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Dosho Port - The Record of Empty Hall: One Hundred Classic Koans

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Dosho Port The Record of Empty Hall: One Hundred Classic Koans
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Shambhala Publications Inc 4720 Walnut Street Boulder Colorado 80301 - photo 1
Shambhala Publications Inc 4720 Walnut Street Boulder Colorado 80301 - photo 2

Shambhala Publications, Inc.

4720 Walnut Street

Boulder, Colorado 80301

www.shambhala.com

2021 by Dosho Port

Frontispiece: Mu () calligraphy (English: absence, non, without, no) by Harada Tangen Roshi (19242018)

Cover art: Kim Knoll

Cover design: Daniel Urban-Brown

Interior design: Greta D. Sibley

All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.

For more information please visit www.shambhala.com.

Shambhala Publications is distributed worldwide by Penguin Random House, Inc., and its subsidiaries.

Library of Congress Cataloging-in-Publication Data

Names: Zhiyu, 11851269, author. | Port, Dosho, translator, writer of added commentary.

Title: The record of empty hall: one hundred classic koans / Xutang Zhiyu; translated with commentary by Dosho Port.

Other titles: Xutang he shang yu lu. English

Description: First edition. | Boulder, Colorado: Shambhala, [2020] | Includes bibliographical references and index.

Identifiers: LCCN 2020018874 | ISBN 9781611808919 (trade paperback) Subjects: LCSH: Koan.

Classification: LCC BQ9289.5 .C4713 2020 | DDC 294.3/927dc23

LC record available at https://lccn.loc.gov/2020018874

eISBN 9780834843486

a_prh_5.6.1_c0_r0

Eighty-five years Not knowing buddhas and ancestors Walking casually with arms - photo 3

Eighty-five years

Not knowing buddhas and ancestors

Walking casually with arms swinging

Extinguishing great emptiness.

Death poem of Xutang Zhiyu

Foreword

According to the historical Buddha, Shakyamuni, who started this whole mess we call Buddhism 2,600 years ago, good friends (kalyana mitta) are the whole of practice. In the Upaddha Sutta, the Buddha says, Admirable friendship, admirable companionship, admirable camaraderie is actually the whole of the holy life.

I count Dosho Port Roshi as an admirable companion on the Great Way of Zen. Our friendship is a very particular one. Mostly, we enjoy a mutual love for Zen koan practice, and in my view, Dosho is a master of koan teaching. Someone who is adept in this field of study and practice has to remain open and deeply curious about the meaning of life as transmitted from our Zen ancestors in China, Japan, and Korea to Zen practitioners in the present moment. This transmission is complex and mysterious.

Most koans used today are translations many times over, from Chinese to Japanese to nineteenth-century English to twentieth-century English. Doshos bright mind looks to original Chinese and Japanese sources to help explore the multiplicity of meaning that is at the heart of koan inquiry. I have personally enjoyed and used his fresh translations in my writing, teaching, and personal practice. Our conversations often revolve around koan study. And we have found that there is no end to delving deeply into this mystery.

Xutangs 100 koans appeared in an English translation by Yoel Hoffman in 1977, with answers that are really commentaries from the lineage of eighteenth-century Japanese Zen master Hakuin Ekaku. To my knowledge, there has been no other attempt to render this collection into English, and no published modern interpretations.

Dosho has filled the gap in transmission to the English-speaking Zen world with his clear, warm, and emotionally intelligent writing. He has managed to comment on each koan from the stance of the awakened heart, without sacrificing relatability to our modern life of joys and sorrows. We get to know his wife and teaching partner, Tetsugan, his dog Bodhi, and some of his many sangha friends from the Nebraska Zen Center where he lives and teaches.

Two other skills that Dosho brings to these commentaries are his immense love for our thirteenth-century Japanese ancestor Eihei Dogen, transmitted to him from his first teacher, Dainin Katagiri Roshi. Added to that is his fascination with the history of koan practice and all of the many characters who come to life in the koans. Making these connections is a joy to witness. I am not a scholar myself, but I find his weaving together of these different elements personally inspiring. After all, the point of studying koans is to live the awakened life, not to turn into a scholar. Dosho always leads us back to this moment, where everything we need is spread before us.

The particular lens offered by koan practice helps us to live more deeply and more compassionately. And we get the great good luck of finding intimate friends, including the teachers and students who populate these stories. Dipping into this book for even a few pages will benefit anyone who is intrigued by koan practice and its history, and/or who is doing koan study with a teacher. If this describes you, enjoy your good fortune. Your view of what it means to be a human being is about to be vastly expanded.

Melissa Myozen Blacker

Boundless Way Temple

Worcester, Massachusetts

Introduction
Raising a Single Stick of Incense

As I write this, Im in my forty-third year of practicing Zen. I grew up in and among the swamps, bars, and gas stations of northeastern Minnesota, then had the dumb luck of stumbling into one of the first Soto Zen teachers in America, Katagiri Roshi, in Minneapolis in 1977. I went on to train with him and received dharma transmission in 1989, just before he died in 1990.

After Katagiri Roshis death, I first practiced monastically in Japan for a year under the guidance of Harada Tangen Roshi. Unbeknownst to me until years later, when I left Japan I would embark on an intermittent pilgrimage (visiting teachers, doing intensive retreats, and inquiring about the dharma whenever my other responsibilities allowed) while teaching Zen, working as a special educator and administrator, and raising two children. Since Katagiri Roshi died, Ive had the opportunity to study with about twenty Zen teachers in Japan, the United States, and Europe. Well, really just one in EuropeThich Nhat Hanh. Finally, I connected with James Myoun Ford Roshi and Melissa Myozen Blacker Roshi. Then in January 2015, after having completed formal koan training, I received inka shomei (literally, document of succession) from Ford Roshi in the Aitken-Tarrant line of the Harada-Yasutani-Yamada lineage.

Katagiri Roshi taught me that there are three elements to Zen: zazen, study, and engagement. So after completing the Harada-Yasutani koan curriculum, I turned my study practice to one of the creative geniuses behind the system Id worked through, the eighteenth-century Japanese Zen master, Hakuin. I felt determined to continue refining my understanding so that I might be better able to practice awakening.

Hakuin had such high regard for the author of The Record of Empty Hall, Xutang, that he chose this text as the subject for his first large teaching gathering. Although Id already been practicing and studying Zen for decades, I didnt know anything about Xutang, so I began digging. I soon felt like a little kid discovering a cache of golden pennies right in my own sandbox! One thing led to another, and I began translating and then commenting on volume 6 of

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