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Liszt Franz - Franz Liszt. Volume 1, The virtuoso years

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Franz Liszt--child prodigy, virtuoso pianist, co-founder with Chopin and Schumann of the Romantic movement in music--has been the subject of literally hundreds of biographies, but it is only in the last few decades that the importance of Liszt the composer, as opposed to Liszt the Romantic hero, has been recognized. This new perspective has created the need for a fresh, full-scale approach, biographical and critical, to the evaluation of the man and his music. For more than ten years Alan Walker, a leading authority on nineteenth-century music and the author of important studies of Chopin and Schumann, has traveled throughout Europe discovering unpublished material in museums and private collections, in the parish registries of tiny villages in Austria and Hungary, and in major archives in Weimar and Budapest, seeking out new information and corroborating or correcting the old. He has left virtually no source unexamined--from the hundreds of contemporary biographies (many of them more fiction than fact) to the scores of memoirs, reminisces, and diaries of his pupils and disciples (the list of his students from his Weimar masterclasses reads like a Burkes Peerage of pianists). Dr. Walkers efforts have culminated in a study that will stand as definitive for years to come. A feat of impeccable scholarship, it also displays a strong and compelling narrative impulse and a profound understanding of the complicated man Liszt was. In this, the first of three volumes, Dr. Walker examines in greater detail than has ever before been amassed Liszts family background and his early years. We see Franzi, a deeply religious and mystical child, whose extraordinary musical gifts lead to studies with the great Carl Czerny in Vienna and propel him into overnight fame in Paris--his youthful opera, Don Sanche, performed when he is fourteen--and in a disorderly and impulsive way of life by the time he is sixteen ... We see Liszt drifting into obscurity after a nervous breakdown at the age of seventeen, then hearing Paganini for the first time and being so fired by the violinists amazing technique that he sets for himself a titanic program of work, his aim no less than to create an entirely new repertoire for the piano ... We see him, after years if successful touring, returning triumphantly to Hungary, his homeland, and publishing in the same year his Transcendental and Paganini studies. the signposts of his astonishing technical breakthrough ... Finally, we see Liszt at the height of his artistic powers, giving well over a thousand concerts across Europe and Russia during the years 1839-47: inventing the modern piano recital, playing entire programs from memory, performing the complete contemporary piano repertoire, breaking down the barriers that had traditionally separated performing artists from their social superiors, fostering the Romantic view of the artist as superior bring, because divinely gifted ... until--his colossal career virtually impossible to sustain--he gives his last paid performance at the age of thirty-five ... Unparalleled in its completeness, its soundness of documentation, and in the quality of its writing, The Virtuoso Years is the first volume of what will unquestionably be the most important biography of Franz Liszt in English or any other language.

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A LSO BY A LAN W ALKER A Study in Musical Analysis An Anatomy of Musical - photo 1

A LSO BY A LAN W ALKER A Study in Musical Analysis An Anatomy of Musical - photo 2

A LSO BY A LAN W ALKER

A Study in Musical Analysis
An Anatomy of Musical Criticism
Franz Liszt: Volume Two, The Weimar Years, 18481861
Franz Liszt: Volume Three, The Final Years, 18611886
The Death of Franz Liszt Based on the Unpublished Diary of His Pupil Lina Schmalhausen

EDITOR OF

Frdric Chopin:
Profiles of the Man and the Musician
Franz Liszt:
The Man and His Music
Robert Schumann:
The Man and His Music
Living with Liszt: From the Diary of Carl Lachmund, an American Pupil of Liszt, 18821884
Liszt, Carolyne, and the Vatican: The Story of a Thwarted Marriage, as It Emerges from the Original Church Documents (With Gabriele Erasmi)

THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A KNOPF INC Copyright 1983 by - photo 3

THIS IS A BORZOI BOOK
PUBLISHED BY ALFRED A . KNOPF , INC .

Copyright 1983 by Alan Walker
Maps copyright 1983 by David Lindroth

All rights reserved under International and Pan-American Copyright Conventions.
Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.
Distributed by Random House, Inc., New York.
Published in Great Britain by Faber & Faber Ltd, London.

Music examples drawn by Paul Courtenay.

LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Walker, Alan, 1930
Franz Liszt.
Includes bibliographical references.
Contents: v. 1. The virtuoso years, 18111847.
1. Liszt, Franz, 18111886. 2. ComposersBiography.
ML 410. L 7 W 27 780.924 [ B ] 82-47821
eISBN: 978-0-307-83096-8

FRONTISPIECE
Liszt in Geneva, an oil portrait by Ary Scheffer (1835).

v3.1_r1

To Lisztians across the world,
wherever they may be, these volumes are affectionately dedicated.

Contents

The Great Comet of 1811 ~ birth in Raiding ~ family hardships ~ childhood sickness ~ mistaken for dead ~ his musical awakening ~ first piano lessons from Adam Liszt ~ growing up in Hungary ~ influence of church and Gypsies ~ Adam appeals to Prince Esterhzy ~ a first encounter with Czerny: Nature herself had formed a pianist ~ dbut in Oedenburg ~ triumph in Pressburg and departure for Vienna.

Settling down in Vienna ~ piano lessons with Czerny ~ theoretical studies with Salieri ~ Salieris letter ~ Franzis first published composition ~ dbut in Viennas town hall ~ the press dub him Little Hercules ~ plays in the Vienna Redoutensaal ~ the myth of Beethovens public embrace ~ a visit to Beethoven ~ a farewell journey to Hungary, May 1823: I am Hungarian ~ plays to the Franciscan fathers in the monastery at Pest.

