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Charles Caramello - Silverless mirrors: book, self & postmodern American fiction

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title Silverless Mirrors Book Self Postmodern American Fiction - photo 1

title:Silverless Mirrors : Book, Self & Postmodern American Fiction
author:Caramello, Charles.
publisher:University Press of Florida
isbn10 | asin:0813007720
print isbn13:9780813007724
ebook isbn13:9780813019222
language:English
subjectAmerican fiction--20th century--History and criticism, Experimental fiction, American--History and criticism, Postmodernism (Literature)--United States.
publication date:1983
lcc:PS379.C29 1983eb
ddc:813/.54/091
subject:American fiction--20th century--History and criticism, Experimental fiction, American--History and criticism, Postmodernism (Literature)--United States.
Page iii
Silverless Mirrors
Book, Self & Postmodern American Fiction
Charles Caramello
A Florida State University Book
University Presses of Florida/Tallahassee
Page iv
Library of Congress Cataloging in Publication Data
Caramello, Charles.
Silverless mirrors.
"A Florida State University book."
Includes bibliographical references and index.
1. American fiction20th centuryHistory and
criticism. 2. Modernism (Literature). I. Title.
PS379.C29 1983 813'.54'091 83-14841
ISBN 0-8130-0769-0
ISBN 0-8130-0772-0 (pbk.)
Permissions to quote from copyrighted material on page 251.
Copyright 1983 by the Board of Regents of the State of Florida
All rights reserved
Printed in the U.S.A. on acid-free paper
University Presses of Florida is the central agency for scholarly publishing of the State of Florida's university system. Its offices are located at 15 NW 15th Street, Gainesville, FL 32603. Works published by University Presses of Florida are evaluated and selected for publication by a faculty editorial committee of any one of Florida's nine public universities: Florida A&M University (Tallahassee), Florida Atlantic University (Boca Raton), Florida International University (Miami), Florida State University (Tallahassee), University of Central Florida (Orlando), University of Florida (Gainesville), University of North Florida (Jacksonville), University of South Florida (Tampa), University of West Florida (Pensacola).
Page v
CONTENTS
Acknowledgments
vii
Preface
ix
Part I. Exploration
1. Shaping Presences, Shaped Absences
3
2. Moby-Dick and the Postmodern Turn
54
Part II. Explication
3. Fleshing Out Willie Masters' Lonesome Wife
97
4. Lost in the Funhouse and Other Refractions
112
5. Flushing Out The Voice in the Closet
131
6. The Volcanoes from Puebla and Other Reflections
143
7. Returning in The Right Promethean Fire
174
Postscript
211
Notes
213
Index
245

Page vi
For Annie,
"in our hearts' honeymoon"
Page vii
ACKNOWLEDGMENTS
For this book, I owe debts that mere acknowledgments cannot begin to repay. I thank Jeanne Ruppert, director, Florida State University Press, for her enthusiasm, her style, and her keen intelligence. I thank Shirley Strum Kenny, provost, Division of Arts and Humanities, University of Maryland, and Annabel Patterson, chairwoman, Department of English, University of Maryland, for their vision, their courage, and their unfailing support. And I thank the friends and colleagues who have discussed this book with me and the writers and aritics who have kindly responded to queries about the pertinence of their own work to itespecially Walter Abish, Nikhilesh Banerjee, Herbert Blau, Rgis Durand, Raymond Federman, Kenneth Gangemi, Ihab Hassan, Sally Hassan, Douglas Messerli, Paul Smith, and Alan Wilde.
I developed the idea and configuration of this book while at the Center for Twentieth-Century Studies of the University of Wisconsin at Milwaukee; I owe much to this center's former director, my friend and past collaborator, the late Michel Benamou. The book took shape at the University of Maryland, and I wish to thank that institution's General Research Board for a summer grant that facilitated the completion of one chapter and its Department of English for release time that enabled the completion of another. Finally, I revised and prepared this book for publication while holding an Andrew W. Mellon Fellowship at the Center for the Humanities of Wesleyan University. For their friendship, intellectual stimulation, and kindnesses impossible to enumerate, I wish to honor the memory of the late Louis O. Mink, director of the center, and to thank Khachig Tololyan, its associate director.
Portions of this book have appeared earlier in different form: chapter 3, as "Fleshing Out Willie Masters' Lonesome Wife," in Sub-stance, no. 27 (1980): 59-72 (copyright by the Board of Regents of the University of Wisconsin System): chapter 5, as "Flushing Out 'The Voice in the Closet,'" in Sub-stance, no. 20 (1978): 101-13 (copyright by the Board of Regents of the University of Wisconsin System); and chapter 6, as "On the Guideless Guidebooks of Postmodernism: Reading
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