Lorrie Moore - The Collected Stories Of Lorrie Moore

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The Collected Stories of LORRIE MOORE

faber and faber

First published in 2008 by Faber and Faber Ltd

Bloomsbury House

74-77 Great Russell Street

London WC 1B 3DA

This paperback edition first published in 2009

Typeset by RefineCatch Limited, Bungay, Suffolk Printed in the UK by CPI Bookmarque, Croydon

All rights reserved Lorrie Moore, 2008

The right of Lorrie Moore to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

A CIP record for this book is available from the British Library

isbn 978-0-571-23936-8

bake mckurty was no stranger to the parasitic mixings of art and commerce, literature and the rich. "Hedge funds and haiku!" he'd exclaimed to his wife, Suzyand yet such mixings seemed never to lose their swift, stark capacity to appall. The hustle for money met the hustle for virtue and everyone washed their hands in one another. It was a common enough thing, though was there ever enough soap to cut the grease? "That's what your lemon is for," Suzy would say, pointing at the twist in the martini he was not supposed to drink. Still, now and again, looking up between the crabmeat cocktail and the palate-cleansing sorbet sprinkled with, say, fennel pollen dust, he felt shocked by the whole thing.

"It's symbiosis," said Suzy as they were getting dressed to go. "Think of it being like the krill that grooms and sees for the rock shrimp. Or that bird who picks out the bugs from the rhino hide."

"So we're the seeing-eye krill," he said.

"Yes!"

"We're the oxpeckers."

"Well, I wasn't going to say that," she said.

"A lot in this world has to do with bugs," said Bake.

"Food," she said. "A lot has to do with grooming and food. Are you wearing that?"

"What's wrong with it?"

"Lose thewhat are those?"

"Suspenders."

"They're red."

"OK, OK. But you know, I never do that to you."

"I'm the sighted krill," she said. She smoothed his hair, which had recently become a weird pom-pom of silver and maize.

"And I'm the blind boy?"

"Well, I wasn't going to say that either."

"You look good. Whatever it is your wearing. See? I say nice things to you!"

"It's a sarong." She tugged it up a little.

He ripped off the suspenders. "Well, here. You may need these."

they were staying at a Georgetown B and B to save a little money, a townhouse where the owner-couple left warm cookies at everyone's door at night to compensate for their loud toddler who by six a.m. was barking orders and pointing at her mother to fetch this toy or that. After a day of sightseeing (all those museums pre-paid with income taxes; it was like being philanthropists come to investigate the look of their own money) Suzy and Bake were already tired. They had come back early for a pre-dinner lie-down. "Tea and crumpets," suggested Bake.

"Crumpets?" Propped up on the bed with her elbow, Suzy had given him a look of cartoon seduction, one leg sprung shakily into the air.

"Grumpets?" said Bake "I'm too old for crumpets." Did all attraction lead to comedywithout exactly arriving? Did every marriage degenerate into vaudeville?

When they were ready to leave for the evening, they hailed a cab and recited the fundraiser's address to the cabbie who nodded and said ominously, "Oh, yes."

never mind good taste, here at this gala even the usual diaphanous veneer of seemliness had been tossed to the trade winds. Voodoo economics had become doo-doo economics, noted Bake. The fundraiser for Lunar Lines Literary Journal3LJ as it was known to its readers and contributors; "the magazine" as it was known to its staff, as if there were no otherswas being held in a bank. Or at least a former bank, one which had recently gone under, and which now sold squid-ink orchietti beneath its vaulted ceilings, and martinis and granache from its former teller stations. Wood and marble were preserved and buffed, glass barriers removed. In the evening light the place was golden. It was cute! So what if subtle boundaries of occasion and transaction had been given up on? So what if this were a mausoleum of greed now danced in by all. He and Suzy had been invited. The passive voice could always be used to obscure blame.

His invitation, however, to this D.C. fundraiser seemed to Bake a bit of a fluke, since Man on a Quarter, Man on a Horse, Bake's ill-selling biography of George Washington (in a year when everyone was obsessed with Lincoln, even the efficiently conflated Presidents' Day had failed to help his book sales) would appear to fit him to neither category of guest. But Lunar Lines, whose offices were in Washington, had excerpted a portion of it, as if in celebration of their town. And so Bake was sent two free dinner tickets. He would have to rub elbows and charm the other gueststhe rich, the magazine's donors who would be paying 500 dollars a plate. Could he manage that? Could he be the court jester, the town clown, the token writer at the table? "Absolutely," he lied.

Why had he come? Though it was named after the man he had devoted years of affectionate thought and research to, he had never liked this city. An ostentatious company town built on a marsha mammoth, pompous, chit-ridden motor vehicle department run by gladiators. High-level clerks on the take, their heads full of unsound soundbites and falsified recall. "Yes! How are you? It's been a while?" Not even "it's been a long time" because who knew? Perhaps it hadn't been. Better just to say, neutrally, "It's been a while," and no one could argue.

He clung to Suzy. "At least the wine is good," she said. They weren't really mingling. They were doing something that was more like a stiff list, a drift and sway. The acoustics made it impossible to speak normally and so they found themselves shouting inanities then just falling mute. The noise of the place was deafening as a sea, and the booming heartiness of others seemed to destroy all possibility of happiness for themselves.

"Soon we'll have to find our table," he shouted, glancing out at the vast room filled with a hundred white-clothed circles, flickering with candlelight. Small vases of heather sprigs that could easily catch fire had been placed in the center as well. So were little chrome cardholders declaring the table numbers. "What number are we?"

Suzy pulled the tag from what he facetiously called her "darling little bag" then shoved it back in. "Seventy-nine," she said. "I hope that's near the restroom."

"I hope it's near the exit."

"Let's make a dash for it now!"

"Let's scream 'fire!'"

"Let's fake heart attacks!"

"Do you have any pot?"

"We flew hereremember? I wouldn't bring pot on an airplane."

"We're losing our sense of adventure. In all things."

"This is an adventure!"

"You see, that's what I mean."

At the ringing of a small bell everyone began to sitnot just the ones in wheelchairs, whom he had begun to envy. Bake let Suzy lead as they wended their way, drinks in hand, between the dozens of tables that were between them and number 79. They were the first ones there, and when he looked at the place cards and saw that someone had placed Suzy far away from him, he quickly switched the seating arrangements and placed her next to him, on his left. "I didn't come this far not to sit next to you," he said, and she smiled wanly, squeezing his upper arm. These kinds of gestures were necessary, since they had not had sex in six months. "I'm sixty and I'm on antidepressants," said Bake, when Suzy had once (why only once?) complained. "I'm lucky my penis hasn't dropped off."