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Jerry Jennings - Triad Magic - An Introduction to Guitar Chord Theory (Book/Online Videos)

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Triad Magic - An Introduction to Guitar Chord Theory (Book/Online Videos): summary, description and annotation

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* Understand How Basic Chords Work
* Learn Several Ways to Play Any Song
* Access to Online Videos
* Put Arpeggios to Work in Your Leads
* Gain a Better Knowledge of the Neck
Triad Magic is here to take you on an exciting journey towards understanding the chords you already play, and maybe some you don t. By the end of this book, you ll be able to take any song, go to any area of the guitar neck, and find a new approach to your already familiar chords. With this knowledge you can improve your lead playing by seeing how scales are directly related to triad shapes, find rhythm parts that cut through the mix, and further solidify your basic chord expertise.
In the long run, understanding chord construction will help your composing, playing, teaching and communication with other musicians. TRIAD MAGIC is designed to give you that extra edge. Enjoy!

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Table of Contents by Jerry Jennings Online Video Access at JenningsPublishingcomTriadMagic - photo 1
by Jerry Jennings Online Video Access at JenningsPublishing.com/TriadMagic
Triad Magic is here to take you on an exciting journey towards understanding the chords you already play, and maybe some you dont. By the end of this book, youll be able to take any song, go to any area of the guitar neck, and find a new approach to your already familiar chords. With this knowledge you can improve your lead playing by seeing how scales are directly related to triad shapes, find rhythm parts that cut through the mix, and further solidify your basic chord expertise. In the long run, understanding chord construction will help your composing, playing, teaching and communication with other musicians. TRIAD MAGIC is designed to give you that extra edge. Enjoy! Graphic Design & LayoutJane Jennings Assistant EditingRich Ayala (RosevilleGuitarRoom.com) This book & videos Copyright 2014 by Jerry Jennings All rights reserved.

No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher. Order No. JJ 90000 International Standard Book Number: 0-9700038-6-2 JENNINGS PUBLISHING COMPANY 5012 Kahn Street, Carmichael, CA 95608 info@jenningspublishing.com Printed in the USA at MSI Mailing Systems, Inc (MSImail.net) Visit Jennings Publishing Online at JenningsPublishing.com

INTRODUCING SCALES & TRIADS What is a Triad? (Online Video - Lesson 1)
A triad is the simplest type of complete chord. It is made of three parts; the root, the third, and the fifth. Lets look at what that means. Here are the notes of the G Major Scale: A major scale contains seven notes Were simply going to take the 1st root - photo 2
A major scale contains seven notes.

Were simply going to take the 1st (root), 3rd, and 5th notes from the G Major Scale, and this gives a G major triad. Here it is on the neck: The spelling of a G major triad is G B D We will look more at chord spelling - photo 3
The spelling of a G major triad is G, B, D. We will look more at chord spelling as we go. If you add in the higher G note, youll probably notice it looks a lot like an F chord, only two frets higher. This is no accident. Youll find that most basic open position chords are triads.

Since any combination of G, B, and D make a G chord, you could leave out the fourth string or the first string, and still have a complete G chord. Triads Come in Four Types In this book we will talk about each of the four - photo 4
Triads Come in Four Types In this book, we will talk about each of the four types. For now, I just want you to memorize the four names and the chord symbol associated with each one. Lets look at the actual note spacing of the four types of triads Remember that - photo 5
Lets look at the actual note spacing of the four types of triads. Remember that a major scale has two sets of notes that are a half-step apart; 3 & 4, and 7 & 1 Lets try the four types of triads on a G Well use the same triad shape we were - photo 6
Lets try the four types of triads on a G. Now that we know the spelling of a G chord G B D lets look at a diagram - photo 7
Now that we know the spelling of a G chord ( G, B, D ), lets look at a diagram of a typical G chord shape and identify the parts. Now that we know the spelling of a G chord G B D lets look at a diagram - photo 7
Now that we know the spelling of a G chord ( G, B, D ), lets look at a diagram of a typical G chord shape and identify the parts.

As you can see, what you know as a G Chord is really just notes of the G Major triad. In this case, there are three Gs, two Bs, and one D. What if we use the four finger G chord Again we are still looking at nothing - photo 8
What if we use the four finger G chord? Again, we are still looking at nothing but a combination of Gs, Bs, and Ds. The only difference is, we have swapped a 3rd for a 5th (swapped a B for a D). But we still just have the sound of a G chord, dont we? Once I know that the spelling of a G chord is G B D there are numerous ways to - photo 9
Once I know that the spelling of a G chord is G B D, there are numerous ways to construct a G chord on the neck. Here are a few you can try.

Find as many as you can. Dont include any open strings unless they are part of the triad. If you need blank chord diagrams, you can get them from our site at jenningspublishing.com/downloads. For more exercises using open chord shapes see Appendices 1 2 - photo 10
For more exercises using open chord shapes, see Appendices 1 & 2.


TRIAD INVERSIONS Triad Shapes on Three Strings (Online Video - Lesson 2)
For the next several pages we will be working on only strings 2, 3, and 4. Try this exercise using your third finger only Play thes - photo 11
Try this exercise using your third finger only Play these notes If youre - photo 12
Try this exercise using your third finger only Play these notes If youre - photo 13
Try this exercise using your third finger only Play these notes If youre - photo 14
Try this exercise using your third finger only.

Play these notes. If youre using an acoustic guitar, the 17th fret may be out of reach. Dont worry, the exercise works fine without it. Youre sliding your third finger all the way up the neck, stopping to play each of the notes of a G major triad. Now lets try it a little slower Each time you stop on a chord tone use the - photo 15
Now lets try it a little slower. (These are all G chords.) Lets try the same exercise with another chord We can play all the same shapes - photo 16
Lets try the same exercise with another chord. (These are all G chords.) Lets try the same exercise with another chord We can play all the same shapes - photo 16
Lets try the same exercise with another chord.

We can play all the same shapes for the F, but they will be two frets lower. The spelling of an F chord is F A C. Again we have taken the Root 3rd and 5th notes from the major scale giving - photo 17
Again, we have taken the Root, 3rd, and 5th notes from the major scale, giving us an F major triad. On the following page we will work with two major triads a whole step apart - photo 18
On the following page, we will work with two major triads a whole step apart from each other. There are a couple of songs that come to mind when descending from a major triad, down a whole step to another major triad. If you speed it way up, its reminiscent of Tequila.

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