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Amitav Ghosh - The Glass Palace: A Novel

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Amitav Ghosh The Glass Palace: A Novel

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Set in Burma during the British invasion of 1885, this masterly novel by Amitav Ghosh tells the story of Rajkumar, a poor boy lifted on the tides of political and social chaos, who goes on to create an empire in the Burmese teak forest. When soldiers force the royal family out of the Glass Palace and into exile, Rajkumar befriends Dolly, a young woman in the court of the Burmese Queen, whose love will shape his life. He cannot forget her, and years later, as a rich man, he goes in search of her. The struggles that have made Burma, India, and Malaya the places they are today are illuminated in this wonderful novel by the writer Chitra Divakaruni calls a master storyteller.

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The Glass Palace

Cover

Title

Copyright

CONTENTS

PART I
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
PART II
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
PART III
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
PART IV
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
PART V
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
PART VI
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
PART VII
CHAPTER 40
CHAPTER 41
CHAPTER 42
CHAPTER 43
CHAPTER 44
CHAPTER 45
CHAPTER 46
CHAPTER 47
CHAPTER 48

ALSO BY AMITAV GHOSH

The Calcutta Chromosome: A Novel of Fever, Delirium and Discovery Shadow Lines In an Antique Land The Circle of Reason

THE

A NOVEL

GLASS PALACE

Amitav Ghosh

a RANDOM HOUSE .NEW YORK

Copyright 2001 by Amitav Ghosh

Map copyright 2001 by Anita Karl and Jim Kemp

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

RANDOM HOUSE is a registered trademarks

of Random House, Inc.

This work was originally published in Great Britain by HarperCollins UK in 2000.

Library of Congress Cataloging-in-Publication Data

Ghosh, Amitav.

The glass palace/Amitav Ghosh.

p. cm.

eISBN 0-375-50687-X v1.0

1. BurmaHistoryFiction. 2. Mandalay (Burma)Fiction. I. Title.

PR9499.3.G536 G58 2000 823'.914dc21 00-41477

Random House website address: www.atrandom.com

To my fathers memory

CONTENTS

PART I Mandalay

/1

PART II Ratnagiri

/ 55

PART III The Money Tree

/ 153

PART IV The Wedding

/ 217

PART V Morningside

/ 263

PART VI The Front

/ 327

PART VII The Glass Palace

/ 409

Authors Notes /

Bibliography /

PART I
Mandalay

CHAPTER 1

here was only one person in the food-stall who knew exactly what that sound was that was rolling in across the plain, along the silver curve of the Irrawaddy, to the western wall of Mandalays fort. His name was Rajkumar and he was an Indian, a boy of elevennot an authority to be relied upon.

The noise was unfamiliar and unsettling, a distant booming followed by low, stuttering growls. At times it was like the snapping of dry twigs, sudden and unexpected. And then, abruptly, it would change to a deep rumble, shaking the food-stall and rattling its steaming pot of soup. The stall had only two benches, and they were both packed with people, sitting pressed up against each other. It was cold, the start of central Burmas brief but chilly winter, and the sun had not risen high enough yet to burn off the damp mist that had drifted in at dawn from the river. When the rst booms reached the stall there was a silence, followed by a urry of questions and whispered answers. People looked around in bewilderment: What is it? Ba le?

What can it be? And then Rajkumars sharp, excited voice cut through the buzz of speculation. English cannon, he said in his uent but heavily accented Burmese. Theyre shooting somewhere up the river. Heading in this direction.

Frowns appeared on some customers faces as they noted that it was the serving-boy who had spoken and that he was a kalaa from across the sea an Indian, with teeth as white as his eyes and skin the color of polished hardwood. He was standing in the center of the stall, holding a pile of chipped ceramic bowls. He was grinning a little sheepishly, as though embarrassed to parade his precocious knowingness.

His name meant Prince, but he was anything but princely in appearance, with his oil-splashed vest, his untidily knotted longyi and his bare feet with their thick slippers of callused skin. When people asked how old he was he said fteen, or sometimes eighteen or nineteen, for it gave him a sense of strength and power to be able to exaggerate so wildly, to pass himself off as grown and strong, in body and judgment, when he was, in fact, not much more than a child. But he could have said he was twenty and people would still have believed him, for he was a big, burly boy, taller and broader in the shoulder than many men. And because he was very dark it was hard to tell that his chin was as smooth as the palms of his hands, innocent of all but the faintest trace of fuzz.

It was chance alone that was responsible for Rajkumars presence in Mandalay that November morning. His boatthe sampan on which he worked as a helper and errand-boyhad been found to need repairs after sailing up the Irrawaddy from the Bay of Bengal. The boatowner had taken fright on being told that the work might take as long as a month, possibly even longer. He couldnt afford to feed his crew that long, hed decided: some of them would have to nd other jobs. Rajkumar was told to walk to the city, a couple of miles inland. At a bazaar, opposite the west wall of the fort, he was to ask for a woman called Ma Cho. She was half-Indian and she ran a small food-stall; she might have some work for him.

And so it happened that at the age of eleven, walking into the city of Mandalay, Rajkumar saw, for the rst time, a straight road. By the sides of the road there were bamboo-walled shacks and palm-thatched shanties, pats of dung and piles of refuse. But the straight course of the roads journey was unsmudged by the clutter that anked it: it was like a causeway cutting across a choppy sea. Its lines led the eye right through the city, past the bright red walls of the fort to the distant pagodas of Mandalay Hill, shining like a string of white bells upon the slope.

For his age, Rajkumar was well travelled. The boat he worked on was a coastal craft that generally kept to open waters, plying the long length of shore that joined Burma to Bengal.

Rajkumar had been to Chittagong and Bassein and any number of towns and villages in between. But in all his travels he had never come across thoroughfares like those in Mandalay. He was accustomed to lanes and alleys that curled endlessly around themselves so that you could never see beyond the next curve. Here was something new: a road that followed a straight, unvarying course, bringing the horizon right into the middle of habitation.

When the forts full immensity revealed itself, Rajkumar came to a halt in the middle of the road. The citadel was a miracle to behold, with its mile-long walls and its immense moat. The crenellated ramparts were almost three storeys high, but of a soaring lightness, red in color, and topped by ornamented gateways with seven-tiered roofs. Long straight roads radiated outwards from the walls, forming a neat geometrical grid. So intriguing was the ordered pattern of these streets that Rajkumar wandered far aeld, exploring. It was almost dark by the time he remembered why hed been sent to the city. He made his way back to the forts western wall and asked for Ma Cho.

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