The tours begin ~ Prince Metternich intercedes ~ Liszt plays in Munich, Augsburg, Stuttgart, and Strassburg ~ arrival in France ~ friendship with the family Erard ~ Cherubini refuses to admit Liszt to the Paris Conservatoire ~ studies with Reicha and Paer instead ~ Liszt is taken up by the Paris press: Le petit Litz ~ two visits to England, 182425 ~ a letter from Adam Liszt ~ Don Sanche produced in Paris, October 1825 ~ maturing piano style: Twelve Studies ~ a third visit to England, 1827.

Adam Liszt dies at Boulogne-sur-Mer ~ Adams burial ~ a letter of condolence from Count Amad ~ alone in Boulogne.

Returns to Paris ~ likens himself to the learned dog Munito ~ supports himself and his mother by teaching ~ falls in love with a pupil, Caroline de Saint-Cricq ~ is rejected by her father ~ suffers a nervous breakdown ~ experiences longing to become a priest ~ he is reported dead ~ his obituary appears in Le Corsaire, October 23, 1828 ~ a meeting with von Lenz ~ friendship with Urhan ~ discovers French literature ~ composes his first operatic fantasy, on La Fiance.

The last days of Restoration France ~ the Three Glorious Days ~ a Revolutionary Symphony ~ in the salons of the Faubourg St.-Germain ~ more love-affairs: Countess Adle Laprunarde ~ Paris is struck by cholera ~ LIdiote mlomane ~ attends the meetings of the Saint-Simonists ~ visits the Abb Flicit Lamennais at La Chnaie ~ first mature piano works ~ essay On the Position of Artists.

Pianists galore ~ some gladiators of the keyboard ~ the workshops of Erard and Pleyel ~ the Paris Conservatoire as piano factory ~ the wit of Heine ~ the piano catches fire from the opera house.

Paganinis virtuosity ~ his necromantic personality ~ in league with the Devil ~ the Casino Paganini ~ Liszt hears Paganini for the first time ~ And I too am an artist! ~ The Clochette Fantasy ~ the death and burials of Paganini ~ Liszt publishes an obituary of him.

Liszt and Berlioz ~ Paganinis gift of 20,000 francs ~ Liszt makes a piano arrangement of the Fantastic Symphony ~ Liszt and Chopin ~ Chopins approach to the keyboard ~ laffaire Pleyel ~ Alkan and Hiller.

Liszt is introduced to Countess Marie dAgoult ~ an account of their first meeting ~ her childhood and family background ~ the Flavignys ~ an unhappy marriage to Count Charles dAgoult ~ the love-affair with Liszt develops ~ Marie visits a clairvoyant ~ Liszt and Marie elope to Switzerland.

A tryst in Basel, June 1835 ~ arrival in Geneva ~ at the rue Tabazan ~ the first Letters of a Bachelor of Music appear ~ pursued by Puzzi Cohen ~ birth of Blandine ~ Liszt becomes a professor of piano at the Geneva Conservatoire ~ the Annes de plerinage: Suisse ~ a picnic at Chamonix ~ Liszt plays the organ at Fribourg ~ return to Paris: the Htel de France ~ An Evening with the Gods.

Thalbergs origins ~ his playing ~ he releases handfuls of pearls ~ the three-handed effect ~ the French newspaper war ~ Ftis champions Thalberg; Berlioz champions Liszt ~ Liszts opinion of Thalbergs compositions ~ his duel with Thalberg in the salon of Princess Belgiojoso ~ the Hexamron Variations ~ Thalbergs later years.

A visit to Nohant ~ commences his Schubert song transcriptions ~ Liszt plays for the weavers of Lyon ~ a sojourn by Lake Bellagio ~ birth of Cosima ~ a secret police report ~ he meets Ricordi and Rossini ~ a concert in La Scala ~ from Milan to Venice ~ Marie dAgoult falls ill.

The Danube overflows its banks ~ the inundation of Pest ~ Liszts charity concerts in Vienna ~ raises 24,000 gulden for Hungary ~ love of Hungary is reawakened ~ transcribes more Schubert songs ~ meets his relatives in Vienna ~ returns to Venice ~ quarrels with Marie dAgoult ~ Maries account in the Mmoires questioned ~ they move to Lake Lugano ~ Liszts life is threatened in Milan ~ reunited with Blandine ~ birth of Daniel Liszt in Rome ~ offers to raise money for the erection of a Beethoven monument in Bonn ~ the Beethoven Committees reply ~ compositions of the Italian period ~ Marie returns to Paris and Liszt proceeds to Vienna.

The modern piano recital is created ~ Liszts feats of memory ~ some bad pianos ~ Liszts decorations ~ a letter of protest to the Gazette Musicale ~ Liszt and Tsar Nicholas ~ Hans Christian Andersen hears Liszt ~ Gnie oblige! ~ a letter to Adolphe Pictet ~ Liszts approach to keyboard technique: fingering, scale-building, octaves, etc. ~ the anatomy of Liszts hand ~ the origin of the Transcendental and the Paganini Studies ~ Liszts expression marks and pedalling ~ his preference for Erard pianos; a letter of appreciation to Pierre Erard ~ Liszts interpretation of the classics.

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