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Richard F. Thomas - Why Bob Dylan Matters

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Richard F. Thomas Why Bob Dylan Matters

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The coolest class on campus The New York Times

When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the worlds most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldnt even deign to attend the medal ceremony?

In Why Bob Dylan Matters, Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylans Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminaraffectionately dubbed Dylan 101Thomas is introducing a new generation of fans and scholars to the revered bards work.

This witty, personal volume is a distillation of Thomass famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, What makes a classic?, Thomas offers an eloquent argument for Dylans modern relevance, while interpreting and decoding Dylans lyrics for readers. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylans work for the Dylan neophyte and the seasoned fanatic alike. Youll never think about Bob Dylan in the same way again.

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I have many people to thank, beginning with Jeff Rosen and his colleagues in Bob Dylans office, who have been so helpful and generous to scholars of Dylan over the years, myself included. Along with Jeff Rosen, I thank David Beal, Larry Jenkins, Debbie Sweeney, Raymond Foye, and Lynne Sheridan, the wonderful people whose judgment helps give access to the art of Bob Dylan even as they serve as judicious gatekeepers to the person of Bob Dylan.

Jessica Sindler, senior editor at Dey Street Books, first approached me about writing this book in October 2016, and I am grateful she did so, as I am for her expert help, guidance, admonishment, and encouragement.

Particular thanks are due to Jud Herrman, Tim Joseph, Kevin McGrath, and Mike Sullivan, bobfans, scholars, poets, and friends, who read a draft of the book.

Special thanks go to family, friends, and many others whose acquaintance I made over the years and who all contributed to this book: Stephen Hazan Arnoff, John Dan Bergan, Daniel Blanco, Barbara Boyd, Susannah Braund, Ward Briggs, John Broughton, Sergio Casali, Lydia Cawley, Michael Chaiken, Matthew Clark, James Clauss, Michael Cosmopoulos, Megan Devir, Will Dingee, Terry Gans, Elena Giusti, Joe Harris, John Henderson, Peter Knox, C. P. Lee, Catharine Mason, Tom Palaima, Hayden Pelliccia, Seth Pitman, Robert Polito, Samuel Puopolo, Iain Purdie, Sir Christopher Ricks, Chris Rollason, Ben Roy, Stephen Scobie, Jason Scorich, Lorri Shalley, Linda Stroback, Theoharis Theoharis, Joan Thomas, Julia Thomas, Sarah Thomas, Scott Warmuth, Rose Whitcomb, India Whitmarsh, Tim Whitmarsh, Elizabeth Wilson, Clem Wood, Teresa Wu, Jan Ziolkowski, Ted Ziolkowskiwith apologies to those whose names should be here but arent.

These are just some of the many people with whom I have traveled through my life with Dylan. I particularly acknowledge the dedicatees of this book, my freshman seminar students at Harvard from 2004, 2008, 2012, and 2016, teenagers who decided that Bob Dylan was worth a quarter of their time for a semester, even to the puzzlement of their peers. The announcement of October 13, 2016, was vindication for them as it was for millions of us who have in their long or less-long lives known that something was happening here.

RICHARD F. THOMAS is the George Martin Lane Professor of the Classics at Harvard University, a Bob Dylan expert, and the creator of a freshman seminar at Harvard on Bob Dylan. He lives in Newton, Massachusetts.

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Ferry, D. 2005. Tr. Georgics of Virgil. New York: Farrar, Straus & Giroux.

Flanagan, B. 2017. Q & A with Bill Flanagan. http://bobdylan.com/news/qa-with-bill-flanagan/.

Frland, T. E. 1992. Bringing It All Back Home or Another Side of Bob Dylan: Midwestern Isolationist. Journal of American Studies 26.3: 33755.

Fricke, D. 2015. Bob Dylan: Shadows in the Night. Rolling Stone , February 3. http://www.rollingstone.com/music/albumreviews/bob-dylan-shadows-in-the-night-20150203.

Gaines, D. 2016. The Bob Dylan Nobel: The Morning After. Austin Chronicle , December 12, 2016. http://www.austinchronicle.com/daily/arts/2016-12-12/the-bob dylan-nobel-the-morning-after/.

Giles, J. 2014. Bob Dylan to Release an Entire Album of Frank Sinatra Songs. Ultimate Classic Rock , December 9. http://ultimateclassicrock.com/bob-dylan-shadows-in-the-night/?trackback=tsmclip.

Gilmore, M. 2012. Dylan Unleashed. Rolling Stone , September 27. http://www.rollingstone.com/music/news/bob-dylan-unleashed-a-wild-ride-on-his-new-lp-and-striking-back-at-critics-20120927.

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Heylin, C. 2011. Behind the Shades: The 20th Anniversary Edition . London: Faber & Faber.

Heylin, C. 2010. Still on the Road: The Songs of Bob Dylan: Vol. II: 19742006 . Chicago: Chicago Review Press.

Heylin, C. 2009. Revolution in the Air: The Songs of Bob Dylan: Vol. 1: 195773 . Chicago: Chicago Review Press.

Heylin, C. 2001. Bob Dylan: Behind the Shades Revisited . New York: HarperCollins.

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Lethem, J. 2007. The Ecstasy of Influence. A Plagiarism. Harpers Magazine, February. http://harpers.org/archive/2007/02/the-ecstasy-of-influence/11/.

Love, R. 2015. Bob Dylan Does the American Standards His Way. AARP The Magazine , February/March. http://www.aarp.org/entertainment/style-trends/info-2015/bob-dylan-aarp-magazine.2.html.

Marcus, G. 2013. A Trip to Hibbing High. Riggio Honors Program: Profiles and Reflections , October. http://riggio.americanvanguardpress.com/portfolio/a-trip-to-hibbing-high-greil-marcus/.

Marqusee, M. 2003. Chimes of Freedom. The Politics of Bob Dylans Art . New York: New Press.

McCormick, N. 2013. Bob Dylan: 30 Greatest Songs. Telegraph , November 18.

Polito, R. 2013. Dylans Memory Palace. Riggio Honors Program: Profiles and Reflections , July. http://riggio.americanvanguardpress.com/portfolio/bob dylans-memory-palace-robert-polito/.

Ricks, C., and J. McCue, eds. 2015. The Poems of T. S. Eliot. Vol. 1. Baltimore: Johns Hopkins University Press.

Rogovoy, S. 2009. Bob Dylan: Prophet, Mystic, Poet . New York: Scribner.

Rotolo, S. 2008. A Freewheelin Time: A Memoir of Greenwich Village in the Sixties . New York: Broadway Books.

Santelli, R., and B. Dylan. 2005. The Bob Dylan Scrapbook, 19561966 . New York: Simon & Schuster.

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