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Alan Walker - Franz Liszt, Vol. 1: The Virtuoso Years, 1811-1847

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    Franz Liszt, Vol. 1: The Virtuoso Years, 1811-1847
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Franz Liszt, Vol. 1: The Virtuoso Years, 1811-1847: summary, description and annotation

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The first volume in Alan Walkers magisterial biography of Franz Liszt.

You cant help but keep turning the pages, wondering how it will all turn out: and Walkers accumulated readings of Liszts music have to be taken seriously indeed.D. Kern Holoman, New York Review of Books

A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire.Harold C. Schonberg, Wall Street Journal

What distinguishes Walker from Liszts dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composers works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival.Elliot Ravetz, Time

The prose is so lively that the reader is often swept along by the narrative. . . . This three-part work . . . is now the definitive work on Liszt in English and belongs in all music collections.Library Journal

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A LSO BY A LAN W ALKER A Study in Musical Analysis An Anatomy of Musical - photo 1

A LSO BY A LAN W ALKER A Study in Musical Analysis An Anatomy of Musical - photo 2

A LSO BY A LAN W ALKER

A Study in Musical Analysis
An Anatomy of Musical Criticism
Franz Liszt: Volume Two, The Weimar Years, 18481861
Franz Liszt: Volume Three, The Final Years, 18611886
The Death of Franz Liszt Based on the Unpublished Diary of His Pupil Lina Schmalhausen

EDITOR OF

Frdric Chopin:
Profiles of the Man and the Musician
Franz Liszt:
The Man and His Music
Robert Schumann:
The Man and His Music
Living with Liszt: From the Diary of Carl Lachmund, an American Pupil of Liszt, 18821884
Liszt, Carolyne, and the Vatican: The Story of a Thwarted Marriage, as It Emerges from the Original Church Documents (With Gabriele Erasmi)

THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A KNOPF INC Copyright 1983 by - photo 3

THIS IS A BORZOI BOOK
PUBLISHED BY ALFRED A . KNOPF , INC .

Copyright 1983 by Alan Walker
Maps copyright 1983 by David Lindroth

All rights reserved under International and Pan-American Copyright Conventions.
Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.
Distributed by Random House, Inc., New York.
Published in Great Britain by Faber & Faber Ltd, London.

Music examples drawn by Paul Courtenay.

LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Walker, Alan, 1930
Franz Liszt.
Includes bibliographical references.
Contents: v. 1. The virtuoso years, 18111847.
1. Liszt, Franz, 18111886. 2. ComposersBiography.
ML 410. L 7 W 27 780.924 [ B ] 82-47821
eISBN: 978-0-307-83096-8

FRONTISPIECE
Liszt in Geneva, an oil portrait by Ary Scheffer (1835).

v3.1_r1

To Lisztians across the world,
wherever they may be, these volumes are affectionately dedicated.

Contents

The Great Comet of 1811 ~ birth in Raiding ~ family hardships ~ childhood sickness ~ mistaken for dead ~ his musical awakening ~ first piano lessons from Adam Liszt ~ growing up in Hungary ~ influence of church and Gypsies ~ Adam appeals to Prince Esterhzy ~ a first encounter with Czerny: Nature herself had formed a pianist ~ dbut in Oedenburg ~ triumph in Pressburg and departure for Vienna.

Settling down in Vienna ~ piano lessons with Czerny ~ theoretical studies with Salieri ~ Salieris letter ~ Franzis first published composition ~ dbut in Viennas town hall ~ the press dub him Little Hercules ~ plays in the Vienna Redoutensaal ~ the myth of Beethovens public embrace ~ a visit to Beethoven ~ a farewell journey to Hungary, May 1823: I am Hungarian ~ plays to the Franciscan fathers in the monastery at Pest.

The tours begin ~ Prince Metternich intercedes ~ Liszt plays in Munich, Augsburg, Stuttgart, and Strassburg ~ arrival in France ~ friendship with the family Erard ~ Cherubini refuses to admit Liszt to the Paris Conservatoire ~ studies with Reicha and Paer instead ~ Liszt is taken up by the Paris press: Le petit Litz ~ two visits to England, 182425 ~ a letter from Adam Liszt ~ Don Sanche produced in Paris, October 1825 ~ maturing piano style: Twelve Studies ~ a third visit to England, 1827.

Adam Liszt dies at Boulogne-sur-Mer ~ Adams burial ~ a letter of condolence from Count Amad ~ alone in Boulogne.

