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Leslie Edgerton - Finding your voice : how to put personality in your writing

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Find your voice and make your writing sing! You know a great literary voice when you hear it: David Sedariss humorous cynicism. Elmore Leonards weary, smart-mouthed dialogue. Nick Hornbys simple yet imaginative descriptions. Its the kind of writing you should aspire to, right? Well, not quite. Each of these authors found success in part by developing their own unique voice: a writing style that helped define their work. Now Les Edgerton shows you how to develop a voice of your own, one that rises about the literary din because of its individuality, not in spite of it! Inside, he provides guidelines, advice and dozens of exercises of recognizing and developing a natural style that will make your characters, stories and dialogues better and more memorable. Youll lean: How to make any piece you write unmistakably yours and your alone What agents and editors really think about using your own voice How to write better by ignoring the rules The keys to getting your voice and personality on the page How to get back the unique voice you may have lost by trying to write like someone else Whether you write fiction, nonfiction, or poetry, Finding Your Voice is a must read. Editors, agents, and readers all want to read something fresh and new; by finding your voice, youll be giving them exactly what they want!

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Finding Your Voice

how to put personality in your writing

by Les Edgerton

Blue Skies Books, 2012


Finding Your Voice: How to Put Personality in Your Writing . Copyright 2003 by Les Edgerton. Manufactured in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published by Writer's Digest Books, an imprint of F +W Publications, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236. (800) 289-0963. First edition.

Published as an ebook by Blue Skies Books, 2012. Second edition.

Visit Les Edgertons blog site at http://www.lesedgertononwriting.blogspot.com/ for information on the author.

08 07 06 05 6 5 4 3

Library of Congress Cataloging-in-Publication Data

Edgerton, Leslie.

Finding your voice: how to put personality in your writing / Les Edgerton.

p . cm.

ISBN 1-58297-174-9 ( alk . paper)ISBN 1-58297-173-0 ( pbk .: alk . paper)
1. Authorship. 2. Creative writing. I. Title
PN147.E28 2003
808'.02dc21 2002191020

Ebook cover design by Bo Goff.

Permissions

On Writing Well , copyright 1976, 1980, 1985, 1988, 1990, 1994, 1998, by William K. Zinsser. Reprinted by permission of the author.

The Woman Warrior , by Maxine Hong Kingston, copyright 1975, 1976 by Maxine Hong Kingston. Used by permission of Alfred A. Knopf, a division of Random House, Inc.

Autobiography of a Face , by Patricia Vecchione . Copyright 1994 by Lucy Grealy . Reprinted by permission of Houghton Mifflin Company. All rights reserved.

Aunt Julia and the Scriptwriter , by Mario Vargas Llosa , published by Farrar Straus & Giroux, copyright Feb. 1991. Reprinted in paperback by Viking Penguin 1995.

Power Lines , by Jane Bradley, published by University of Arkansas Press, copyright Oct. 1989.

Living Doll , by Jane Bradley, published by The Permanent Press, Sag Harbor, NY. Copyright Sept. 1995.

Kaffir Boy , by Mark Mathabane . Reprinted with permission of Scribner, a Division of Simon & Schuster from Kaffir Boy by Mark Mathabane . Copyright 1986 by Mark Mathabane .

Pet Peeves, from Waitingby Bruce Griffin Henderson, copyright 1995 by Bruce Griffin Henderson. Used by permission of Dutton Signet, a division of Penguin Putnam Inc.

Paisley Girl , by Fran Gordon, published by St. Martin's Press, copyright Oct. 1999.

Nature Lessons , by Lynette Brasfeld , published by St. Martin's Press, copyright April 2003.

Carrie , by Stephen King. Used by permission of Doubleday. Reprint copyright Nov. 1993.

Sanctuary , by William Faulkner, published by Random House, Inc., copyright Dec. 1993.

And the Desert Shall Blossom , by Phyllis Barber, Salt Lake City: The University of Utah Press, 1991, page 11.

Kindred , by Octavia E. Butler. Used by permission of Octavia E. Butler.

Jesus Christ's Half-Brother Is Alive and Well on the Spokane Indian Reservation from The Lone Ranger and Tonto Fistfight in Heaven, copyright 1993 by Sherman Alexie . Used by permission of Grove/ Atlantic, Inc.

Scruples II , by Judith Krantz , copyright 1986 by Judith Krantz . Used by permission of Crown Publishers, a division of Random House, Inc.

