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Oyinkan Braithwaite - My Sister, the Serial Killer

Here you can read online Oyinkan Braithwaite - My Sister, the Serial Killer full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2018, publisher: Knopf Doubleday Publishing Group, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Oyinkan Braithwaite My Sister, the Serial Killer

My Sister, the Serial Killer: summary, description and annotation

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Satire meets slasher in this short, darkly funny hand grenade of a novel about a Nigerian woman whose younger sister has a very inconvenient habit of killing her boyfriends.
Femi makes three, you know. Three and they label you a serial killer.
Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoolas third boyfriend in a row is dead. Koredes practicality is the sisters saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her missing boyfriend. Not that she gets any credit.
A kind, handsome doctor at the hospital where Korede works, is the bright spot in her life. She dreams of the day when he will realize theyre perfect for each other. But one day Ayoola shows up to the hospital uninvited and he takes notice. When he asks Korede for Ayoolas phone number, she must reckon with what her sister has become and what she will do about it.
Sharp as nails and full of deadpan wit, Oyinkan Braithwaite has written a deliciously deadly debut thats as fun as it is frightening.

Oyinkan Braithwaite: author's other books


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ACKNOWLEDGMENTS

I am grateful first to God.

To Clare Alexander, thank you, because without you, and the insight you possess, I would still be chugging away in the corner of my room waiting for the novel to come along. You are my fairy agentmother. Thank you to everyone at Aitken Alexander, for your efforts and your attention. I am truly appreciative.

To Margo Shickmanter, my U.S. editor, and James Roxburgh, my U.K. editor, thank you for your patience, your warmth and your understanding. Thank you for believing in this book and in me. Thank you for encouraging me to stretch myself; I think the book is far better for it.

Every day I learn how much work goes into publishing a novel, and so I would like to thank the Doubleday team and the Atlantic team for the time spent and the efforts made.

Emeka Agbakuru, Adebola Rayo, thank you for reading, and reading, and reading again. Its a blessing to be able to call you friend.

Obafunke Braithwaite, you are a pain, but without you, becoming a published author would have been a little overwhelming.

Thank you to Ayobami Adebayo for taking the time to add the accents to my Yoruba. One day, I shall be as fluent as a Lagos goat.

ABOUT THE AUTHOR

Oyinkan Braithwaite is a graduate of Creative Writing and Law from Kingston University. Following her degree, she worked as an assistant editor at Kachifo, a Nigerian publishing house, and as a production manager at Ajapaworld, a childrens educational and entertainment company. She now works freelance as a writer and editor. In 2014, she was short-listed as a top-ten spoken-word artist in the Eko Poetry Slam, and in 2016, she was a finalist for the Commonwealth Short Story Prize. She lives in Lagos, Nigeria.

WORDS

Ayoola summons me with these wordsKorede, I killed him.

I had hoped I would never hear those words again.

BLEACH

I bet you didnt know that bleach masks the smell of blood. Most people use bleach indiscriminately, assuming it is a catchall product, never taking the time to read the list of ingredients on the back, never taking the time to return to the recently wiped surface to take a closer look. Bleach will disinfect, but its not great for cleaning residue, so I use it only after I have first scrubbed the bathroom of all traces of life, and death.

It is clear that the room we are in has been remodeled recently. It has that never-been-used look, especially now that Ive spent close to three hours cleaning up. The hardest part was getting to the blood that had seeped in between the shower and the caulking. Its an easy part to forget.

Theres nothing placed on any of the surfaces; his shower gel, toothbrush and toothpaste are all stored in the cabinet above the sink. Then theres the shower mata black smiley face on a yellow rectangle in an otherwise white room.

Ayoola is perched on the toilet seat, her knees raised and her arms wrapped around them. The blood on her dress has dried and there is no risk that it will drip on the white, now glossy floors. Her dreadlocks are piled atop her head, so they dont sweep the ground. She keeps looking up at me with her big brown eyes, afraid that I am angry, that I will soon get off my hands and knees to lecture her.

I am not angry. If I am anything, I am tired. The sweat from my brow drips onto the floor and I use the blue sponge to wipe it away.

I was about to eat when she called me. I had laid everything out on the tray in preparationthe fork was to the left of the plate, the knife to the right. I folded the napkin into the shape of a crown and placed it at the center of the plate. The movie was paused at the beginning credits and the oven timer had just rung, when my phone began to vibrate violently on my table.

By the time I get home, the food will be cold.

I stand up and rinse the gloves in the sink, but I dont remove them. Ayoola is looking at my reflection in the mirror.

We need to move the body, I tell her.

Are you angry at me?

Perhaps a normal person would be angry, but what I feel now is a pressing need to dispose of the body. When I got here, we carried him to the boot of my car, so that I was free to scrub and mop without having to countenance his cold stare.

Get your bag, I reply.

We return to the car and he is still in the boot, waiting for us.

The third mainland bridge gets little to no traffic at this time of night, and since there are no lamplights, its almost pitch-black, but if you look beyond the bridge you can see the lights of the city. We take him to where we took the last oneover the bridge and into the water. At least he wont be lonely.

Some of the blood has seeped into the lining of the boot. Ayoola offers to clean it, out of guilt, but I take my homemade mixture of one spoon of ammonia to two cups of water from her and pour it over the stain. I dont know whether or not they have the tech for a thorough crime scene investigation in Lagos, but Ayoola could never clean up as efficiently as I can.

THE NOTEBOOK

Who was he?

Femi.

I scribble the name down. We are in my bedroom. Ayoola is sitting cross-legged on my sofa, her head resting on the back of the cushion. While she took a bath, I set the dress she had been wearing on fire. Now she wears a rose-colored T-shirt and smells of baby powder.

And his surname?

She frowns, pressing her lips together, and then she shakes her head, as though trying to shake the name back into the forefront of her brain. It doesnt come. She shrugs. I should have taken his wallet.

I close the notebook. It is small, smaller than the palm of my hand. I watched a TEDx video once where the man said that carrying around a notebook and penning one happy moment each day had changed his life. That is why I bought the notebook. On the first page, I wrote, I saw a white owl through my bedroom window. The notebook has been mostly empty since.

Its not my fault, you know. But I dont know. I dont know what she is referring to. Does she mean the inability to recall his surname? Or his death?

Tell me what happened.

THE POEM

Femi wrote her a poem.

(She can remember the poem, but she cannot remember his last name.)

I dare you to find a flaw

in her beauty;

or to bring forth a woman

who can stand beside

her without wilting.

And he gave it to her written on a piece of paper, folded twice, reminiscent of our secondary school days, when kids would pass love notes to one another in the back row of classrooms. She was moved by all this (but then Ayoola is always moved by the worship of her merits) and so she agreed to be his woman.

On their one-month anniversary, she stabbed him in the bathroom of his apartment. She didnt mean to, of course. He was angry, screaming at her, his onion-stained breath hot against her face.

(But why was she carrying the knife?)

The knife was for her protection. You never knew with men, they wanted what they wanted when they wanted it. She didnt mean to kill him; she wanted to warn him off, but he wasnt scared of her weapon. He was over six feet tall and she must have looked like a doll to him, with her small frame, long eyelashes and rosy, full lips.

(Her description, not mine.)

She killed him on the first strike, a jab straight to the heart. But then she stabbed him twice more to be sure. He sank to the floor. She could hear her own breathing and nothing else.

BODY

Have you heard this one before? Two girls walk into a room. The room is in a flat. The flat is on the third floor. In the room is the dead body of an adult male. How do they get the body to the ground floor without being seen?

First, they gather supplies.

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