Tom Santopietro - The Way We Were
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M y first thanks go to my agent, Malaga Baldi, and my editor, John Cerullo. Their support proved to be of great help throughout all drafts of this book, and Im fortunate to be in such good hands. Thanks as well to Mark Erickson, who functioned as a first-class sounding board, and to Christine Pittel for her help in facilitating written interviews. At Rowman & Littlefield/Applause, I owe a true debt to Meaghan Menzel, Jessica Kastner, Della Vache, Barbara Claire, Chris Chappell, and Laurel Myers for their help with myriads of questions and details throughout the process.
Id also like to extend my thanks to the staff at the music division of the Library of Congress, particularly Caitlin Miller, for her expert help in navigating the Librarys collection of the Arthur Laurents papers. Similar thanks to the staff at the New York Public Librarys Performing Arts Division; the Librarys unparalleled collection of books, articles, and clippings remains one of the many reasons I am glad to live in New York City. A similar debt is owed to Matt Howes extraordinary Barbra Archives, where Matts encyclopedic coverage of Barbras career covers not just The Way We Were but all Streisand films and recordings.
A special thanks as well to all those who agreed to interviews and written exchanges about their time on The Way We Were: Barbra Streisand, James Woods, Lois Chiles, Hawk Koch, Grover Dale, Art Smith Jr., and Wendy Stark Morrissey. A particular thanks to the talented and always gentlemanly Alan Bergman for our two fascinating conversations, to Dennis Aspland, and as always, to film author/historian/professor Jeanine Basinger, whose knowledge of film history remains without equal.
Finally, thanks to a terrific group of friends and colleagues whose support and encouragement during the past year have been very much appreciated; too numerous to mention, they know who they are, and I hope they understand that I mention only two by name: my sister Sarah and my nephew Parker.
I think that Barbra Streisand is, first and foremost, an actress, https://jamesgrissom.blogspot.com/2012/11/barbra-streisand-ideal-eucharist-part.html?fbclid=IwAR0ZYS97Cp91kWb6mCyzevIYvb3ZenWw0WtUKPCTUbpl6yGnRuGdwmaIV5E.
By this point he and I had known each other for ten years, Barbra Streisand, written response to author, July 19, 2022.
a girl Id known for twenty minutes at Cornell, Kimme Hendrick, Something Worth Trying, Christian Science Monitor, June 1972.
Its wonderful. I want to do it! ibid.
I didnt know Arthur Laurents until this film, Ray Stark in The Way We Were: Directors Commentary, 25th Anniversary DVD, Columbia Pictures, 1999.
I had read somewhere that David Lean, Barbra Streisand, written response to author, July 19, 2022.
the last of the great old world Hollywood producers, Corey Kilgannon, Ray Stark, Oscar-Nominated Producer, Is Dead at 88, The New York Times, January 18, 2004.
Ray is adept at throwing people off balance, Myrna Oliver, Ray Stark, 88; Hollywood Legend, Insider Produced Funny Girl, Other Classic Films, The Los Angeles Times, January 18, 2004.
They are both intuitive women: strong, earthy, intelligent, vital and absolutely honest, Ray Stark, Come on, Lets Stop a Minute to See Snooks, The New York Times, September 15, 1968.
I was very involved, Ray Stark in The Way We Were: Directors Commentary, 25th Anniversary DVD, Columbia Pictures, 1999.
Always had a kind of fierce passion, Kimme Hendrick, Something Worth Trying, Christian Science Monitor June 1972.
I believed it wasnt un-American to be a member of the Communist Party, Arthur Laurents, Original Story By: A Memoir of Broadway and Hollywood (New York: Knopf 2000), 263.
Like Barbra, unlike Barbra, ibid., 247.
the owner of that Sutton Place apartment, ibid., 263.
with Fannys outrage and convictions, ibid., 248.
She was too passionate about too much, ibid., 258.
A wearer of elegant suspenders, ibid., 259.
who was blond and Aryan, ibid., 263.
I took what happened to me in college, Arthur Laurents in The Way We Were: Looking Back, 25th Anniversary DVD, Columbia Pictures, 1999.
part me, part a naval lieutenant named Dougal Wyatt, Arthur Laurents, Original Story By, 263.
easier wasnt necessarily better, ibid., 258.
in a way he was like the country he lived in, ibid., 259.
The fraud, of course, was me, ibid.
I reacted somewhat as Robert Redford does in The Way We Were, ibid., 12.
She is a plodder on the page as in life, Neil Gabler, Barbra Streisand: Rediscovering Beauty, Femininity, and Power (New Haven: Yale University Press, 2016) 141.
a person who was everything she wasnt, Laurents, Original Story By, 258.
who doesnt need to face the moral issues, Michael Feeney Callan, Robert Redford: The Biography (New York: Alfred A. Knopf, 2011), 193.
I wasnt worried, I knew they would tell me. Laurents, Original Story By, 263.
just as I did in Eve Merriams, ibid., 260.
There was both terror and excitement, Arthur Laurents in The Way We Were: Looking Back, 25th Anniversary DVD, Columbia Pictures, 1999.
I dont know how Mr. Schary can look at himself in the mirror every morning without vomiting, Laurents, Original Story By, 266.
fellow toads, ibid., 265.
It was down to her beliefs, his beliefs, ibid., 261.
Do you think Im pretty? The Owl and The Pussycat, screenplay by Bill Manhoff and Buck Henry, Columbia Pictures, 1970.
Its because Im not pretty, Neal Gabler, Barbra Streisand, 115.
And Laurents admitted to himself that it was true, ibid.
Its that Im not attractivenot in the right way, isnt it? Arthur Laurents, The Way We Were, Columbia Pictures 1973.
She had to be a Jew, Laurents, Original Story By, 257.
She was the essence of every confused, not-very-attractive girl, Neal Gabler, Barbra Streisand, 53.
The connecting tissue is Barbras passion and her sense of injustice, Arthur Laurents in James Spada, Streisand: Her Life (New York: Crown Publishing, 1995), 299.
She does everything wrong but it comes out right, Kevin Sessums, Barbra Streisand Queen of Tides, Vanity Fair, September 1991.
One risk I wasnt as fully aware of as I should have been, Laurents, Original Story By, 26364.
I had doubts that she would accept the part, Rene Jordan, The Greatest Star: The Barbra Streisand Story (New York: G.P. Putnams Sons, 1975), 18687.
Thats me! Anne Edwards, Streisand: A Biography (New York: Little Brown, 1997), 334.
I started singing because I couldnt get a job as an actress, Joe Lynch, Barbra Streisand Reflects on Acting Career, Struggles as a Director during Tribeca Chat with Robert Rodriguez, April 29, 2017, https://www.billboard.com/music/music-news/barbra-streisand-tribeca-robert-rodriguez-7776946/.
How I came to write a novel, Kimme Hendrick, Something Worth Trying, Christian Science Monitor June 1972.
The Barbra I first knew was such a bright and alert person, Rene Jordan, The Greatest Star, 187.
Rule Number One, NYTTheater, @nyttheater, https://twitter.com/nytimestheater/status/773174682333962240.
Sydney Pollack was exactly the right director, Jeanine Basinger, interview with author, December 8, 2021.
He was the only guy on the set as quiet and scared as I was, Tom Buckley, At the Movies, The New York Times, March 2, 1979.
To him, Sydney did not smell good, Michael Feeney Callan, Robert Redford, 191.
the script had been turned down by other studios, Sydney Pollack in
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