art, and Twelve Other Essays: summary, description and annotation

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Here is that passage that explains why Albert Jay Nock called his book Snoring as a Fine Art: Snoring should be regarded as a fine art and respected accordingly. If this be admitted, I might suggest further that our civilization does not so regard it, as it should, and gives the practice no encouragement, but rather the contrary.
Consequently one might with reason think that there is too little snoring done-snoring with a purpose to guide it, snoring deliberately directed towards a salutary end which is otherwise unattainable-and that our society would doubtless be better off if the value of the practice were more fully recognized. In our public affairs, for instance, I have of late been much struck by the number of persons who professedly had something. The starry-eyed energumens of the New Deal were perhaps the most conspicuous examples; each and all, they were quite sure they had something. They had a clear premonition of the More Abundant Life into which we were all immediately to enter by the way of a Planned Economy. It now seems, however, that the New Deal is rapidly sinking in the same Slough of Despond which closed over poor Mr. Hoovers head, and that the More Abundant Life is, if anything, a little more remote than ever before.
I do not disparage their premonition or question it; I simply suggest that the More Abundant Life might now be appreciably nearer if they had put enough confidence in their premonition to do a great deal less thinking, planning, legislating, organizing, and a great deal-oh yes, a very great deal-more snoring.These essays were first put in book form in 1958.
Others essays include: Life, Liberty, and ..., Utopia in Pennsylvania, Advertising and Liberal Literature, Henry George, What the American Votes For,

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SNORING AS A FINE ART
AND
TWELVE OTHER ESSAYS

By
Albert Jay Nock

Snoring as a Fine Art and Twelve Other Essays - image 1

RICHARD R. SMITH PUBLISHER, INC.

Rindge, New Hampshire

1958

Copyright 1958 By Francis Jay Nock Published By Richard R Smith Publisher - photo 2

Copyright, 1958 By
Francis Jay Nock

Published By
Richard R. Smith Publisher, Inc.
Topside, West Rindge, N. H.

Library of Congress
Catalog Card Number:
57-10363

All rights reserved. No part
of this book may be reproduced
in any form without
permission of the
publisher.

Printed in U. S. A. by
The Colonial Press Inc.

These Essays were selected

in memory of

Albert Jay Nock

by his friends

of many years

Ruth Robinson

Ellen Winsor

Rebecca Winsor Evans

ACKNOWLEDGMENTS

Permission to reprint the essays herein has been graciously granted by the original copyright owners specified below. Since publication, however, the ownership of the several copyrights has been transferred to the authors son, Dr. Francis Jay Nock.

The American Mercury:

What the American Votes For. February 1933

The Atlantic Monthly:

If OnlyAugust 1937

Sunday in Brussels. September 1938

Snoring As a Fine Art. November 1938

The Purpose of Biography. March 1940

Epsteans Law. October 1940

Utopia in Pennsylvania: The Amish. April 1941

The Bookman:

Bret Harte as a Parodist. May 1929

Harpers Magazine:

Alas! Poor Yorick! June 1929

The Kings Jester: Modern Style. March 1928

Scribners Magazine:

Henry George: Unorthodox American. November 1933

Life, Liberty, AndMarch 1935

The Sewanee Review.

Advertising and Liberal Literature. Winter 1918

CONTENTS

1. Introduction
By Suzanne La Follette

2. Snoring As A Fine Art
And the Claims of General M. I. Kutusov As an Artist

8. Bret Harte As A Parodist
With a Note on Nationalism in Literature

11. Alas, Poor Yorick!
An Apology for the Human Race

INTRODUCTION

By Suzanne La Follette

A FRIEND who saw a great deal of Albert Jay Nock during his long sojourns in Belgium once said to me, I dont know how he does it; but when youre with Albert Nock you find yourself coming out with things you didnt know you had it in you to say.

