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Cole Porter - Singers Jazz Anthology - Low Voice with Recorded Piano Accompaniments Online

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Cole Porter Singers Jazz Anthology - Low Voice with Recorded Piano Accompaniments Online
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    Singers Jazz Anthology - Low Voice with Recorded Piano Accompaniments Online
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The functionality of the audio in this eBook may differ depending on your - photo 1
The functionality of the audio in this eBook may differ depending on your - photo 2
The functionality of the audio in this eBook may differ depending on your - photo 3
The functionality of the audio in this eBook may differ depending on your device.
Also included are the complete audio files available for
streaming or downloading using the unique web address below.
www.halleonard.com/mylibrary
8943-6714-3984-9820

Cover photo Getty Images / Hulton Deutsch / Contributor

Print ISBN: 978-1-5400-4199-9

ePub ISBN: 978-1-5400-8837-6

Kindle ISBN: 978-1-5400-8838-3

For all works contained herein Unauthorized copying arranging adapting - photo 4

For all works contained herein:

Unauthorized copying, arranging, adapting, recording, Internet posting, public performance,

or other distribution of music in this publication is an infringement of copyright.

Infringers are liable under the law.

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Contents
ARRANGER'S NOTE

The vocalist's part in the Singer's Jazz Anthology matches the original sheet music but is notintended to be sung verbatim. Instead, melodic embellishments and alterations of rhythmand phrasing should be incorporated to both personalize a performance and conform to theaccompaniments. In some cases, the form has been expanded to include "tags" and other endingsnot found in the original sheet music. In these instances, the term ad lib. indicates new melodicmaterial appended to the original form.

Although the concept of personalizing rhythms and embellishing melodies might seem awkwardto singers who specialize in classical music, there is a long tradition of melodic variation within thecontext of performance dating back to the Baroque. Not only do jazz singers personalize a givenmelody to fit the style of an accompaniment, they also develop a distinctive sound that helps furtherpersonalize their performances. Undoubtedly, the best strategy for learning how to stylize a jazzmelody is to listen to recordings from the vocal jazz canon, including artists such as Nat King Cole,Ella Fitzgerald, Billie Holiday, Frank Sinatra, Sarah Vaughan, Nancy Wilson, and others.

The accompaniments in the Singer's Jazz Anthology can also be embellished by personalizingrhythms or dynamics, and chord labels are provided for pianists who are comfortable playing theirown chord voicings. In some cases, optional, written-out improvisations are provided. These can beperformed "as is,"" embellished, or skipped, depending on the performers' preference.

The included audio features piano recordings that can be used as a rehearsal aid or to accompanya performance. Tempi were selected to fit the character of each accompaniment, and the optionalpiano solos were omitted to provide a more seamless singing experience for vocalists who utilizethem as backing tracks.

I hope you find many hours of enjoyment exploring the Singer's Jazz Anthology series!

Brent Edstrom

BEGIN THE BEGUINE
from JUBILEE
Words and Music by COLE PORTER
1935 Renewed WC MUSIC CORP All Rights Reserved Used by Permission - photo 5

1935 (Renewed) WC MUSIC CORP.

All Rights Reserved Used by Permission

Singers Jazz Anthology - Low Voice with Recorded Piano Accompaniments Online - photo 6ALL - photo 7ALL OF YOU from SILK STOCKINGS - photo 8ALL OF YOU from SILK STOCKINGS Words and Music by COLE PORTER - photo 9ALL OF YOU from SILK STOCKINGS Words and Music by COLE PORTER 1954 COLE - photo 10ALL OF YOU from SILK STOCKINGS Words and Music by COLE PORTER 1954 COLE - photo 11
ALL OF YOU
from SILK STOCKINGS
Words and Music by COLE PORTER
1954 COLE PORTER Copyright Renewed and Assigned to ROBERT H MONTGOMERY - photo 12

1954 COLE PORTER

Copyright Renewed and Assigned to ROBERT H. MONTGOMERY, Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS

Publication and Allied Rights Assigned to CHAPPELL & CO., INC.

All Rights Reserved Used by Permission

ANYTHING GOES from ANYTHING GOES Words and Music by COLE PORTER - photo 13ANYTHING GOES from ANYTHING GOES Words and Music by COLE PORTER 1934 - photo 14ANYTHING GOES from ANYTHING GOES Words and Music by COLE PORTER 1934 - photo 15
ANYTHING GOES
from ANYTHING GOES
Words and Music by COLE PORTER
1934 Renewed WC MUSIC CORP All Rights Reserved Used by Permission - photo 16

1934 (Renewed) WC MUSIC CORP.

All Rights Reserved Used by Permission

AT LONG LAST LOVE from YOU NEVER KNOW Words and Music by COLE PORTER - photo 17AT LONG LAST LOVE from YOU NEVER KNOW Words and Music by COLE PORTER 1937 - photo 18AT LONG LAST LOVE from YOU NEVER KNOW Words and Music by COLE PORTER 1937 - photo 19
AT LONG LAST LOVE
from YOU NEVER KNOW
Words and Music by COLE PORTER
1937 1938 Copyrights Renewed JOHN F WHARTON Trustee of the COLE PORTER - photo 20

1937, 1938 (Copyrights Renewed) JOHN F. WHARTON, Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUST

Publication and Allied Rights Assigned to CHAPPELL & CO., INC.

All Rights Reserved Used by Permission

EASY TO LOVE Youd Be So Easy to Love from BORN TO DANCE Words and Music by - photo 21EASY TO LOVE Youd Be So Easy to Love from BORN TO DANCE Words and Music by - photo 22
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