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Harold Evans - Do I Make Myself Clear?: Why Writing Well Matters

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*New York Times Bestseller *
A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time.
Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. Hes even been knighted for his services to journalism. In DO I MAKE MYSELF CLEAR?, he brings his indispensable insight to us all in his definite guide to writing well.
The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK, and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of every kind we see a trend towards more--more speed and more information but far less clarity.
Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. DO I MAKE MYSELF CLEAR? is an essential text, and one that will provide every writer an editor at his shoulder.

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Copyright 2017 by Harold Evans Associates LLC

Cover design by Kimberly Glyder Design; art by Shuttercock

Author photograph by Jason Bell

Cover copyright 2017 Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

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First ebook edition: May 2017

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ISBN 978-0-316-43230-6

E3-20170405-JV-PC

My Paper Chase: True Stories of Vanished Times

They Made America: From the Steam Engine to the Search Engine; Two Centuries of Innovators

(with Gail Buckland and David Lefer)

War Stories: Reporting in the Time of Conflict from the Crimea to Iraq

The BBC Reports: On America, Its Allies and Enemies, and the Counterattack on Terrorism

(BBC Corporation and Harold Evans)

The Index Lecture: View from Ground Zero

(lecture prepared for the Hay-on-Wye Festival)

The American Century

(with Kevin Baker and Gail Buckland)

Good Times, Bad Times

Eyewitness

Suffer the Children: The Story of Thalidomide (with the Sunday Times Insight Team)

We Learned to Ski (with Brian Jackman and Mark Ottaway)

The Freedom of the Press: The Half Free Press

(with Katharine Graham and Lord Windlesham)

Editing and Design (five volumes: Essential English, Newspaper Design, Text Typography, Newspaper Headlines, and Pictures on a Page, with Edwin Taylor)

The Active Newsroom (with the International Press Institute)

To the memory of the brilliant Robert Silver,
our familys lost friend

Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.

Charles Dickens, Bleak House

Do I Make Myself Clear Why Writing Well Matters - image 2

The year 2016 was the seventieth anniversary of George Orwells classic polemic Politics and the English Language (1946) indicting bad English for corrupting thought and slovenly thought for corrupting language. The creator of Newspeak, as he called the fictional language of his nightmarish dystopia, Oceania, did as much as any man to rescue us, but eternal vigilance is the price of intelligent literacy. For all its benefits, the digital era Orwell never glimpsed has had unfortunate effects, not least making it easier to obliterate the English language by carpet-bombing us with the bloated extravaganzas of marketing mumbo-jumbo.

Words have consequences. The bursting of the housing bubble that led to the Great Recession revealed that millions had signed agreements they hadnt understood or had given up reading for fear of being impaled on a lien. But as the book and movie The Big Short make clear, the malefactors of the Great Recession hadnt understood what they were doing either. This book on clear writing is as concerned with how words confuse and mislead, with or without malice aforethought, as it is with literary expression: in misunderstood mortgages; in the serpentine language of Social Security; in commands too vague for life-and-death military actions; in insurance policies that dont cover what the buyers believe they cover; in instructions that dont instruct; in warranties that prove worthless; in political campaigns erected on a tower of untruths.

Fog everywhere. Fog online and in print, fog exhaled in television studios where time is anyway too short for truth. Fog in the Wall Street executive suites. Fog in the regulating agencies that couldnt see the signals flashing danger in shadow banking. Fog in the evasions in Flint, Michigan, while its citizens drank poisoned water. Fog in the ivory towers where the arbiters of academia all over the world are conned into publishing volumes of computer-generated garbage. Fog machines in Madison Avenue offices where marketers invent dictionaries of fluff so that a swimming cap is sold as a hair management system.there mud and mire too deep, never come there bureaucratic waffle so gross as to withstand the clean invigorating wind of a sound English sentence.

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I like itits wonderfully editable.

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Winston Churchill had problems talking to a table. His teachers at Harrow told him that the Latin word for table was mensa but if he wanted to invoke the thought of a tableaddress a table in the vocative casehe could not just blurt out the word. He must do as the Romans did and write or say, O mensa. To Churchills straightforward English way of thinking about such matters, it seemed absolute rigmarole to muck about with a good solid noun. He was further dismayed to learn it was not even permissible to talk about a table without changing its identity to mensae. Give these Romans an inch, and theyd take a passus.

In his captivating memoir My Early Life,

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