Home Town , by Tracy Kidder, published by Random House, Inc., copyright April 1999. Reprinted in paperback by Atria Books copyright May 2000.

The Russia House , by John le Carre , published by Alfred A. Knopf, copyright May 1989. Reprinted in paperback by Pocket Books copyright May 2000.

Rainbow Mars , by Larry Niven , published by Tor Books, copyright March 1999.

Looking for a Ship , by John McPhee , page 31, published by Farrar, Straus & Giroux, copyright Aug. 1990. Reprinted in paperback copyrightJuly 1991.

Tracks , by Louise Erdrich , published by Harper Perennial, copyright Sept. 1998.

Going Postal , by Stephen Jaramillo, published by Berkley Publishing Group, copyright May 1997.

Writing Fiction: A Guide to Narrative Crafi , by Janet Burroway , published by Harper Collins College Division, copyright 1995.

Write from Life copyright 2002 by Meg Files. Used with permission of Writer's Digest Books, an imprint of F&W Publications, Inc.

Fiction First Aid copyright 2001 by Raymond Obstfeld . Used with permission of Writer's Digest Books, an imprint of F&W Publications, Inc.

Dedication

This book is dedicated to all those who were in my psychic gang back in public school. You know, the kids teachers called the Under-achievers. All us poor souls who didn't live up to our promise (whatever that was) or our potential. Which, translated, meant all of those poor slobs who didn't fit their mold. The daydreamers. The ones who didn't know from kindergarten that selling insurance or being President was their shining goal. That's the gang I was forced into... and I'm glad I was.

It left my imagination in working order and I trust it did yours, too. After all, it's our reward for being the daydreamers.

Acknowledgments

A very special note of gratitude to a hulking mouthbreather I only remember as Waldo in the fourth grade in Freeport, Texas, who used to viciously bully my skinny scared butt in front of the other kids. I began writing little humorous vignettes about Waldo {he may not have found them humorous .. . ) and passing them around to my schoolmates, and that had two major effects on my life. Waldo quit bullying me because of the resultant public derision and I found out the truly awesome power of the written word and became a writer. Wherever Waldo is today (prison, I hope) I say, Thanks, creep. I think he learned that old nursery rhyme about sticks and stones just isn't true. Words can hurt you.

They can also help.

A lot.

Just ask Waldo.

About the Author

Les Edgerton lives with his wife Mary in Fort Wayne, Indiana, where he writes full-time and teaches creative writing online for Phoenix College and for a private class. He co-teaches a class on Story Beginnings with author Jenny Milchman for the New York Writers Workshop. He formerly taught online for the UCLA Writer's Program. For three years, he was the Writer-in-Residence for the University of Toledo and for one year for Trine University.

He has two daughters from a former marriage; Britney, who works in the computer industry in Louisville, and Sienna, an artist who lives in Indianapolis and who just gave Les his first grandson, the cute-as-all-get-out Logan. Les and Marys son Mike lives in Ft. Wayne and attends college for filmmaking and is a barrista at Starbucks and has one of those prized black aprons. Les writes short stories, articles, essays, novels, nonfiction books, and screenplays. His fiction has been nominated for the Pushcart Prize, O. Henry Award, Edgar Allan Poe Award (short story category), Jesse Jones Award, PEN/Faulkner Award, and the Violet Crown Book Award, among others. One of his screenplays was a semifnalist in the Academy Awards Foundation's Nicholl Fellowships and a finalist in the Writer's Guild's Best American Screenplays competition as well as the Best of Austin competition. His existential novel, THE BITCH, was named the Best Thriller of 2011 by Preditors & Editors, and it was also a nominee for Spinetingler Magazines prestitious Best Novel Award of 2012 (Legends category).

Introduction

I've written all my life (in my case, that began just about the same time as dinosaurs were put on the endangered list) and have also been privileged to teach several hundred writers of all levels and abilities as an online teacher of creative fiction writing in the famed UCLA Extension Writer's Program and these days for other venues. Even though I'd enjoyed success myself as a writer and teacher, I was much like most of my studentssearching for a secret that would guarantee for my work the light of publication. I hunted along all the canyons and woodlands wherein such a secret might lie ... workshops, writing magazines, how-to books, queries to published authors I met... and so on. Even though I'd been published, I was still convinced that others met success without as much blood and sweat as I had. There just had to be some kind of secret Tim O'Brien and Kurt Vonnegut and Barbara Kingsolver weren't sharingwere holding close to the vest, so to speak.

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