This effect of certain rich personalities on those privileged to associate with them is not easy to explain; more especially since not all rich personalities produce it. Perhaps it is brought about by a spiritual courtesy; a tolerant expectancy; possibly, more than anything else, by a willingness to help the truth along without encumbering it with themselves, to use an expression which Albert Nock was fond of quoting. Nock, for example, was temperamentally incapable of taking you down, when you mentioned a good idea that had just come to you, with, Of course. That is exactly what I said in my last article. (In all the years I knew him, I never once heard him quote himself.) He tacitly granted your right to independent discovery and discussed your offering on its merits.

But why speculate on a quality so elusive as the gift of stimulating people to be better than they are? It is wiser merely to bear witness; as Edward Epstean did (that racy character and friend of the Freeman staff to whom Epsteans Law is playfully ascribed in these essays). When the Freeman was about to cease publication after four wonderful and financially unprofitable years, he remarked to Albert Nock:

Youve done a great deal for all those young people.

I dont know that Ive ever done anything for them except let them alone, said Nock.

Yes, I understand, answered Epstean. But if someone else had been letting them alone, it would have been a very different story.

Yet I dont think Albert Nock was primarily interested in people. He was much too fastidious; a true intellectual aristocrat. Indeed, there were even some who thought him an intellectual snob, and little did he care, for he was indifferent to gossip about himself and never gossiped about others. People qua people rather appalled him, and the ascendancy of mass man in modern society and the councils of government filled him with the horror that emerges from these essays. There frequently crept into his work after Freeman days more than a touch of his disdain for the cheapness and vulgarity of the life that followed World War One. I remember once suggestingit was in the late twentiesthat it was likely to antagonize those whom otherwise he might persuade. He said he thought I was probably right, but I think my lament left him essentially indifferent.

He was interested in ideas (The idea, he once wrote, is forever the fact). He was interested in intelligent and civilized people. And he was above all interested in ability. The nearest he ever came to boasting was in his claim to instinctive recognition of ability. Character, he would say, eluded him; he could not judge it; but on ability no one could fool him.

He was not only interested in ability; he sought it out and encouraged it. He gave it a chance to develop by letting it alone in his own very special way. Not as a conscious service to society or his country or even to the beneficiary. It was, I suppose, the teachers instinct in him; the instinct to serve truth. But he never tried to impose his truth on his pupil. Rather, he was concerned to put the pupil in the way to find truth for himselfas if he had revised the Biblical saying, Ye shall know the truth, and the truth shall make you free, to read, Ye shall be free in order that ye may know the truth. Nor was he looking for gratitude. You dont try to repay the help that is given you, he would say. You pass it along to others.

He passed along to those young people freedom to develop in their own way, to find their own truth. He himself had a gift for grasping the importance of truths so obvious that almost everyone overlooks them. One of thesethe one that more than anything else made him a great editorwas that any organization is people, and that no organization can be better or other than the people who compose it. His interest as an editor was in the people who produced the magazine. I remember an impromptu talk he made to the staff one day at lunch, after the Freeman had been publishing six months. He had not worried about the quality of the magazine, he told us, for if the people engaged in an enterprise were happy and growing in their work, the enterprise was bound to reflect their spiritual state. He felt that the people connected with the Freeman were happy in their work, and growing in it; and so long as that was true the magazine could not be other than excellent.

The reader of this little book will find expressed in it again and again this awareness that organizations are people. As the Freemans guiding spirit he put it to good service. He brought together a group of people whom he considered able, and ensured the health of the organization by the simple method of letting them alone.

I have dwelt at this length upon Albert Nocks relations with those young people of the Freeman because it seems to me that his editorship of that magazine which he made so remarkable is an index to the character and influence of a very remarkable man; a man who was a libertarian not only in theory but in practice, and whomirabile dictuwanted liberty for others as much as for himself; who clearly realized, indeed, that without liberty man is a slave no matter how many subsidies and services officious overlords may impose upon him.

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