• Complain

Melvin J. Lasky - Profanity, Obscenity and the Media (Publishing Book 1)

Here you can read online Melvin J. Lasky - Profanity, Obscenity and the Media (Publishing Book 1) full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2014, publisher: Transaction Publishers, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Profanity, Obscenity and the Media (Publishing Book 1)
  • Author:
  • Publisher:
    Transaction Publishers
  • Genre:
  • Year:
    2014
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Profanity, Obscenity and the Media (Publishing Book 1): summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Profanity, Obscenity and the Media (Publishing Book 1)" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This is the second volume of Melvin J. Laskys The Language of Journalism series, praised as a brilliant and original study in communications and contemporary language, and as a joy to read. When it was first published, it broke ground in focusing on the comparative styles and prejudices of mainstream American and British newspapers, and in its trenchant analysis of their systematic debasement of language in the face of obligatory platitudes and compulsory euphemisms. Lasky documents the growing crisis affecting honest, thoughtful, and independent journalism in the Western world. He extends the scope of his first volume in the trilogy and deepens the interpretation. He also adds a personal touch of wit and anecdote, as one might expect from an experienced international journalist and historian. Laskys examination of the use of formerly forbidden language is a triumph of sinuous semantics. In his incisive analysis, we see the tortuous struggle of a once Puritanized literary culture writhing to break free of censorship and self-censorship. This volume on the phenomenon of profanity adds another dimension to Laskys thesis on mass cultures trivialization of real social and political phenomena. It also underscores our societys embrace of banality, in standardizing politically correct jargon and slang. Readers of the first volume will find here a new range of references to illuminate the detail of what our newspapers have been publishing.

Melvin J. Lasky: author's other books


Who wrote Profanity, Obscenity and the Media (Publishing Book 1)? Find out the surname, the name of the author of the book and a list of all author's works by series.

