• Complain

Goldsmith - Discord: the story of noise

Here you can read online Goldsmith - Discord: the story of noise full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Oxford, year: 2014;2012, publisher: Oxford University Press USA - OSO, genre: Children. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Discord: the story of noise
  • Author:
  • Publisher:
    Oxford University Press USA - OSO
  • Genre:
  • Year:
    2014;2012
  • City:
    Oxford
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Discord: the story of noise: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Discord: the story of noise" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

The nature of noise -- A silent bang -- Classical noise -- New noise -- A new science of sound -- Noise in the eighteenth century -- Machineries of noise -- The first champions of silence -- The noise century -- Noise in wartime -- A time of peace? -- A different kind of war -- A new beginning? -- The power of science -- A new pollution -- Noise now -- A quieter tomorrow?;Noise is a widely recognized problem and health concern in the modern world. Given the importance of managing noise levels and developing suitable soundscapes in contexts such as industry, schools, or public spaces, this is an area of active research for acousticians. But noise, in the sense of dissonance, can also be used positively; composers have employed it from Baroque music to Rock feedback; medicine harnesses it to shatter kidney stones and treat cancer; and even the military uses it in (real and rumoured) weapons. Mike Goldsmith looks back at the long history of the battle between people and noise - a battle that has changed our lives and moulded our societies. He investigates how increasing noise levels relate to human progress, from the clatter of wheels on cobbles to the sound of heavy machinery; he explains how our scientific understanding of sound and hearing has developed; and he looks at noise in nature, including the remarkable ways in which some animals, such as shrimps, use noise as a weapon or to catch prey. He concludes by turning to the future, discussing the noise sources which are likely to dominate it and the ways in which new science and new ideas may change the way our future will sound.

Goldsmith: author's other books


Who wrote Discord: the story of noise? Find out the surname, the name of the author of the book and a list of all author's works by series.

Discord: the story of noise — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Discord: the story of noise" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
DISCORD
DISCORD
THE STORY OF NOISE

MIKE GOLDSMITH

Discord the story of noise - image 1

Discord the story of noise - image 2

Great Clarendon Street, Oxford, OX 2 6 DP ,
United Kingdom

Oxford University Press is a department of the University of Oxford.
It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Mike Goldsmith 2012

The moral rights of the author have been asserted

First Edition published in 2012
Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the
address above

You must not circulate this work in any other form
and you must impose this same condition on any acquirer

British Library Cataloguing in Publication Data
Data available

Library of Congress Cataloging in Publication Data
Data available

ISBN 9780199600687

Printed in Great Britain by
Clays Ltd, St Ives Plc

To the staff of the Acoustics Group,
National Physical Laboratory

ACKNOWLEDGEMENTS

I wish to thank the following for the very useful information they were so generous as to provide:

James P. Allen, Wilbur Professor of Egyptology at Brown University, for information on ancient Egyptian records, and for the translation cited on p. 21;

Dr Richard Barham, National Physical Laboratory, for information on recent environmental noise reduction projects;

Bernard Berry, BEL Acoustics, for material on the history of the National Physical Laboratory;

Alan Bloomfield, for information about EU noise projects;

Professor Philip Dickenson, Massey University, New Zealand, for information about US airbases and their responses to noise problems in the 1940s;

Chris Clark, Head of Digital Research at the British Library, for information about 1940s London soundscapes;

Professor Ed Greitzer, MIT, USA, for information about the Silent Aircraft Initiative;

Chris Hanson-Abbott, founder chairman of Brigade Electronics plc and inventor of the white sound vehicle movement alarm, for material on p. 266;

Mark Hodnett, National Physical Laboratory, for information about the biological effects of ultrasound;

Dr James Hileman, MIT, USA, for information about the Silent Aircraft Initiative;

Paul D. Jepson, BVMS, Ph.D. DipECZM (Wildlife Population Health), MRCVS, European Veterinary Specialist in Wildlife Population ;

Mark Jiggins, Hoare Lea Acoustics, for guidance about wind farms;

Garret Keitzer, for information about early medical accounts of noise;

Lisa Lavia, Managing Director, Noise Abatement Society, for material about John Connell, including Figs 34, 35, and 36 (Courtesy of the Noise Abatement Society, a registered charity in the United Kingdom. Established in 1959, the Societys remit is to help find solutions to noise pollution problems which it does through working with diverse stakeholders to find innovative, practical and holistic solutions. The Societys founder, John Connell OBE, lobbied the Noise Abatement Act through parliament in 1960 making noise a statutory nuisance in the UK for the first time);

Gianluca Memola, National Physical Laboratory, for information and discussion about EU research projects;

Richard Payne, for information about FSN;

Stephen Robinson, National Physical Laboratory, for material and advice concerning underwater noise;

Adam Shaw, National Physical Laboratory, for information about new medical uses of ultrasound.

CONTENTS

ANASE

Attitudes to Noise from Aviation Sources in England

ARL

Admiralty Research Laboratory

ASA

Acoustical Society of America

ATOC

Acoustical Thermometry of Ocean Climate

CNR

Composite Noise Rating

dB

decibel

dBA

A-weighted decibel

EEC

European Economic Community

END

European Noise Directive

EPA

Environmental Protection Agency

EU

European Union

FAA

Federal Aviation Administration

GES

Good Environmental Status

HIFU

High Intensity Focused Ultrasound

IPPC

Integrated Pollution Prevention and Control

Hz

hertz

kHz

kilohertz

Lden

a weighted 24-hour average of the noise levels during the day, evening, and night

LFA

Low Frequency Activated Sonar

LRAD

Long Range Acoustic Device

MEDUSA

Mob Excess Deterrent Using Silent Audio

MEMS

MicroElectroMechanical Systems

MIT

Massachusetts Institute of Technology

MMO

marine monitoring officer

MRI

Magnetic Resonance Imaging

NAS

Noise Abatement Society

NCA

Noise Control Act

NEPA

National Environmental Policy Act

NNI

Noise and Number Index

NPL

National Physical Laboratory (UK)

NRDC

Natural Resources Defense Council

PNdB

perceived noise level in decibels

PSYOP

Psychological Operations

RNID

Royal National Institute for Deaf People

SOFAR

SOund Fixing And Ranging

SONAR

Sound Navigation and Ranging

WHO

World Health Organization

Why are you writing a book about the history of NOISE?, people asked. And what is noise anyway?, they didnt add. But perhaps they should have. Noise is not quite as simple as it sounds, as we shall soon discover. But first: why a noise book? Because noise is more relevant todayand will be more relevant tomorrowthan ever before, thanks in part to the growth of its sources and in part to the more concerted efforts of governments to quash it. Not that quashing is always relevant: noise is by no means always bad.

Probably what most people mean when they use the word is unwanted soundand indeed this definition of noise has been in common use since the Middle Ages, or perhaps even earlier. But unwanted sound is hardly a definition likely to satisfy a philosopher or a lawyer: is

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Discord: the story of noise»

Look at similar books to Discord: the story of noise. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Discord: the story of noise»

Discussion, reviews of the book Discord: the story of noise and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.