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Lewis Turco - The new book of forms: a handbook of poetics

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title The New Book of Forms A Handbook of Poetics author Turco - photo 1

title:The New Book of Forms : A Handbook of Poetics
author:Turco, Lewis.
publisher:University Press of New England
isbn10 | asin:0874513812
print isbn13:9780874513813
ebook isbn13:9780585387789
language:English
subjectPoetics, Versification.
publication date:1986
lcc:PN1042.T78 1986eb
ddc:808.1
subject:Poetics, Versification.
Page iii
The New Book of Forms
A Handbook of Poetics
Lewis Turco
Page iv UNIVERSITY PRESS OF NEW ENGLAND publishes books under its own - photo 2
Page iv
UNIVERSITY PRESS OF NEW ENGLAND publishes books under its own imprint and is the publisher for Brandeis University Press, Dartmouth College, Middlebury College Press, University of New Hampshire, Tufts University, and Wesleyan University Press.
University Press of New England, Hanover, NH 03755
1986 by University Press of New England
All rights reserved
Printed in the United States of America 10 9 8 7
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Turco, Lewis.
The new book of forms.
Expanded revision of: Book forms published in 1968.
l. Poetics. 2. Versification. I. Turco, Lewis.
Book forms. II. Title.
PN1042.T78 1986 808.1 86-40116
ISBN 0-87451-380-4
ISBN 0-87451-381-2 (pbk.)
John Crowe Ransom, ''Bells for John Whiteside's Daughter," from Selected Poems, Third Edition, Revised and Enlarged, copyright Alfred A. Knopf, Inc., reprinted by permission of Alfred A. Knopf, Inc.
Page v
For old friends:
Charlie Davis and Hyatt Waggoner,
and in memory of Loring Williams.
Page vii
CONTENTS
Preface
ix
I. A Handbook of Poetics
1
1. Introduction
3
2. The Typographical Level
5
3. The Sonic Level
8
4. The Sensory Level
47
5. The Ideational Level
61
II. The New Book of Forms
79
6. Form-Finder Index
81
7. The Forms of Poetry
90
Appendix: Analytical Outline
257
Index of Authors and Titles
259
Index of Terms
269

Page ix
PREFACE
Like the original Book of Forms, which was published in 1968 and subsequently became the standard in its field, The New Book of Forms: A Handbook of Poetics is intended as a text and reference work for students and teachers of poetry in general and of verse composition in particular. Although the accent is on the forms of poetry, this volume contains all the information essential to a study of poetics ranging from the Middle Ages to the present.
The volume begins with a ''Handbook of Poetics" arranged in "levels"the typographical, the sonic, the sensory, and the ideational levels. These chapters survey the two modes of writingprose and verseand various prosodic and metrical systems, clarify terms such as rhythm, cadence, and meter, and provide clear explanations of the processes and methods of versification. Figurative language is defined and discussed, as are considerations such as diction, style, syntax, and overtone.
The second part of the volume is called "The New Book of Forms," and it begins with a "Form-Finder Index" in which all the forms contained in the volume are listed and divided, first into specific forms, and then into general forms. Under "specific forms" there are further subdivisions, beginning with one-line forms and working through to two hundred ten-line forms.
Should you wish to know the form of a poem you are studying, rather than leaf through all the forms in the book, you can first determine (1) the rhyme scheme of the poem or stanza in question and (2) its meter. Then you can (3) count the lines in the form and turn to the Form-Finder. There, under the appropriate heading, will be a short list of stanza and
Page x
whole poem patterns, from which you can determine the exact name of the poem form in question.
Similarly, should a student of verse composition wish to use a form of a specific length, he or she can consult the Form-Finder to discover an interesting structure. Many students find there is no quicker way to improve their writing than through formal experimentation and attempts to solve specific technical problems.
Following the Form-Finder is the most comprehensive compilation of the verse forms traditionally used in Anglo-American prosody ever gathered between covers. Over three hundred forms are listed alphabetically, dozens of which have been added for this edition of The New Book of Forms.
Our heritage of forms is rich. We are heirs not only of British metrical systems, but also of systems derived from Europe, the Middle East, and Asia. Our history of verse forms goes back to the Normans, the Anglo-Saxons, and the Celts, and we have derived much from the systems of the Hebrews, the Greeks, the Italians, and the French. The verse forms set forth here have all been utilized by poets of the English-speaking world. During every period of English letters, craftsfolk and bards have explored the possibilities of the formal structure of verse and extended the range of those structures.
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