Profanity, Obscenity and the Media (Publishing Book 1) — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Profanity, Obscenity and the Media (Publishing Book 1)" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Profanity Obscenity the Media First published 2005 by Transaction - photo 1
Profanity, Obscenity & the Media
First published 2005 by Transaction Publishers
Published 2017 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright 2005 by Taylor & Francis.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Catalog Number: 00-034408
The Library of Congress has cataloged Volume 1 as follows:
Lasky, Melvin J.
The language of journalism / Melvin J. Lasky
p. cm.
Includes bibliographical references and index.
Contents: v. 1. Newspaper culture.
ISBN 0-7658-0001-2 (v. 1. : alk. paper)
1. NewspapersLanguage. 2. JournalismLanguage. I. Title.
PN4783.L37 2000
00-034408
070.4014dc2
ISBN 13: 978-0-7658-0220-0 (hbk)
Take Care When You Get information. We Live By information, Which Exists By Faith in Others. But If the Ear is the Side-Door of Truth It is the Front-Door of Lies.the Truth Seldom Comes in Elemental Purity, Especially From Afar there is Always Some Admixture of Moods of Those Through Whom It Has Passed. Passions Tinge and Color Whatever they touch, Sometimes Favorably, Sometimes Odiously. Pay attention to intentions.Let Reflection Test for Falsity and Exaggeration.
Balthasar Gracin, the Art ofWorldly Wisdom Oraculo Manual Y Arte De Prudencia (1647)
Table of Contents
  1. v
Guide
Now that my second volume has been completed and set for publication, that infallibly mathematical half-way mark has surely been reached. At least for trilogies. And Kafka in his inscrutable way recommended it as the fateful point of no return. Now there is no turning back, but the readeror the browser in a bookshop with this book momentarily in his handneed not be alarmed. The momentum which was unleashed a thousand pages ago by the traumatic impulse of my fathers disillusionment with the New York Times (fifty years or so ago) will now be carrying me and the argument to the very bitter end; and the author can give the reader an important reassurance: He need not have read the first volume of The Language of Journalism (2000) to be profitably provokedand possibly persuadedby the sequel he, or she, has in his or her hand. A neighborhood wit once coined, in the days when we went to the movies in the afternoon (mostly Saturdays) and the double-features were being shown in continuous performance, the immortal recommendation for us, the early-bird matine crowd, to the effect that This is a film that begins in the middlefor the people who came in in the middle! This is such a book.
I admit that with the years since the first volume appeared I have tried to develop and vary the analysis, and indeed to extend the research; and still I feel that coming closer to the end was like approaching the beginning. I was temptedbut an editors blue pencil overruled meto add yet another revealing motto somewhere around the thousandth page. This would, with Aristotelian authority (no less), associate everything I was saying with large Athenian ambitions and classical wisdom. The ancient credo was full of promises: We will then show how the absurdities of speech are born from the misunderstandings of similar words for different things and different words for similar things, from garrulity and repetition, from play on words, from diminutives, from errors of pronunciation, and from barbarisms (Aristotle, Poetics , c. 350 B . C .). I still have, as is obvious, wangled its interpolation here, for prefaces are also promises. But there are also obvious lessons to be learned from such belated commitments. A famous warning from one self-critical master came up with the aptest of cautions: What one learns last in writing a book is what should have come first. Or, come to think about it, how to begin in the middle.
In my own case what might have come first, or at least very much earlier, is an unforgivably tardy awareness of how it all began, and where and why. I have often on the previous pages made reference, in personal bursts of remembrance, to early reading habits (to the Times and the Bronx Home News )to family traditions of literacy (my grandfathers pious addiction to his favorite local daily, my fathers blue-eyed faith in his)to my university years wherein a small group of New York students, alternately poring over cryptic medieval documents and stop-press stories in our daily newspapers, learned to detect hidden meanings (or so we thought) buried deep beneath the superficial visible surface of reported events. My old City College classmate Irving Kristol reminded me the other day in Washington that the collegiate review I edited from our shared Alcove 2a mag called History Chronicle (to which he was a contributor)looked, sounded, and read like all the subsequent journals I had anything to do with. (It also featured, in its large double-column pages wayward quotes, stray clips, odd footnotes, and other eclectic tidbits, printed alternately in italics and boldface, and framed by a thin-lined box.) So much for growing up, coming-of-age, and the delusions of progress and change.
Do all attempts to remember the past turn up, in agreeably familiar patterns of discovery, similarities if not identities? Is it inevitable that what we recall is shaped by such apt episodes of selective relevance? My first semi-professional experience as a teenage editor of a literary magazine entitled the Magpie only strengthened our youthful foraging instincts, to steal away with a few shining bits of truth. The world was turning out to be a hard place to understand; and whether in the library or at the newspaper-stand, we were driven each day to come away with an item or two, underlined with apparent perceptiveness or, even better: stabbing insights.
Looking back in the perspective of half-a-century, I think I can detect the line that took me from there to here. Novels, of course, were the stepping-stones. I remember the newsreel insertions which adorned John Dos Passos Manhattan Transfer (and the other volumes in his USA trilogy), replete with artfully selected news-items. I hesitate to mention Marcel Proust, but then the madeleine experience, now so platitudinous, seemed to be happening for the first time, at least for young readers. We would have to remember the actions and the passions of our own generation; and we were, whether we knew it or not, stocking up on little stimuli which would be on hand when memories needed to be fully recalled. An old cutting takes on new life, and becomes the illuminating context for (in Burtons seventeenth-century phrase) new news . To be sure, professional journalists in our time all had at their command their own newspapers so-called morgue : presumably the place where the old dead stories could be summoned up to serve as still lively factual background. This might add a spot of color and coherence to a fast-breaking story. But where was truth? or where was art? Could newspaper culture embrace the highest values ( what , with collections of yellowing clippings)?
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Profanity, Obscenity and the Media (Publishing Book 1)»

Look at similar books to Profanity, Obscenity and the Media (Publishing Book 1). We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Profanity, Obscenity and the Media (Publishing Book 1)»

Discussion, reviews of the book Profanity, Obscenity and the Media (Publishing Book 1) and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.