Returns to Paris ~ likens himself to the learned dog Munito ~ supports himself and his mother by teaching ~ falls in love with a pupil, Caroline de Saint-Cricq ~ is rejected by her father ~ suffers a nervous breakdown ~ experiences longing to become a priest ~ he is reported dead ~ his obituary appears in Le Corsaire, October 23, 1828 ~ a meeting with von Lenz ~ friendship with Urhan ~ discovers French literature ~ composes his first operatic fantasy, on La Fiance.

The last days of Restoration France ~ the Three Glorious Days ~ a Revolutionary Symphony ~ in the salons of the Faubourg St.-Germain ~ more love-affairs: Countess Adle Laprunarde ~ Paris is struck by cholera ~ LIdiote mlomane ~ attends the meetings of the Saint-Simonists ~ visits the Abb Flicit Lamennais at La Chnaie ~ first mature piano works ~ essay On the Position of Artists.

Pianists galore ~ some gladiators of the keyboard ~ the workshops of Erard and Pleyel ~ the Paris Conservatoire as piano factory ~ the wit of Heine ~ the piano catches fire from the opera house.

Paganinis virtuosity ~ his necromantic personality ~ in league with the Devil ~ the Casino Paganini ~ Liszt hears Paganini for the first time ~ And I too am an artist! ~ The Clochette Fantasy ~ the death and burials of Paganini ~ Liszt publishes an obituary of him.

Liszt and Berlioz ~ Paganinis gift of 20,000 francs ~ Liszt makes a piano arrangement of the Fantastic Symphony ~ Liszt and Chopin ~ Chopins approach to the keyboard ~ laffaire Pleyel ~ Alkan and Hiller.

Liszt is introduced to Countess Marie dAgoult ~ an account of their first meeting ~ her childhood and family background ~ the Flavignys ~ an unhappy marriage to Count Charles dAgoult ~ the love-affair with Liszt develops ~ Marie visits a clairvoyant ~ Liszt and Marie elope to Switzerland.

A tryst in Basel, June 1835 ~ arrival in Geneva ~ at the rue Tabazan ~ the first Letters of a Bachelor of Music appear ~ pursued by Puzzi Cohen ~ birth of Blandine ~ Liszt becomes a professor of piano at the Geneva Conservatoire ~ the Annes de plerinage: Suisse ~ a picnic at Chamonix ~ Liszt plays the organ at Fribourg ~ return to Paris: the Htel de France ~ An Evening with the Gods.

Thalbergs origins ~ his playing ~ he releases handfuls of pearls ~ the three-handed effect ~ the French newspaper war ~ Ftis champions Thalberg; Berlioz champions Liszt ~ Liszts opinion of Thalbergs compositions ~ his duel with Thalberg in the salon of Princess Belgiojoso ~ the Hexamron Variations ~ Thalbergs later years.

A visit to Nohant ~ commences his Schubert song transcriptions ~ Liszt plays for the weavers of Lyon ~ a sojourn by Lake Bellagio ~ birth of Cosima ~ a secret police report ~ he meets Ricordi and Rossini ~ a concert in La Scala ~ from Milan to Venice ~ Marie dAgoult falls ill.

The Danube overflows its banks ~ the inundation of Pest ~ Liszts charity concerts in Vienna ~ raises 24,000 gulden for Hungary ~ love of Hungary is reawakened ~ transcribes more Schubert songs ~ meets his relatives in Vienna ~ returns to Venice ~ quarrels with Marie dAgoult ~ Maries account in the Mmoires questioned ~ they move to Lake Lugano ~ Liszts life is threatened in Milan ~ reunited with Blandine ~ birth of Daniel Liszt in Rome ~ offers to raise money for the erection of a Beethoven monument in Bonn ~ the Beethoven Committees reply ~ compositions of the Italian period ~ Marie returns to Paris and Liszt proceeds to Vienna.

The modern piano recital is created ~ Liszts feats of memory ~ some bad pianos ~ Liszts decorations ~ a letter of protest to the Gazette Musicale ~ Liszt and Tsar Nicholas ~ Hans Christian Andersen hears Liszt ~ Gnie oblige! ~ a letter to Adolphe Pictet ~ Liszts approach to keyboard technique: fingering, scale-building, octaves, etc. ~ the anatomy of Liszts hand ~ the origin of the Transcendental and the Paganini Studies ~ Liszts expression marks and pedalling ~ his preference for Erard pianos; a letter of appreciation to Pierre Erard ~ Liszts interpretation of the classics.

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